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£104.50Second Connecticut Regiment - D. D. Reeves
David W. Reeves (1838-1900) was a skilled cornet soloist and band leader. He was called the "Father of Band Music in the U.S.A." He wrote over 150 marches, galops and polkas. In 1981, The Second Connecticut Regiment was named one of the three "most worthy marches" by Col. William Santelmann, Director of the United States Marine Band. This new edition, by another former conductor of the Marine Band, brings the work up to the standards of his former bands library.
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£76.99
Discoduction - Jacob de Haan
Jacob de Haan especially composed this piece for the by now well-known C.D. Soli Brass. Not just a C.D. opener, this piece is an excellent concert starter. The title is a combination of the words Introduction and Disco. The composition is made up of a majestic opening, following in a section in disco style based on the same themes.
Estimated dispatch 7-14 working days
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£76.99Aus tiefer Not
En 1524, Martin Luther publiait son premier recueil de cantiques, dont est extrait son magnifi que choral Aus tiefer Not schrei ich zu dir (Du fond de l'abme, je t'invoque, o ternel) d'aprs le Psaume 130 (De profundis). En 1724, Jean-Sbastien Bach composait une cantate, fonde sur le choral du mme nom de Martin Luther. Pour raliser cet arrangement pour Orchestre d'Harmonie, Jacob de Haan s'est particulirement inspir de l'oeuvre de Bach. Aus tiefer Not est une prcieuse contribution au rpertoire sacr.
Estimated dispatch 7-14 working days
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£87.99Dancing on the Sand - Etienne Crausaz
Dancing on the Sand immerses us in an unmistakable oriental atmosphere. A moderate introduction underscored by percussions sets the scene. A short clarinet cadenza leads to the second part of the piece, during which an oriental dance built upon irregular rhythms develops, accelerating continuously to reach a dazzling finale. This work will undoubtedly set your concert on fire! This music forms part of the musical tale La Maldiction d'Aragne (Aragne's Curse), commissioned by the Lyre de Courtion (conductor Dominique Morel) on the occasion of its 100th anniversary.
Estimated dispatch 7-14 working days
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£53.95Unleashed! - Michael Kamuf
Unleashed is a powerful new work by Michael Kamuf featuring bold melodies and driving rhythms. The first five notes of the D Phrygian mode are employed throughout the piece, creating an opportunity to introduce modes to your beginning band. It is sure to be a favorite of your students and audience! (1:45) The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:Assignment, recording, and assessment tools within MakeMusic CloudPiece-specific exercises focused on skills and techniquesPrintable sheet music (with a standard MakeMusic Cloud subscription)Educational tips and suggestions to support learningAvailable in print and digital formats.
Estimated dispatch 7-14 working days
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£187.10Game of Thrones Main Title Theme - Ramin Djawadi
Ramin Djawadi composed the music for "Game of Thrones" and its prequel "House of Dragons" in 2011 when he was approached by the series creators David Benioff and D.B. Weiss.The main theme is an iconic piece that captures the essence of the series' epic and complex nature. The melody is simple yet powerful, with a highly recognizable line. Like much other TV series and film music, it uses a repetitive structure that creates a sense of inevitability and fate. The harmonics are complex, shifting between major and minor, contributing to the feeling of uncertainty and mystique. This arrangement's use of instruments such as taiko drums enhances the rhythmic drive of the music. The main theme has a timeless quality that makes it feel both timeless and relevant, fitting well with the series' medieval setting.
Estimated dispatch 7-14 working days
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£139.00Kanskje kommer Kongen - Øystein Dolmen
"Kanskje kommer Kongen" ("Perhaps the King is Coming") is yet another example of Knutsen and Ludvigsen's creativity and imagination.The arrangement begins with a short fanfare in the introduction. From letter B, the melody is carried by horn and trombone with a majestic character.Ensure good precision in the accompaniment. From letter C, the style is Latin-inspired, resembling Samba. Alternative percussion solutions are possible here.From letter D, there is a pizzicato effect in 8th-notes, with sonorous melodic lines. The style becomes majestic and elevated again from letter E,then returns to the Latin style from letter F until the end.Reid Gilje
Estimated dispatch 7-14 working days
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£47.50The Great Gate of Kiev - Modest Mussorgsky
It_x001A_s never too early to introduce your students to great music. This outstanding addition to the beginning band repertoire is certain to be a hit with your students and audience. Clarinets remain below the break, first trumpet goes stepwise once to fourth line D.
Estimated dispatch 7-14 working days
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£99.00Postcards from Tomorrow - Gauthier Dupertuis
During their childhood, some people have the tradition to put their toys, drawings and wishes for the future into a timebox that they bury somewhere to dig up when they are adults. This has inspired Gauthier Dupertuis for the title of this work: Postcards from tomorrow. What wishes would we put in those boxes for the future; what kind of postcards would we send to our grandchildren? To compose this work, Gauthier Dupertuis was also inspired by three pictures that have some symbolic meaning linked to the question above and that give the names to the three movements that make up this piece.The first movement, Abandoned Blockhouses, refers to war and other horrors in the history of humanity, while Pagoda at the Lake, the second movement, was inspired by the pagoda, a religious building whose function is to house the relics of holy people in Asian worship. The third and last movement, Building Bridges, is a call for hope. In July 221, Postcards from Tomorrow was awarded the first prize at the "La Bacchetta d'Oro" international composition contest in Italy.
Estimated dispatch 7-14 working days
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