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  • £78.99

    Allegro from Concerto for Trumpet - Leopold Mozart

    A showcase for your trumpet star, Andy Clark's tasty transcription of the "Allegro" from Leopold Mozart's well known "Concerto in D" has been lowered to the key of Bb which retains the same fingerings as playing the original on a D trumpet. The band accompaniment provides an authentic backdrop for your soloist while featuring the woodwind section on this classic staple of solo Trumpet literature. First class all the way!

    Estimated dispatch 7-14 working days

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  • £71.50

    Lolita - Buzzi-Peccia

    Band arrangement is is the key of b minor and B Major.Condensed score is piano/vocal score in the key of d minor and D Major.

    Estimated dispatch 7-14 working days

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  • £149.99

    Jello, The Colours Of My Soul - Ben Haemhouts

    Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.

    Estimated dispatch 7-14 working days

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  • £72.95

    Project (March) - Harold Bennett

    This bright and freshly scored arrangement, carefully tailored for younger musicians, will introduce a classic Harold Bennett (aka Henry Fillmore) march to a whole new generation. Duration: 2' Keys: Bb, Eb Ranges: Trumpet - F, Horn - D, Trombone - D

    Estimated dispatch 7-14 working days
  • £64.99

    Fantasies for Anna - Christopher Dedrick

    Four Bach pieces have been transformed into a refreshing and delightful concert suite by Christopher Dedrick. His creative, whimsical approach and exquisite orchestration are a joy to perform and will charm any audience. I. Mussette in D Major II. Minuet in G Major III. Minuet in D minor IV. March.

    Estimated dispatch 7-14 working days
  • £264.99

    Diferencias on an Old Spanish Song - Yasuhide Ito

    I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)

    Estimated dispatch 7-14 working days

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  • £76.99

    Discoduction - Jacob de Haan

    Jacob de Haan especially composed this piece for the by now well-known C.D. Soli Brass. Not just a C.D. opener, this piece is an excellent concert starter. The title is a combination of the words Introduction and Disco. The composition is made up of a majestic opening, following in a section in disco style based on the same themes.

    Estimated dispatch 7-14 working days

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  • £76.99

    Aus tiefer Not

    En 1524, Martin Luther publiait son premier recueil de cantiques, dont est extrait son magnifi que choral Aus tiefer Not schrei ich zu dir (Du fond de l'abme, je t'invoque, o ternel) d'aprs le Psaume 130 (De profundis). En 1724, Jean-Sbastien Bach composait une cantate, fonde sur le choral du mme nom de Martin Luther. Pour raliser cet arrangement pour Orchestre d'Harmonie, Jacob de Haan s'est particulirement inspir de l'oeuvre de Bach. Aus tiefer Not est une prcieuse contribution au rpertoire sacr.

    Estimated dispatch 7-14 working days

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  • £53.50

    Pachelbel's Christmas

    Combining the familiar Canon in D with a multitude of popular Christmas carols, this clever and unique arrangement for beginning bands will be the talk of the concert. See how many tunes you can identify.includes: Canon In D; The First Noel; Go, Tell It On The Mountain; Good King Wenceslas; Hark! The Herald Angels Sing; Jingle Bells; Jolly Old St. Nicholas; Joy To The World; Up On The Housetop; We Wish You A Merry Christmas

    Estimated dispatch 7-14 working days
  • £35.95

    Paseo (Oboe Solo with Concert Band - Score and Parts) - Wiffin, Rob

    Paseo is a Spanish word for a leisurely walk or stroll. The soloist takes the musical line for a walk with no great sense of hurry. There is one moment where the pleasantness of the stroll is threatened but it quickly passes and the good mood is resumed. Technically this needs a good sense of cantabile and control over the range from low D to D two octaves higher.In order to allow the oboe soloist to sing through without fighting the accompaniment, the saxophones, trumpets and percussion have been omitted.Duration: 4.15

    Estimated dispatch 7-14 working days

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