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£82.80March, Romance and Final - L.C. Neves Serra
This work as the title indicates, is composed of three different sections. After an introduction of great energy appears a quite melodious March that has within it an euphonium solo, itself also very melodic and exhilarating. Following a brief transition arises Romance, lyrical and exciting, finalized by a horn and euphonium solo in dialogue. Suddenly, without warning, arises the apotheosis of the Finale placing clear highlight on the metals. A work of simple structure with a magnificent sound result.
Estimated dispatch 7-14 working days
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£115.60Under mnen (Fra Den unge Fleksnes) - Christian Engebretsen
This has become a Christmas song that has its roots in a love duet between the young Fleksnes and classmate Victoria. The class will be competing with a duet in a song competition. The text gives hope of love and links it to Christmas traditions. "A Dream of Christmas, About Love" is the first line of the text. "The Young Fleksnes" runned as advent calender on TV Norge in 2010. This arrangement feature an Alto Saxophone player and a euphonium / baritone / trombone player. If you should choose to use the soloist parts from the Brass band version for Flugelhorn and Euphonium, please use both parts, because some of the phrases has been changed. Please be aware of thedynamics between soloists and accompaniment. Adjust the dynamics according to the musicians in the ensemble.
Estimated dispatch 7-14 working days
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£72.99
Valse Caprice - Herbert L. Clarke
Herbert L. Clarke was a legendary composer and musician active in the early part of the 20th century, well-known for his solos for cornet, trombone, euphonium and combinations of brass instruments with band accompaniment. What is not as well-known is that Clarke also wrote three works for alto saxophone and band! Helen, Valse Caprice and Lavinia were written between 1918-1922 in Canada for Charles Shaw, saxophonist for the Anglo-Canadian Leather Company Band which Clarke directed at the time. Valse Caprice is a fine example of pure lyric elegance. Written in modified ABA form, the principal theme is followed by a more embellished variation in eighth notes. The contrasting middle section is a pensive meno mosso, which leads into a reprise with cadenza-like figures, building to a rousing conclusion. The historic publication of these three works by Southern Music represents a significant contribution to saxophone solo and band literature that will introduce generations of musicians to some of Herbert Clarke_x001A_s finest hidden gems.
Estimated dispatch 7-14 working days
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£60.50The Ash Grove - Sandy Feldstein
Designed to give your best Trumpet, Trombone, Euphonium, or Tuba player an opportunity to play a solo with Band accompaniment. It should serve as the culmination of study for the soloist upon completion of "The Yamaha Advantage" Book 1, or any comparable method. The piece has all of the solo material cued in the Band, so if a soloist is not available, the piece can be performed with Band alone.
Estimated dispatch 7-14 working days
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£183.99Knocking at Heaven's Gate - Jan Van der Roost
Knocking at Heaven's Gate briefly brings us into contact with heaven by way of music. It has beautiful solos for euphonium and flugelhorn, a star role for the trumpets and trombones, but it is also a joy to play for the entire band! Ethereal echoes, expressive melodies, powerful tuttis and radiant chords: there is a lot to be enjoyed by everyone, including the audience.
Estimated dispatch 7-14 working days
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£106.99Fair Field Festival - Philip Sparke
Fair Field Festival opens with a brass fanfare under florid woodwind figuration. A noble chorale leads to a lively allegro vivo, which centres around a majestic horn and euphonium melody under chattering woodwinds. A second theme is first stated by trumpets and this leads to a central legato theme on horns and saxes, repeated by the trumpets. A brief allusion to the opening section leads to a full recapitulation and an energetic coda. A work filled with vitality!
Estimated dispatch 7-14 working days
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£139.90Tempo di Marcia from Symphony No. 1 - Einar Englund
Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass
Estimated dispatch 7-14 working days
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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£184.00Chasing Light - Harrie Janssen
Chasing Light is a one-part composition in 3 movements. The work opens with a slow introduction, dark in atmosphere, in which the main thematic ingredients are exhibited. This is followed by a fast movement, Chasing Light, in which previously heard thematic material is incorporated. Characteristic of this middle movement is the driving motoric movement that galvanises the aforementioned hunt. An extended Euphonium solo bridges the gap to the final movement. Here ethereal sounds dominate. Harp and Mallets dominate the soundscape, symbolising the light that has finally been achieved.The title Chasing Light can be seen as a metaphor for striving to solve major problems facing the world today, such as the Corona pandemic and the climate problem, among others.Chasing Light was composed on behalf of Stadsfanfaren Izegem, conducted by Hans Demeurisse for the World Music Contest 2022 in Kerkrade.
Estimated dispatch 7-14 working days
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£183.20Finale from The New World Symphony - Antonin Dvorak
This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023.The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled.Euphonium II is optional, but it's recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it's recommended to also cover cymbals and mallet percussion.The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part.Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible.This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making.
Estimated dispatch 7-14 working days
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