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£421.99The Book of Urizen (Movements I: The Vision and II: The Creation) (Soprano, Narrator and Concert Band - Score and Parts) - De Haan, Jacob
The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustrated himself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, a religious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can be played easily at the right moment.The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one, and that deities reside in human beings. In The Book of Urizen this is represented in "The Net of Religion," which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin in Jerusalem, the Holy City, where the afore-mentioned faiths come together.In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the "Eternals." His vision is rejected, and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, "the flames of eternal fury," and enwombs himself in his own world. When the Eternals see Urizen in his "stony sleep," they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen's world concrete form.In the second movement, The Creation, Urizen's world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen's body. He mourns and pities Urizen, and from his blood a female form comes into being, with the name Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the "fallen world." Orc is fed at Enitharmon's breast, which makes a girdle of jealousy restrict Los' chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles the face of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, the third movement of The Book of Urizen, is available in a separate set.
Estimated dispatch 7-14 working days
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£19.95KARMAN LINE, The (Prestige Concert Band Extra Score) - Meechan, Peter
Extra Score. This work takes inspiration from photos taken at the Karman Line (an invisible line 100 kilometres above sea level and is the boundary where the atmosphere of Earth ends, and outer space begins). It portrays the vastness of Space, the mechanics of Space (including shuttles and astronauts), as well as stunning views of the Earth. The main thematic material for the piece is modal, and is developed from key pitches and intervals that define the character and nature of the mixolydian mode. These are gradually introducted as accented notes over the opening ostinato. This modal music is gradually juxtaposed with a more conventional minor scale originally creating conflict and tension, but eventually harmony between these two sound-worlds. Duration: 6'24" Recorded on Polyphonic QPRM 155D Scenes from Childhood.
Estimated dispatch 7-14 working days
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£99.95
KARMAN LINE, The (Prestige Concert Band Set) - Meechan, Peter
Score and Parts. This work takes inspiration from photos taken at the Karman Line (an invisible line 100 kilometres above sea level and is the boundary where the atmosphere of Earth ends, and outer space begins). It portrays the vastness of Space, the mechanics of Space (including shuttles and astronauts), as well as stunning views of the Earth. The main thematic material for the piece is modal, and is developed from key pitches and intervals that define the character and nature of the mixolydian mode. These are gradually introducted as accented notes over the opening ostinato. This modal music is gradually juxtaposed with a more conventional minor scale originally creating conflict and tension, but eventually harmony between these two sound-worlds. Duration: 6'24" Recorded on Polyphonic QPRM 155D Scenes from Childhood.
Estimated dispatch 7-14 working days
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£154.99The Power of the Megatsunami Wind Band Set (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
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£124.95
Sinfonietta - Score and Parts - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£24.95
Sinfonietta - Score only - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£45.00Phantom Miners
Phantom Miners takes the listener to the ghost towns of the American Southwest, where abandoned mining towns echo with the sounds of long-dead miners still toiling in the earth. The piece is full of eerie, atmospheric sounds, with auxiliary percussion creating chilling effects to mimic ghostly activities. The dramatic shifts between harsh and delicate sounds reflect the desperation of the spirits who refuse to leave their work unfinished. Careful attention to dynamics and timing will help convey the unsettling, spectral world of the Phantom Miners.
Estimated dispatch 12-14 working days
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£68.00Telescopic Voyages
Inspired by the launch of the Webb Telescope in December 2021, this composition captures the excitement and wonder of space exploration. The piece opens with a pulsating rhythm, introducing a sense of journey and discovery. The structure, marked by dynamic sections, mirrors the telescope's mission to explore the universe from its orbit one million miles from Earth. The piece blends energetic rhythms with moments of awe, reflecting the vastness and beauty of space.
Estimated dispatch 12-14 working days
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£68.00Beyond!
Beyond was written to celebrate America's exploration of space, culminating with the historic moon landing of Apollo 11 in July, 1969. The music moves through the exciting events: a sunrise awakening, the victorious emotion of the successful landing, the spreading news, trepidation at the challenges returning to earth, and the ultimate relief and joy at the safe splashdown of the NASA astronauts. Intended to ignite the imagination, this piece encourages players to tell a story with their instrument and wonder what else may lie ahead in the future, Beyond?
Estimated dispatch 12-14 working days
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£68.00A Joyful Noise - Steven Rosenhaus
"A Joyful Noise" was originally commissioned for 2 F horns. The title comes from Psalm 100, which begins (in English) "Make a joyful noise to the Lord, all the earth!" In early 2022, composer Steven Rosenhaus followed up on a suggestion to make the music, originally for two horns and organ, available to more musicians; he rescored it for two euphoniums or trombones and band, changing nothing substantial except transposing the work to better fit the new ensemble. Though the 1st trumpet's highest note is G and the range of the instruments stay pretty much within the range of a grade 3, the composition is quite syncopated, thus moving its grade level to a 4. This is a great work to explore these rhythms while staying within an accessible range for your band.
Estimated dispatch 12-14 working days
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