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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£142.90Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
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£57.50Shakespeare Meets Godzilla - Robert Buckley
This inventive and entertaining piece is a mash-up of two entirely different music styles - Renaissance music and classic horror music. Danger is afoot! Shakespeare, armed with only his quill, must stop an enormous creature from destroying his Globe Theatre. As in an epic film score, the music underpins and adds drama to the heroic tale. The effective orchestration and artful interplay between the two music styles gives this piece the colorful sound and intensity of a much more advanced piece.
Estimated dispatch 7-14 working days
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£94.99
Operatica - James L. Hosay
If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay's new intermediate level piece, OPERATICA, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colors as it twists and turns its way through opera-style development and variation. Whether for formal, festival,or spring concert use, you will find this to be a thrilling addition to your library.Opulent!
Estimated dispatch 7-14 working days
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£96.00
The Croods (CB) - Alan Silvestri - Jan De Maeseneer
The Croods is a 2013 American 3D computer-animated adventure comedy film produced by DreamWorks Animation and distributed by 20th Century Fox. It stars the voices of Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Clark Duke, and Cloris Leachman. The film is set in a fictional prehistoric Pliocene era known as "The Croodaceous" (a prehistoric period which contains fictional prehistoric creatures) when a caveman's position as a "Leader of the Hunt" is threatened by the arrival of a prehistoric genius who comes up with revolutionary new inventions as they trek through a dangerous but exotic land in search of a new home.
Estimated dispatch 7-14 working days
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£45.00
Theme from Ladies in Lavender - Nigel Hess
Set in a picturesque coastal Cornwall, in a tight-knit fishing village in the 1930s, Ladies in Lavender starred Judi Dench and Maggie Smith as sisters Ursula and Janet Widdington. A young Polish violinist from Krakow, Andrea, is swept overboard from a ship bound for America. When the sisters discover the handsome stranger on the beach below their house, they nurse him back to health. However, the presence of the musically talented young man disrupts the peaceful lives of both Ursula and Janet, and the community in which they live. This arrangement of the much-loved theme from the film has been arranged for wind band.
In stock: Estimated delivery 1-3 days
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£60.00
Keystone Kops (Score & Parts) - Carl Davis
The Keystone Kops was a series of silent comedies featuring an incompetent group of policemen. They first appeared in the 1912 film Hoffmeyer's Legacy but it was the 1913 feature The Bangville Police that confirmed their popularity. The Keystone Kops were renowned for making mistakes, particularly with a great deal of energy and activity, and all done with a major lack of coordination. Carl Davis's energetic theme provides a fitting musical portrait of a silverscreen phenomenen.
In stock: Estimated delivery 1-3 days
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£45.00
Irish Reel - Benjamin Britten
Score and parts for Irish Reel, arranged for wind band by Guy Woolfenden. This rousing piece was originally composed as title music for "Around the Village Green", a documentary film exploring changes to rural life in East Anglia. In the work Britten makes use of the folk tune "The Bottom of the Punch Bowl".
In stock: Estimated delivery 1-3 days
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£89.99Star Wars: The Force Awakens, Symphonic Suite from (Concert Band - Score and Parts) - Williams, John - Bocook, Jay
Utilising the distinctive Jedi Steps theme featured at the end of the film, combined with the rousing Finale from the end credits, Jay Bocook authentically recreates the beauty and power of this amazing film score. Courtesy of Mr. Williams himself, an alternate "concert ending" is provided in addition to the quiet ending as heard at the end of the film.
Estimated dispatch 7-14 working days
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£66.95Harry Potter and the Deathly Hallows, Part 2, Selections from (Concert Band - Score and Parts) - Desplat, Alexandre - Ford, Ralph
The epic film series draws to a dramatic close with an equally dynamic Alexandre Desplat film score. Ralph Ford has captured the imagination in his young band medley direct from the film-score. The medley includes "Voldemort's End," "Lily's Theme," "Statues," "Severus and Lily," "Neville the Hero," and "A New Beginning." Join the musical celebration with this stunning medley from the final Harry Potter film.Duration: 5:45
Estimated dispatch 7-14 working days
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