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  • £186.20

    Wald Sinfonie - Kees Vlak

    It was during his stay at Freiburg, Germany, where he was attending a Music Festival, that Kees Vlak found his inspiration for this romantic work. At this festival he was awarded a prize for one of his compostitions, which was played by several bands from different countries. The composer was staying in the small village of Horben, hidden among pine woods on a mountain at the border of the Black Forest. From the balcony of his room he had a splendid view on the Schawinsland Valley, scarcely hidden by the tops of the huge pines. Each morning a blackbird singin in a huge pine next to his window woke him up. This bird song opens the composition.Whenever possible the composer and his wife went for a walk in the Black Rorest. The rediscovery of this wonderful area is expressed by the steadily increasing number of tone colours, used in the orchestration. Each village still boasts its own folk music and dances. More than one hundred bands were playing all around; the Black Forest seemed to be the scene of one huge festival. The image of the Black Forest is also linked to that of hunting scenes, so the next theme is being introduced by hunting horn themes. The second theme paints the lake "Titisee". At first the lake is very calm, but a stiff breeze sets both water and music alike in motion. The small town of Titisee is very popular with tourists and is famous for its woodcutting, its clockworks and musical boxes. It is a popular folk tune, played by a musical box that makes the link with the next theme. The joy and cheerfulness of the dancing village people is expressed by a movement which works out the initial theme.On leaving the little town, one can hear once more the hunting music from the wood as well as the song of the birds. The new theme is againg closely linke d to the hunt and played by the typical German helicon-like euphoniums.this theme interacts with the wecond theme and the word ends with a grnd finale meant as a musical hommage tot this wonderful area.

    Estimated dispatch 7-14 working days

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  • £76.80

    Looking Good - D. Schaeffer

    Estimated dispatch 7-14 working days
  • £61.00

    Trumpet Tune - W. Boyce

    Originally the second movement of Boyce's Voluntary in D, this piece has become popular in the English Church as a postlude for occasions such as weddings. In this edition it has been extensively re-arranged by Rodney Parker in baroque style for two solo trumpets and band.The solo trumpets are best placed apart, ideally above and to each side of the band but not too far away. The piece should be played in a clear baroque style with special attention to dynamics and articulation. The accompaniments should never overpower the soloists and it should always be performed lightly. This is most important for the Tuba and other bass instruments for which this piece is a fitness test!

    Estimated dispatch 7-14 working days

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  • £193.20

    Chinese Garden - Carlos D. Perales

    Estimated dispatch 7-14 working days
  • £38.20

    Wat een Geluk - D. Schallies

    Estimated dispatch 7-14 working days

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  • £38.20

    Hoch und Deutschmeister Marsch - D. Ertl

    Dominik Ertl (1857-1911) was subsequently musician, drum major and assistant conductor with the Band of the Austrian Infantry Regiment Number 4, better known as the 'Hoch-und Deutschmeister Regiment'. He was very popular in the fashionable Vienna high society of the last decades of the nineteenth century. He left the army to tour all over Europe with his own orchestra. He composed some ten marches but only the 'Hoch- und Deutschmeister' march became internationally famous. It is of course dedicated to the illustrious regiment and, though considered as the most musical of all Austrian military marches, it never became the official regimental march.

    Estimated dispatch 7-14 working days

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  • £38.20

    Band Victory - D.H.C. Helmink

    Estimated dispatch 7-14 working days

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  • £38.20

    Limburgse Parade Mars - D. de Pauw

    Estimated dispatch 7-14 working days

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  • £87.40

    Lord of Seven Seas - Kees Vlak

    The plot of this overture takes place in the year 3000 A.D. At that time traffic between the earth and the planets relies exclusively on space flights. War as a last resort to "settle" arguments between people on earth no longer exists. There is only one gigantic spacecraft which is able to navigate both above and beneath the surface that supervises the oceans. This vessel, the "Lord of Seven Seas", is a hundred times larger than the "Nautilus" or the "Titanic" and must not be compared to any ship of our times. In the introduction of the overture, the gigantic vessel is presented by employing a musical style which is commonly associated with space flights. The introduction isfollowed by a fragment, which evokes the wild fury of rain and storm, and therefore reminds us of the story of the "Flying Dutchman". The middle section is written as a barcarole. The vessel investigates the local fauna in the depths of the Arctic Ocean. People on board enjoy the calmness as well as the variety and beauty of the animals. In the final part, the gigantic vessel emerges from below the surface and climbs to high altitudes flying from one ocean to the other. The magnificent finale portrays once again the incomparable sight which is offered by the impressive "Lord of Seven Seas".

    Estimated dispatch 7-14 working days
  • £67.95

    Snow Day March - Amy Webb

    This easy march with a very nice melody has eighth notes and dotted quarter notes as a teaching tool for these rhythms. 1st trumpet's highest note is D. 1st clarinets only cross the break.

    Estimated dispatch 7-14 working days