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£5.99SYMPHONIC WARM-UPS FOR BAND (f Horn) - Smith, Claude T.
Claude Smith's contemporary approach to teaching technique, tone and style is written in a variety of keys and meters and is divided into three sections: I. Scale Studies II. Etudes III. Chorale Studies. The etudes and chorales are in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there. It's the perfect way to begin every rehearsal.
Estimated dispatch 7-14 working days
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£6.50THE BEATLES F Horn
The Beatles is the latest addition to the best-selling collections from Hal Leonard: Film Favorites, Movie Favorites, Broadway Favorites and Christmas Favorites. These can be used in a full concert band setting or as solos for individual instruments. Songs include: And I Love Her Eleanor Rigby Get Back A Hard Day's Night Here, There and Everywhere Hey Jude I Want to Hold Your Hand Lady Madonna Ticket to Ride Twist and Shout Yesterday.
Estimated dispatch 7-14 working days
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£3.95 -
£29.95Concert Rondo (F Horn Solo with Concert Band - Score and Parts) - Tubb, Alfred
A solo for french horn and concert band
Estimated dispatch 7-14 working days
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£47.50
Jubilation, An Overture - Robert Ward
Symphonic Set includes a full score, condensed score and parts:2 - Piccolo3 - Flute I2 - Flute II1 - Oboe I1 - Oboe II1 - Eb Clarinet1 - Solo Bb Clarinet4 - Bb Clarinet I4 - Bb Clarinet II4 - Bb Clarinet III1 - Eb Alto Clarinet1 - Bb Bass Clarinet1 - Bb Contrbass Clarinet1 - Bassoon I1 - Basson II1 - Eb Alto Saxophone I1 - Eb Alto Saxophone II1 - Bb Tenor Saxophone I1 - Bb Tenor Saxophone II1 - Eb Baritone Saxophone3 - Solo Bb Cornet I2 - Bb Cornet II2 - Bb Cornet III2 - Trumpet I1 - Trumpet II1 - F Horn I1 - F Horn II1 - F Horn III1 - F Horn IV1 - Trombone I1 - Trombone II1 - Trombone III3 - Bass Trombone1 - Bb Baritone TC1 - Bb Baritone BC3 - Basses4 - Drum, Cymbals, Xylophone1 - Timpani
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£78.95
Eagle Lake March - Carl Strommen
Commissioned by a South Carolina Middle School Band, Eagle Lake March, has the stately character of the great British marches of Gustav Holst and Eric Coates. As with all good marches the main theme is memorably tuneful, and there is a fine collection of worthy counter melodies, as well. A modulation to F Major leads to a grandly scored and sonorous conclusion Duration: 4' Keys: Eb, F Ranges: Trumpet - F, Horn - Eb, Trombone - Eb
Estimated dispatch 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£134.99
Opening Music - Ben Haemhouts
Opening music is one of the first works for wind orchestra by Ben Haemhouts and was originally written under assignment from the Fanfare St. Pieters Kapelle Belgium. The slow mysterious introduction introduces the main theme that consists of the notes F, C, B-flat, F, a combination that was woven throughout the entire work. Then a stirring allegro part follows, with a melodious passage in the euphoniums. The end is a long-drawn-out resuming of the beginning that builds up to a large climax, still built on the same basic tones. This overture is a solemn openings work for every occasion.
Estimated dispatch 7-14 working days
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£75.95
Shoutin' Liza Trombone - Henry Fillmore
Revisit one of the freshest and raciest of Henry Fillmore's trombone features. Full of lively tunes and Fillmore's trademark trombone smears, Shoutin' Liza Trombone has always been a crowd-pleaser and this cleaned up and re-engraved full score edition by Robert E. Foster is a welcome addition to the Authentic Fillmore Edition. Duration: 3'10 Key: F Ranges: Cornet - E, Horn - D, Trombone - F
Estimated dispatch 7-14 working days
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