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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£72.95Project (March) - Harold Bennett
This bright and freshly scored arrangement, carefully tailored for younger musicians, will introduce a classic Harold Bennett (aka Henry Fillmore) march to a whole new generation. Duration: 2' Keys: Bb, Eb Ranges: Trumpet - F, Horn - D, Trombone - D
Estimated dispatch 7-14 working days
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£78.95Rider of the Mountain - D. I. D. Choi
This exciting concert and contest composition for young musicians features driving percussion with strong melodic material. The melody is passed through every section creating listening and balance skill development opportunities. Short solo passages combined with unique harmonic moments will interest and entertain your students and audiences.
Estimated dispatch 7-14 working days
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£99.99
Diamond Prelude - James L. Hosay
Diamond Prelude was written to commemorate the 75th Anniversary of the United States Army Band (Pershing's Own), andwas premiered at their 75th Anniversary Concert at the D.A.R. Constitution Hall in Washington, D.C. For 75 years the U.S.Army Band has proudly served the American people through their many performances throughout the world, as well asthousands of ceremonies and concerts in the national Capitol area. Now your band and audiences can enjoy James L.Hosay's exciting Diamond Prelude, written for one of the finest bands in the world.
Estimated dispatch 7-14 working days
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£64.99Fantasies for Anna - Christopher Dedrick
Four Bach pieces have been transformed into a refreshing and delightful concert suite by Christopher Dedrick. His creative, whimsical approach and exquisite orchestration are a joy to perform and will charm any audience. I. Mussette in D Major II. Minuet in G Major III. Minuet in D minor IV. March.
Estimated dispatch 7-14 working days
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£76.99
Discoduction - Jacob de Haan
Jacob de Haan especially composed this piece for the by now well-known C.D. Soli Brass. Not just a C.D. opener, this piece is an excellent concert starter. The title is a combination of the words Introduction and Disco. The composition is made up of a majestic opening, following in a section in disco style based on the same themes.
Estimated dispatch 7-14 working days
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£76.99Aus tiefer Not
En 1524, Martin Luther publiait son premier recueil de cantiques, dont est extrait son magnifi que choral Aus tiefer Not schrei ich zu dir (Du fond de l'abme, je t'invoque, o ternel) d'aprs le Psaume 130 (De profundis). En 1724, Jean-Sbastien Bach composait une cantate, fonde sur le choral du mme nom de Martin Luther. Pour raliser cet arrangement pour Orchestre d'Harmonie, Jacob de Haan s'est particulirement inspir de l'oeuvre de Bach. Aus tiefer Not est une prcieuse contribution au rpertoire sacr.
Estimated dispatch 7-14 working days
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£53.50Pachelbel's Christmas
Combining the familiar Canon in D with a multitude of popular Christmas carols, this clever and unique arrangement for beginning bands will be the talk of the concert. See how many tunes you can identify.includes: Canon In D; The First Noel; Go, Tell It On The Mountain; Good King Wenceslas; Hark! The Herald Angels Sing; Jingle Bells; Jolly Old St. Nicholas; Joy To The World; Up On The Housetop; We Wish You A Merry Christmas
Estimated dispatch 7-14 working days
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£35.95Paseo (Oboe Solo with Concert Band - Score and Parts) - Wiffin, Rob
Paseo is a Spanish word for a leisurely walk or stroll. The soloist takes the musical line for a walk with no great sense of hurry. There is one moment where the pleasantness of the stroll is threatened but it quickly passes and the good mood is resumed. Technically this needs a good sense of cantabile and control over the range from low D to D two octaves higher.In order to allow the oboe soloist to sing through without fighting the accompaniment, the saxophones, trumpets and percussion have been omitted.Duration: 4.15
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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