Results
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£83.50Portrait of Freedom - Reineke
A dynamic and impressive original composition, this Steven Reineke creation features solo spots for Trumpet, Flute, Piccolo, Bassoon, Horn and a host of percussion instruments. Uplifting in nature, it's an incredible showcase for the entire band and a wonderful choice for any performance by mature bands.
Estimated dispatch 7-14 working days
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£83.50Across the Great Divide - Rob Romeyn
A delightful programmatic work depicting the day in the life of a cowboy in the American northwest. From the glorious mountain sunrise, to the exciting rodeo, and finally to the beautiful sunset, the themes are very memorable and enjoyable. Includes solo opportunities for trumpet, flute and clarinet. Contrasting moods, styles, and engaging themes make this piece a winner. Don't miss this one!!"
Estimated dispatch 7-14 working days
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£54.99
Barbarossa - Charles L. Barnhouse
Note: This is a reprint from a vintage publication of 1897. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
Estimated dispatch 7-14 working days
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£93.50Fanfare, Ballad and Jubilee - Claude T. Smith
Fine high school and college ensembles will appreciate the drama and beauty of this exceptional piece. The ballad section features the clarinet section with solo opportunities for the oboe, trumpet, flute, bassoon and baritone. The alla breve allegro vivace section calls on the resources of the entire ensemble for a stimulating and satisfying finale. Superb!
Estimated dispatch 7-14 working days
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£267.50Gloriosa - Symphonic Poem for Band (Complete) - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly andeloquently states the case of cross-cultural conflict and resolution.Commissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century byRoman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized".For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in theNagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually 'Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis ofGloriosa."I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokesthe fervent prayers and suffering of the Crypto-Christians.II. CantusThe second movement, Cantus showcases a brilliant blend of Gregorian chant and Japanese elements by opening with a solo passage for the ryuteki, a type of flute. The theme is based on San Juan-sama no Uta (The Song of Saint John), a 17th-century songcommemorating the "Great Martyrdom of Nagasaki" where a number of Kyushu Christians were killed in 1622.II. Dies FestusThe third and final movement, Dies Festus, takes as its theme the Nagasaki folk song, Nagasaki Bura Bura Bushi, where many Crypto-Christians lived.Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
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£271.99Patriotic Favorites
Here is the ultimate collection of Patriotic songs arranged to be played by either full band or by individual soloists (with optional accompaniment CD). For each song in the individual student books, there is a page for the full band arrangement as well as a page for solo use. In the same popular format as Michael's Movie Favorites and Broadway Favorites, each arrangement in Patriotic Favorites is correlated with a specific page in the Essential Elements 2000 Band Method. However, you don't need to be using this particular method to enjoy these wonderful arrangements! Includes: America, The Beautiful; America (My Country, 'Tis of Thee); Armed Forces Salute; Battle Hymn of the Republic; God Bless America; Hymn to the Fallen; The Patriot; The Star Spangled Banner; Stars and Stripes Forever; This Is My Country; Yankee Doodle/Yankee Doodle Boy Kit contents: 1 Conductor Book with CD 6 Flute 1 Oboe 1 Bassoon 6 Clarinet 1 Bass Clarinet 4 Alto Saxophone 1 Tenor Saxophone 1 Baritone Saxophone 6 Trumpet 2 F Horn 2 Trombone 1 Baritone B.C. 1 Baritone T.C. 1 Tuba 2 Percussion 1 Keyboard Percussion
Estimated dispatch 7-14 working days
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£76.99Dies Irae
A long standing favorite in the band repertoire, Verdi's famous opus, best known as the Manzoni Requiem is now available in this new version, designed for playability by most high school groups. Jay Bocook has retained the essence of the original by carefully placing the challenging, technical material in the skilled sections of the band (flute, 1st clar., alto sax). From the hard driving, signature opening with the solo bass drum, to the triumphant trumpet calls of the finale, this is classic literature your band should experience.
Estimated dispatch 7-14 working days
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£115.60I Don't Know How to Love Him - Andrew Lloyd Webber
This is a ballad from the rock-opera "Jesus Christ Superstar" written by Andrew Lloyd Webber (Music) and Tim Rice (Lyrics). Together with the title song, this ballad is the most popular tune from Jesus Christ Superstar. It's recorded and performedlive by many artists since the music saw the light of day in 1971.This arrangement can be performed with a vocal- or instrumental solist. In addition to the vocal solo part, there are also solo-options for the followinginstruments:Flute Oboe Bassoon Clarinet in Bb Altosax Tenorsax Trumpet/Cornet F-horn Euphonium/Trombone
Estimated dispatch 7-14 working days
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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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£152.99The White Rose - Philip Sparke
The White Rose was commissioned by the White Rose Concert Band from Harrogate, England. The band takes its name from the county symbol of Yorkshire, the white rose. This partly rhythmic, party lyrical piece opens with a flourish from the trumpets. Following a rhythmic melody in the clarinets there are solo passages for flute and trumpet leading to the finale which brings together elements of the whole piece.
Estimated dispatch 7-14 working days
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