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£76.99I Will Survive - D. Fekaris
This classic disco hit was released by Gloria Gaynor in 1978. Following massive airplay it reached number one in pop charts around the world and in 1980 received a Grammy for Best Disco Recording. Since then it has appeared in many films and television programs and has been adopted by many causes such as HIV/AIDS awareness and the campaign for women's rights. It is also the 'stadium anthem' for the Dutch football team Feyenoord. Ensure your audience leaves any concert in an upbeat mood with this disco masterpiece.
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax - Jan van der Roost
This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.
Estimated dispatch 7-14 working days
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£104.99Queen of the Dolomites - Jacob de Haan
The introductory theme of this composition echoes the majestic size of the mountains that are visible from the picture-postcard Cortina d'Ampezzo--the socalled "Queen of the Dolomites". Then we hear a lyrical theme, in which we feel the peacefulness of the surrounding countryside. We can even hear the hustle and bustle of the popular ski resort, before the two opening themes return in reverse order to bring this musical sight-seeing excursion to a close.
Estimated dispatch 7-14 working days
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£173.70
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£73.50
Kinetic Dances - Randall D. Standridge
Estimated dispatch 7-14 working days
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£50.50High Voltage - Randall D. Standridge
Estimated dispatch 7-14 working days
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£62.95Dark Ride - Randall D. Standridge
A moonlit chase through a darkened forest... A haunted galop-esque character that adds to the thrill... This exciting work features dissonant harmonies, driving percussion, and optional synthesizer to create everything from an organ to voices and an eerie harpsichord. A frighteningly good choice to offer a little something different on your next concert!
Estimated dispatch 7-14 working days
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£67.00We Wish You a Scary Christmas! - Randall D. Standridge
Reviving the tradition of telling ghost stories during the holidays, this stellar arrangement combines holiday favorites (, , and ) with the famous ("") as well as ghoulish sound effects and a brief narrative introduction. Sure to be a truly unforgettable concert moment. Merry Christmas to all, and to all a good FRIGHT!
Estimated dispatch 7-14 working days
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£104.99Praise to the Lord - Carl Wittrock
This composition, based on the hymn Praise to the Lord, is comprised of eight separate parts that can be played together as a concert piece or opening work. The A and B sections are different openings, C is four-part arrangement of the hymn, D is a solo for four saxophones, or two trumpets and two trombones, E is a calm intermezzo, F a solo for trumpet or cornet, and G and F finally are a majestic or peaceful closing section. How will you choose to present this piece on stage?
Estimated dispatch 7-14 working days
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£309.99Symphony No. 9, Op. 160 - James Barnes
Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band. The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that I have always wanted to write a waltz, and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an otherworldly mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.
Estimated dispatch 7-14 working days
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