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£152.00DR. NO: JAMES BOND (Advanced Concert Band) - Norman, Monty - Saurer, Marcel
Movie: Dr. No: James Bond (Dr. No's Fantasy/Kingston Calypso/Under the Mango Tree/Jump Up/James Bond Theme) Duration: 6:26 American Grade 4
Estimated delivery 7-14 working days
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£152.00Dr. No - Monty Norman
Estimated delivery 7-14 working days
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£62.95Leaves That Descend to No Drum - By John Prescott
It is always an exciting moment when we at Alfred Music and Belwin introduce a new composer. Dr. Prescott is an important emerging voice in the concert band genre, and LEAVES THAT DESCEND TO NO DRUM is a highly moving work that involves itself deeply with the emotional content of the human spirit and our art. Experience a drama-filled journey of sonic colors! (duration 5:24)
Estimated delivery 3-5 days
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£356.00Symphony No. 5 in B-flat Major, Op. 100 - Sergei Prokofiev
Written in a single summer month while World War II was still raging in 1944, Prokofiev's Symphony No. 5 would become not only one of the composer's most celebrated and performed works, it would stand among the giants in all of 20th Century classical compositions. Cast in four movements, Prokofiev once gave a statement that he intended it as a hymn to free and happy Man, to his mighty powers, his pure and noble spirit. He added, I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul. Deliberate or not, his statement likely helped placate the Communist Soviet Party, who under Stalin ruthlessly, and often fatally, censored the art and music of the time. This Southern Music publication represents the first complete band transcription of Prokofiev's monumental work by one of the world's most respected wind band editors, Dr. R. Mark Rogers. The edition provides a rare opportunity in the symphonic wind band repertoire for ensembles to perform an orchestral masterpiece in its entirety.
Estimated delivery 7-14 working days
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£209.99Diamond Concerto (Euphonium Concerto No.3) (Euphonium Solo with Concert Band - Score and Parts)
Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein. The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village of Morschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:Earth Star is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.Ocean Dream uses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.Blue Heart was written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Duration: 15:45
Estimated delivery 7-14 working days
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£214.99Symphony No. 3 - Alfred Reed
We are proud to publish Alfred Reed's Third Symphony. From the intensity of the opening meovement to the exquisite counterpoint of the finale, Dr. Reed draws the most from the resources of the contemporary concert band. Written for the U.S. Air Force Band, this powerful three-movement work is certain to be a lasting contribution to the world of band literature.
Estimated delivery 7-14 working days
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£309.99Symphony No. 9, Op. 160 - James Barnes
Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band. The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that I have always wanted to write a waltz, and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an otherworldly mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.
Estimated delivery 7-14 working days
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£109.99James Bond 007 (Concert Band - Score and Parts)
In this selection of well-known James Bond melodies, arranger Johan de Meij has availed himself of the following themes successively: All Time High (from Octopussy, Roger Moore's last role as secret agent 007), James Bond Theme (from the film Dr. No), For Your Eyes Only and Goldfinger (from the same movie, starring Sean Connery). The most important musical contributor to the James Bond movies has been composer John Barry (1933 - 2011). Apart from the above-mentioned themes of Goldfinger and Octopussy, he has also added to his name the themes of Thunderball, From Russia with Love, Moonraker and Diamonds are Forever. He also wrote the music for other famous films such as The Deep, Midnight Cowboy, Born Free and Out of Africa.Duration: 7.30
Estimated delivery 7-14 working days
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£109.99James Bond 007
In this selection of well-known James Bond melodies, arranger Johan de Meij has availed himself of the following themes successively: All Time High (from Octopussy, Roger Moore's last role as secret agent 007),James Bond Theme (from the film Dr. No), For your eyes only and Goldfinger (from the same movie, starring Sean Connery). The most important musical contributor to the James Bond movies has been composerJohn Barry (1933 2011). Apart from the above-mentioned themes of Goldfinger and Octopussy, he has also added to his name the themes of Thunderball, From Russia with Love, Moonraker and Diamonds areForever. He also wrote the music for other famous films such as The Deep, Midnight Cowboy, Born Free and Out of Africa.
Estimated delivery 7-14 working days
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£105.80Copplia - Léo Delibes
Copplia, a ballet in two acts and three scenes, was premiered at the Opra National in Paris on 25 May 1870. Despite its early success, performances were interrupted because of the Franco-Prussian War and the siege of Paris in 1870-1871, and also because of the death from smallpox of the young principal ballerina, Giuseppina Bozzacchi, on her 17th birthday. This ballet represented a courageous break with references to supernatural and ethereal spirits so dear to the Romantic esthetic, to address instead a world of adventure. Swanhilde sees, on the balcony of Dr. Copplius, a beautiful girl: is she the daughter of Copplius that no one has ever seen? So, with a series of adventures, Swanhilde and her girlfriends, taking advantage of his absence, manage to enter into the house of Dr. Copplius, a toy manufacturer and a magician. Here, they discover that Copplia, the beautiful daughter, is nothing else but a mechanical doll. Meanwhile Franz, the boyfriend of Swanhilde, sneaks into the house through the balcony. The sudden return of Copplius scares away the kids: only Swanhilde (hidden behind a curtain) and Franz remain. Copplius is able to sedate Franz, who has since declared his love for Copplia and, laying him close to the mechanical doll he tries, thanks to his magic, to take Franz's spirit and transfer it to Copplia. Swanhilde is able to intervene and wakes Franz; she tells him about the deception and escapes with him, while Copplius disconsolately embraces his mechanical doll. The ballet ends with the marriage of Swanhilde and Franz. Lo Delibes (1836 - 1891) was a student of Adolphe Adam at the Paris Conservatoire. The composer of several operettas, he reached success with the ballet Copplia. He wrote other ballets, among which the best known are Sylvia and La Source, and several operas including Lakm.
Estimated delivery 7-14 working days
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