Results
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£67.32Open Thy Heart - Bizet, Georges
"Open They Heart" is an exciting and showy solo work for flute with band. Excerpted from a tone-poem by French composer Georges Bizet, and originally for soprano with orchestra, this arrangement for solo flute with concert band can also be performed by a soprano soloist. Subtitled "Spanish Serenade," this lively dance will showcase your soloist as well as delight and charm audiences. Brilliant and entertaining!
Estimated dispatch 7-14 working days
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£89.95Purcell Variants (Concert Band - Score and Parts) - Meechan, Peter
Purcell Variants is based on Purcell's Queen Mary's Funeral Music, which consists of four canzonas, two elegies and an anthem.The first movement begins by sounding some of Purcell's original music in the trombones and horns, underpinned by a timpani roll with the woodwind articulating the beginnings and endings of the phrases. This leads into a cadenza for trumpet and alto saxophone before the movement heads in different directions, leading us to its mysterious end, where the original music is sounded this time in the 'stabs' of the clarinets and alto saxophone.Originally composed for the funeral of Queen Mary in 1695, Purcell's original funeral music was used later that same year for Purcell's own funeral - he died aged only 34. The second movement is an elegy, inspired by this story. After an introduction (a disjointed last post), the main melody of the movement is introduced by the solo euphonium, with other solo roles for flute, oboe and alto saxophone. This is then taken over by the trumpets who lead us into the middle section of the movement. This is a quasi funeral march, inspired by the image of Purcell's coffin being taken to its final resting point. The main melody returns in the flute, oboe and alto saxophone, this time more elaborated. The movement ends with a snare drum fading away - perhaps a metaphor.The Finale is a fast and furious movement combining thematic material from the two previous movements with new rhythmical ideas. This takes us through to the final passage - the triumphant return of Purcell's original theme.Duration: 13.00
Estimated dispatch 7-14 working days
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£64.35
Love's Old Sweet Song
This beautiful song from the turn-of-the-century is Andrew Glover's latest addition to the Barnhouse "Spotlight" series for solo instrument or voice with band accompaniment. Most effective as a solo for euphonium, trombone, or cornet/trumpet, it includes solo parts and is also playable by solo flute, violin, oboe, clarinet, alto saxophone, or horn. It may also be performed as a vocal solo (medium range from low D up to top-line F.) A masterful arrangement of a wonderful classic song!
Estimated dispatch 7-14 working days
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£67.32
Czardas - Monti, Vittorio
This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse "Spotlight" series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!
Estimated dispatch 7-14 working days
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£67.32
Bridge of Dreams
A bold and impressive composition by Ohio composer Tracy Behrman that uses attractive rhythm motives in the brasses and flowing melodic lines in the woodwinds and F horns to create a spirited contemporary work that is sure to become a standard at concert and contest performances. Includes very effective percussion parts and a tympani solo that will keep your drummers and keyboard percussionists challenged and involved. Features a tasty trumpet solo and a short solo for flute in the legato section. An outstanding choice for any concert or festival performance!
Estimated dispatch 7-14 working days
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£115.00
DIVERTIMENTO FOR BAND (Concert Band) - Woolfenden, Guy
Includes:I. ToccataII. AubadeIII. ScherzoMany of the principal musical ideas for Divertimento for Band are derived from music composed for a documentary film called Country Camera, which celebrated the work of the earliest photographers who recorded a way of life which vanished at the outset of the first World War.The three movements are played without a break. The Toccata pits a four-note motif (which always appears with its mirror image) against several other derived ideas, including a sour horn (later trumpet) figure, a tiny lyrical passage initiated by a solo alto saxophone, and a more gentle, but still staccato episode. Many polytonal devices keep the four-note motif active. The Aubade contrasts a lyrical pastorale, initiated by a solo flute, with a more intense central section on the brass. The Scherzo finale has three main ideas; a tune for principal bassoon and euphonium of a playful child-like nature, a rushing figure for the woodwinds later developed by the full band, and a solo for trumpet and clarinet, involving a descending scale and a lyrical wide-leaping recovery. The exuberant coda is derived from themes from the previous two movements.The world premiere of Divertimento for Band was given at the conference of the World Association for Symphonic Bands and Ensembles in Killarney on 13th July 2007 conducted by the composer, and is affectionately dedicated to Keith Allen, Jayne Rollason and Birmingham Symphonic Winds. -GW
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£39.60
Symphony No.1 Theme (Concert Band - Score and Parts)
The Johannes Brahms Symphony No. 1 Theme is designed to give your best players an opportunity to play a solo with band accompaniment. This solo is the same one that appears on page 36, book 1 of The Yamaha Advantage for oboe, bassoon, alto clarinet, tenor saxophone and horn. This arrangement also includes solo parts for Flute, Clarinet and Alto Saxophone. This piece can also be performed by band alone.
Estimated dispatch 7-14 working days
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£688.20Sad Samba (Concert Band - Score and Parts) - Ukkonen, Per-Olof
Sad Samba is a happy samba in a minor key. Starts soft, builds up and ends kind of softly. There is a solo section (ad lib.) for any instrument. If possible, feel free to use a soft instrument such as flute, alto flute, euphonium etc. Finally, you don't need all the percussion. You'll come a long way with just triangle and drum set. Duration: 4.30
Estimated dispatch 7-14 working days
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