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  • £53.50

    Crazy Train - Bob Daisley

    Every section of the band will have fun with this easy arrangement of Ozzy Osbourne's iconic rock anthem. From the signature bass line riff to the driving rock pulse, this is sure to be a hit with all audiences.

    Estimated dispatch 7-14 working days
  • £60.50

    Breakneck! - Tyler Arcari

    Imagine flying down the streets at breakneck speed! This high-wire work for developing bands is an intense ride from start to finish! Easy 8th-note patterns create an anchor-point for this work while a clever use of percussion equipment, upper brass "honks", and cool harmonic tension transport you behind directly behind the wheel!

    Estimated dispatch 7-14 working days
  • £60.50

    Christmas Stars - Larry Clark

    Veteran composer and arranger Larry Clark has crafted a masterful mashup of familiar carols and holiday songs in this easy medley. Your students and audience will enjoy this engaging and entertaining combination of familiar music.

    Estimated dispatch 7-14 working days
  • £49.50

    Binary 0101 - Laura Estes

    This new work in C Minor is a great new introductory work for your beginning musicians! Easy use of rests on beat one makes for a truly teachable piece while being fun and accessible. They are going to ask to play this one over and over!

    Estimated dispatch 7-14 working days
  • £53.50

    Pat-a-Pan - Bernard de la Monnoye

    Using limited ranges and easy rhythms, Robert Longfield has skillfully arranged this classic French carol for second year players. With a captivating underlying pulse the woodwinds are featured on the melody with trumpet figures echoing. Then later the brass take their turn with the melody. Effectively arranged for all sections of the band.

    Estimated dispatch 7-14 working days
  • £53.50

    Dragonborn (Skyrim Theme) - Jeremy Soule

    The popular video game series Elder Scrolls features memorable music from composer Jeremy Soule. From Elder Scrolls: Skyrim, this signature theme will sound powerful even in this very easy arrangement for young students.

    Estimated dispatch 7-14 working days
  • £50.50

    Entrance of the Shogun - Douglas E. Wagner

    Entrance of the Shogun, by veteran composer Douglas E. Wagner, is a stunning work that uses only the first few notes of the B-flat concert scale. With easy rhythms and a dramatic sound, your students will love this piece while exploring the history of the Shoguns.

    Estimated dispatch 7-14 working days
  • £47.50

    Candy Cane Lane - Robert Buckley

    Written with a festive flair and tuneful melody, here is a marvelous holiday piece for beginning players. Featuring modest ranges and easy rhythms, this is quick to learn and fun to play. 8th notes are used in the melody, but no syncopation.

    Estimated dispatch 7-14 working days
  • £123.20

    3 Letzte Motetten - Anton Bruckner

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.

    Estimated dispatch 7-14 working days

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  • £115.60

    Home for Christmas - Maria Mena

    Here's an easy arrangement of this popular Christmas song composed by Maria Mena and Martin Sjlie.I have tried to spread the melody to several groups throughout the arrangement. The melody has to be played rhythmically, but also with flow and legato style.Please strive for best possible intonation and balance where the melody is played by several players.At bar 13, clarinets and horns plays a little counter theme. Please strive for best possible intonation and balance also on this.The quarter notes played by saxophones, horn and trombones at bar 18 have both a harmonic and rhythmic function.The arrangement ends quite and calm, like a peaceful Christmas day.- Reid Gilje -

    Estimated dispatch 7-14 working days

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