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£47.50Tyrannosaurus Rocks - Mike Hannickel
You've heard of the legendary Tyrannosaurus Rex. Well, this Tyrannosaurus ROCKS! Another fun one for Beginning Band by Mike Hannickel, it's as easy as can be but the kids will love it. If you have an old sousaphone and a baritonesax mouthpiece you can make a mighty Tyrann-o-Phone for the optional solo at the end of the piece. (Grade 1/2)
Estimated dispatch 7-14 working days
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£47.50A Rollickin' Christmas - Timothy Johnson
Easy transitions from rock to swing and beyond make this delightful new Christmas gem a toe-tapper from the first note to the last. It's a sure thing your band will love playing the bluesy riffs and interpreting the popular musicfeel. Timothy Johnson's savvy arranging means the piece will be effective with any sized group. Directors are always looking for fun new Christmas pieces. Rock out!
Estimated dispatch 7-14 working days
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£47.50Concerto for Crash Cymbals - Mike Hannickel
Mike Hannickel does it again with this hilarious follow-up to Concerto for Triangle and Band. Any well-known personality from your school staff becomes the over-eager crash cymbals soloist. Whether it's the principal, thecustodian, the cook, the school secretary, or any one else who is recognizable to the students or the community, we're sure you have a great soloist somewhere nearby, just waiting for a chance to shine. Very easy band parts meanthat any group should be able to prepare the music for performance in short order. They'll be rolling in the aisles!
Estimated dispatch 7-14 working days
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£47.50Challenger Point - Timothy Johnson
This nice easy overture-style festival or concert piece will show off your band at its best. The exciting primary theme is contrasted with an engaging slow section and there are plenty of musical concepts to teach which are righton target for musicians at this level. Consider opening your next concert with Challenger Point. Dur: 3:05
Estimated dispatch 7-14 working days
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£32.50A Little Mozart Suite - Wolfgang Amadeus Mozart
Give your young musicians a chance to know Mozart a little better. Two Mozart operas are represented in this very easy suite, along with a lovely theme from a Mozart piano sonata. Whether you choose to use this suite for your nextconcert performance or in that first festival experience, letting young musicians play melodies from the world's finest composers is always a good idea.
Estimated dispatch 7-14 working days
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£44.95The Approaching Storm (Concert Band - Score and Parts) - Wiffin, Rob
This piece was written in Spain in late May/early June 2023. The weather was very unseasonal and every day storms rolled over the Sierra Crevillente and unleashed on the Vega Baja. It was therefore very easy to imagine the sense of an impending storm. The piece was intended to be in the range of Grade 2 and the limited instrumentation, ranges and technical resources presented unique challenges.Duration: 3.45
Estimated dispatch 7-14 working days
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£53.50Red Comet (Concert Band - Score and Parts) - Oare, Michael
Composed using a single fast tempo throughout, this dynamic work for 2nd year players is filled with imagery and intensity beyond what you normally find at this easy level. Whether the approaching red comet is a warning of impending doom, or simply an exciting flash in the sky is left to your own imagination!Duration: 1:45
Estimated dispatch 7-14 working days
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£68.00Bones (Concert Band - Score and Parts) - Lopez, Victor
Give your students and audience a special treat with this outstanding arrangement of Bones as performed by Imagine Dragons, one of the most compelling bands in the world. Veteran arranger Victor Lopez crafted a chart that is easy to learn and teach. This piece has all the elements of a top-notch pop tune.Duration: 3.15
Estimated dispatch 7-14 working days
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£77.50Annie, Music from (Concert Band - Score and Parts) - Charnin & Strouse - Kamuf, Michael
Bring the music from one of the greatest musicals of all time, Annie, to your concert hall. This exciting arrangement by Michael Kamuf includes three of the show's most iconic songs, It's the Hard-Knock Life, Easy Street, and Tomorrow, and makes the perfect closing selection for your next concert!Duration: 5:30
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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