Results
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£64.99Fanfare and Call to the Post (Concert Band - Score and Parts) - Saucedo, Richard L.
First Movement of Homage to BarbaroComposed as a tribute to legendary thoroughbred racehorse/2006 Kentucky Derby winner Barbaro, this work for mature ensembles captures the excitement and pageantry of race day at the track. Rhythmically dynamic from start to finish, this is a perfect opener for festival or concert use.Duration: 2:00
Estimated dispatch 7-14 working days
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£84.00The Keystone (Concert Band - Score and Parts) - Smith, Robert W.
Commissioned by Pennsylvania's Nu Chapter of Phi Beta Mu (the International Fraternity of Band Directors), "The Keystone" is a concert/festival work written for the symphonic band by Robert W. Smith. Featuring fanfare motifs, soaring melodies, and driving harmonic effects, this impressive work is appropriate for any concert performance setting. Well scored and very effective!Duration: 4.30
Estimated dispatch 7-14 working days
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£59.99Memento (Concert Band - Score and Parts) - Buckley, Robert
2nd Movement of A Tribute to Arthur DelamontFamed bandmaster Arthur Delamont always programmed a hymn in his concerts and Memento is an homage to that proud tradition. Starting with a simple and reverent solo trumpet and introducing other brass instruments one by one, the introduction has the sound of a brass band. The woodwinds join in and, with the use of rich textures and dynamic scoring, the work builds to a powerful climax and then resolves once again with the solo trumpet. Ideal for festival use, Memento will give your ensemble an opportunity to explore expression and nuance. The second movement of A Tribute to Arthur Delamont, Memento was commissioned by the West Vancouver Youth Band.Duration: 4:00
Estimated dispatch 7-14 working days
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£139.99Homage (Variations on a Theme in Ancient Style) (Concert Band - Score and Parts) - De Haan, Jan
Homage comprises six variations on an original theme in Renaissance style. Written as a test piece for the renowned contest 'Gouden Spiker Festival' in Friesland (The Netherlands), it is a challenging concert or contest piece, presenting attractive and demanding parts for all sections.Duration: 10:15
Estimated dispatch 7-14 working days
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£53.95Danse des Ghazies (from The Ballet Suite, Opus 50a) (Concert Band - Score and Parts) - Arensky, Anton - Lopez, Victor
Originally written for piano, this work translates well for young bands. Written in 3/4, but intended to be performed in a bouncy one, its light texture, melodic contour, and playful nature will be an outstanding addition to any contest or festival program.Duration: 3:00
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£74.99Three Colonial Moments (Concert Band - Score and Parts) - Kirby, Rick
Depicting three contrasting and intriguing settings from early American lore, Rick Kirby masterfully brings these images to life in this suite for band. The first movement tells the legend of The Phantom Drummer with unique orchestrational effects. The second movement, The Lady's Lament, mourns the loss of loved ones in the Revolutionary War, and the suite concludes with the lively dance Virginia Two-Step. Rich in stylistic and tonal variety, this is an appealing work for concert or festival use.Duration: 8:00
Estimated dispatch 7-14 working days
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£57.50Due North (Concert Band - Score and Parts) - Sweeney, Michael
Composed for a band festival in Duluth, MN, and suggesting perhaps an exciting downhill ski run or possibly a snowmobile chase through the woods, Due North is a fast-paced overture written entirely in a single tempo. Along the way, various moods are suggested as themes and musical ideas are passed from section to section. The percussion section provides a driving, rhythmic pulse throughout.Duration: 3:00
Estimated dispatch 7-14 working days
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£50.00Abington Ridge (Flexible Ensemble - Score and Parts) - Huckeby, Ed
Ed Huckeby's Build-A-Band version of his Abington Ridge is a spirited contest piece that has just the right combination of changing meters and syncopation to make it a must for your next festival or concert. This version makes this wonderful composition playable by very small bands and it will sound great as long has you have the four parts covered. Optional percussion and keyboard parts can add to the overall effect. Highly recommended.Duration: 4.00
Estimated dispatch 7-14 working days
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