Results
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£38.50The Titans (Concert Band - Score and Parts) - Curnow, James
Here is a solid, yet contemporary-sounding march for first year players. This powerful piece is carefully scored with interesting parts for all players. First Concept works included simplified instrumentation, unison bass line, optional advanced snare drum part and an optional piano accompaniment.Duration: 2:15
Estimated dispatch 7-14 working days
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£229.00Sinfonietta No.1 (Concert Band - Score and Parts) - De Meij, Johan
Sinfonietta No.1 was originally written for brass band, commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. In 2012, Johan de Meij created this version for wind orchestra. Unlike most of Johan de Meij's compositions, Sinfonietta No.1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures, an upward fifth jump. returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with the same fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.Duration: 15.30
Estimated dispatch 7-14 working days
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£149.99Kyo-Wa (Concert Band - Score and Parts) - Yagisawa, Satoshi
KYO-WA is a suite in three movements - Fanfare, Chorale and March, which composer Satoshi Yagisawa wrote individually year on year between 2008 and 2010 for a symphonic wind band. The word KYO in the title can mean resonance, but also togetherness, working together and competition. WA means peace and harmony. These ideas, together with a broad palette of emotions from sadness and fear to hope and rapture, have been woven into a piece that is typical of his new compositional style.Duration: 11:45
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£48.95Thrills and Trills! (Concert Band - Score and Parts) - Watson, Scott
When it comes to trills, why should the woodwinds have all the fun? Not so with this circus-style march, Thrills and Trills! In this rambunctious, thrill-a-minute crowd-pleaser, trills are the main event and every player in band gets into the act.Duration: 2.15
Estimated dispatch 7-14 working days
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£66.95Band-O-Ween (Pieces Macabre) (Concert Band - Score and Parts) - Roszell, Patrick
Written as either a fun or serious performance piece, this work incorporates several well-known and familiar classical melodies associated with the macabre and creepy. "Pieces Macabre" is offered by the arranger as an alternate title. Included themes are Johann Sebastian Bach's "Toccata and Fugue in D minor," Modest Moussorgsky's "Night on Bald Mountain," Charles Gounod's "Funeral March of a Marionette," and Edvard Grieg's "In the Hall of the Mountain King."Duration: 3.30
Estimated dispatch 7-14 working days
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£62.95Shadows of the Equinox (Concert Band - Score and Parts) - Sheldon, Robert
As summer ends, the chill of the autumn air awakens feelings within us. The shadows are longer in late afternoon and darkness comes early. The trees are losing their leaves and their gnarled trunks and branches take on sinister profiles against the looming twilight. We shudder at the cold wind. Our pulse quickens and we suddenly want to return to the safety and warmth of home. Night falls and we are once again at peace. We say a final farewell to the carefree days of summer and accept the relentless march of the seasons. Winter will soon be here. Duration: 5.30
Estimated dispatch 7-14 working days
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