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£58.50
Give Me Your Tired, Your Poor - Douglas E. Wagner
Estimated dispatch 7-14 working days
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£68.99Requiem Aeternam - Giacomo Puccini
Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premire in La Scala in Milan in 1889 - initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, charactersand instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar - as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti GuARda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar - the confusedyoung man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer.
Estimated dispatch 7-14 working days
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£71.50Pomp And Circumstance - Military March No. 1 - Edward Elgar
Military Band (score & parts). Elgar, E.
Estimated dispatch 7-14 working days
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£92.99Vanity Fair - Percy E. Fletcher
Estimated dispatch 7-14 working days
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£18.00
Israel,Jazz Nonet - John E. Carisi
Estimated dispatch 7-14 working days
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£144.99
Febesa - Filip Ceunen
The title of this work, Febesa, refers to the four notes it is based on: F, E, Bflat (BES in Dutch) and A. At the beginning of the work, the sound of these notes creates a mysterious, extraordinary atmosphere. The work slowly builds from the low brass as the thematic torch is handed to the woodwind section and this leads into a grand tutti. In a tonal and refreshing allegro, the febesa-theme now has a more harmonic role. After this passage, the symmetric form of the work brings us back to the mysterious atmosphere of the introduction, with solos for euphonium, oboe and flute.
Estimated dispatch 7-14 working days
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£134.99
Recalls - Ben Haemhouts
Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."
Estimated dispatch 7-14 working days
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£141.99Jalan-Jalan - Shin'ya Takahashi
Jalan-jalan was inspired by the music of Bali, Indonesia based upon its unique melodies, modes and rhythms. As part of the independent archipelago "Ryukyu", Okinawa (southernmost Japan) had an active exchange with Bali that included cultural and musical influences. Jalan-jalan means "walkabout" or "walking journey" in Indonesian. It describes a walk in the so-called Isle of the Gods, encountering Bali's beautiful scenery and daily life. Its four themes include "Dawn," "Morning Market," "Beach in Early Afternoon" and "Kecak Dance (a form of Balinese dance and music drama, performed primarily by men) in Torchlight."An imposing pesante introduction will properly establish this song's mood. Boldly balance winds and percussion to the prominent timpani solo. At Allegro Vivo, observe the lighter abbreviated scoring and balance melody/countermelody at E. Melodies are elongated at the Grazioso, and tenor/bass rhythm figures need enough separation to be felt. The urgent-feeling Presto must initially be reserved except for the percussive "slaps"; same thing again at O. The daunting rhythmic figure at Q is actually a chattering effect-combine the two elements to teach continuity and placement. Don't "over blow" the ending, but continue to emphasize unique rhythmic elements.(Shin'ya Takahashi)
Estimated dispatch 7-14 working days
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£71.80
All By Myself - E. Carmen
Estimated dispatch 7-14 working days
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£61.95Chopsticks for Christmas - Joseph Compello
Here is a piece perfectly suited for the very first Christmas concert of a beginning band. It cleverly combines the famous piano piece with well-known holiday carols in simple 3/4 time. Created by a composer/arranger that understands this level from his e
Estimated dispatch 7-14 working days
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