Results
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£48.95Regal Fanfare and March (Concert Band - Score and Parts) - Watson, Scott
Powder your wig, polish your shoes, and get ready to enter the court of an 18th-century monarch with this bright, majestic concert work! Despite its pomp and grandeur, the rhythms, ranges, and scoring of this work in rondo form are right on target for younger players.Duration: 2:30
Estimated dispatch 7-14 working days
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£76.95The Rolling Stones on Tour (Concert Band - Score and Parts) - Jagger & Richards - Roszell, Patrick
The legendary Rolling Stones are celebrating their 50th anniversary, so why not celebrate with them? This arrangement, approached in a straight-ahead rock fashion, combines the dramatic "Paint It, Black," the beautiful "Ruby Tuesday," and the rocking "(I Can't Get No) Satisfaction" into a tour de force for your concert band.Duration: 5:30
Estimated dispatch 7-14 working days
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£58.50Bad Girls (Concert Band - Score and Parts) - Lopez, Victor
In tribute to Donna Summer, the bad boys get to meet the bad girls in a dynamic dance-craze arrangement that will knock your socks off and have everyone dancing in no time. May the "Bad Girls" win! Extremely playable and with much of the original flavour, this arrangement will definitely be the most requested piece in your band repertoire. Beep Beep!Duration: 2:00
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£60.50A Canadian Christmas (Concert Band - Score and Parts) - Gassi, Vince
Get ready for an abundance of merriment! This work features carols that have been traditionally sung in Canada for many years and will help to create a spirit of mirth in no time. It opens with the joyous strains of "Il Est N? Le Divin Enfant (He is Born, The Divine Child)" and continues with the plaintive and modal "No?l Nouvelet (Sing We Now of Christmas)." "The Huron Carol ('Twas In the Moon of Wintertime)" is then presented with remnants of "No?l Nouvelet" cleverly woven in. The dramatic conclusion develops brief dialogue between "Good King Wenceslas" and "Il Est N? Le Divin Enfant" that brings the work to an exuberant and powerful close. Juxtaposing the lyrical and expressive with the joyous and cheerful in this masterful arrangement will add a little touch of Canada to your next holiday concert. Duration: 4.00
Estimated dispatch 7-14 working days
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£54.99Hey Jude (Concert Band - Score and Parts) - Lennon & McCartney - Longfield, Robert
Recorded by the Beatles in 1968, this classic ballad has remained popular through the years. This arrangement for young players opens with a trumpet solo followed by a statement in the woodwinds. The lower voices then get a chance at the melody before the full band takes over on the familiar chorus. Sure to be a favourite with your audience as well as your students.
Estimated dispatch 7-14 working days
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£53.95Baile Sereno (Concert Band - Score and Parts) - Bough, Thomas
Beginning as a stately Latin dance which builds into a vibrant celebration, all performers get involved and set the mood by combining foot taps and clapping to produce a memorable start to this piece. Carefully notated percussion parts contribute authentic sounds and provide students an opportunity to play congas, bongos, and timbales using traditional notation. Performers and audiences alike will enjoy the multicultural content and the emotional rise and fall of this engaging composition.Duration: 3.00
Estimated dispatch 7-14 working days
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