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£32.95Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£91.99Turquoise Daydreams (Xylophone Solo with Concert Band - Score and Parts) - Hosay, James L.
Caribbean Fantasy for Xylophone Solo and BandDuration: 4.45
Estimated dispatch 7-14 working days
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£84.95Carnival Of The Animals (Concert Suite From) (Concert Band - Score and Parts) - Brand, Geoffrey
Saint-Saens wrote his Grand Zoological Fantasy - "The Carnival of the Animals" - in 1186. It was first performed at a Shrove Tuesday concert in that year with the composer as one of the performers. Subsequently, Saint-Saens allowed it to be performed only on a few occasions and under special conditions. Later he forbade it to be performed at all, but this restriction was lifted under a special provision in his will.
Estimated dispatch 7-14 working days
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£16.95
Carnival Of The Animals (Concert Suite From) (Concert Band - Score Only) - Brand, Geoffrey
Saint-Saens wrote his Grand Zoological Fantasy - "The Carnival of the Animals" - in 1186. It was first performed at a Shrove Tuesday concert in that year with the composer as one of the performers. Subsequently, Saint-Saens allowed it to be performed only on a few occasions and under special conditions. Later he forbade it to be performed at all, but this restriction was lifted under a special provision in his will.
Estimated dispatch 7-14 working days
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£2.25From Sea to Shining Sea (SATB Choral Octavo) - Bates & Ward - Whitney, Maurice C.
A Fantasy Based on America the Beautiful
Estimated dispatch 7-14 working days
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£132.00Loch Ness (Concert Band - Score and Parts) - De Meij, Johan
A Scottish Fantasy. The symphonic poem Loch Ness consists of five through-composed impressions of this mysterious Scottish Lake. I) The Lake at Dawn - calm, static, sonorous blocks depict the troubled opaque water surface and the enormous depth of the Lake at daybreak. II) Slowly the rising early-morning mist reveals the distant ruins of Urquhart Castle, represented by a solemn theme in the trombones which is taken over by the full band, thus evoking the illustrious past of this fortress besieged so many times. III) Inverness: Bagpipes and Tourists - the music takes us down to the town of Inverness where the first tourists mark the slow but steady start of a new season to the sound of a Scottishmelody. IV) Storm - suddenly a heavy wheater breaks: fierce gusts of wind and heavy showers transform the erstwhile calm surface into an obscure and whirling mass of water, and clouds rapidly passing over offer an eery scene. V) Conclusion - storm and rain gradually decrease and when everything is quiet again we are granted a last view of the Lake in its full glory. Duration: 12.15
Estimated dispatch 7-14 working days
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£54.95"C" IS FOR CHORALE (Young Band) - Erickson, Frank
The Choral Fantasy varies from the Choral Prelude in that it is much freer in form and style. This number opens with a variation of the fanfare that has been traditionally inserted as an introduction and interlude between stanzas. The chorale is then presented in a traditional harmonization by the full band. The second section is in a faster tempo, and is based on statements of the opening motive of the hymn presented in fugal style
Estimated dispatch 7-14 working days
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£42.60A New Christmas Offering (Flexible Ensemble - Score and Parts) - Wood, Stephen D.
4 Part Flexible Ensemble and PercussionIncludes:Fantasy On Old English CarolsSleep! Holy BabeI Saw Three Ships
Estimated dispatch 7-14 working days
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£69.99Around the Globe (Flexible Ensemble - Score and Parts) - Beringen, Robert van
Around the Globe is an easy suite for youth band or ensemble. The work, which was written for flexible instrumentation, increases in difficulty. On this journey, we travel through the United States, Germany, the Czech Republic and end in England with Rule Britannia' of course!Includes:From the New World (United States of America)Haydn Fantasy (Germany)Rule Britannia (England)Duration: 5:15
Estimated dispatch 7-14 working days
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£22.50BEGINNING BAND BOOK No.2 (Score inc. CD) - Edmondson & McGinty
An affordable collection of concert repertoire for beginning bands; great sight reading material for more advanced bands! Features include: Grade 1 concert band music; Playable with only 1 flute, 2 clarinets, 1 alto saxophone, 2 cornets/trumpets and percussion, up to full instrumentation; Full, complete sound, even without bass clef instruments. The bass clef part in octaves is optional; Both clarinet parts stay below the break; Optional F Horn and Tenor Saxophone parts are written in their best ranges; Bell part for teaching melodic percussion. Contents: Air and Allegro; Bandissimo; Cumberland Gap; Diamond Ridge (Concert March); English Folk Trilogy; Fantasy on a French Folk Song; Hickory Dickory Rock; Kitty Hawk March; Montezuma's Castle; Percussion Parade; Prelude and Dance; Old Band; Those Sophisticated Saxes; Those Terrific Trumpets; Windsor Overture.
Estimated dispatch 7-14 working days
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