Results
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£53.95Grays Harbor March (Concert Band - Score and Parts) - Hodges, Steve
Here's an energetic concert or festival opener by Steve Hodges. Grays Harbor March was commissioned by the George B. Miller Junior High School in Aberdeen, Washington. This exciting march was written in two distinct styles. Set in the minor mode, the driving opening will give your trumpets a chance to show off their rhythmic skill. Then, a graceful transition leads to the flowing middle section in the relative major, only to return back to the original theme for the fantastic finish. Open your next concert by taking your audience to Grays Harbor! Duration: 3.30
Estimated dispatch 7-14 working days
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£69.99Jubelklnge (Concert Band - Score and Parts)
Ernst Uebel (1882-1959) was born in Klingenthal in Vogtland (Germany), where he spent most of his life working as an instrument maker and conducted the municipal concert band, a task he performed for more than 30 years. In the year 1926 Ernst Uebel composed the march Jubelkl?nge and gained worldwide fame with it. The march, with its beautiful melodies and exciting drive, was played at many occasions around the world including the coronation festivities for Queen Elizabeth II in London and the Winter Olympics in Sapporo. In this arrangement the march has been adapted to suit the demands of a modern concert band whilst successfully maintaining the traditional character of the original. 04:15
Estimated dispatch 7-14 working days
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£104.99
Triumphal March (Concert Band - Score and Parts)
The Gran Finale from the second act of Verdi's famous opera Aida, composed in 1869, is a complex part of the drama as in one single scene many different characters, allwith contrasting emotions, appear onstage at the same time. The scene opens in Ancient Egypt when the Egyptian general Radames and his troops, which have just beaten Ethiopia, come marching in. The Egyptians sing a celebration song for him and there is a sound of trumpets playing the triumphal march to receive the hero. The well-known triumphal march, transcribed in this edition for concert band by Franco Cesarini, closely follows Verdi's original score and will bring any concert to a dramatic close. 05:30
Estimated dispatch 7-14 working days
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£53.95Eine Kleine March Music (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - O'Hara LaBrie, Katie
Explore multiple style periods with this clever arrangement that sets Mozart's Eine Kleine Nachtmusik in the style of a march! The familiar melodies, presented with a creative twist, are sure to make this a student favourite. Add a dogfight section and rousing final strain, and you have a winner! Eine Kleine March Music, by Katie O'Hara LaBrie, may just be your new favourite march!Duration: 1.30
Estimated dispatch 7-14 working days
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£57.50March Circuitous (Concert Band - Score and Parts) - Murtha, Paul
Here is a creative take on the traditional march form. As the title implies, March Circuitous takes some inventive twists and turns along the way, providing a distinctive and rewarding march for young players.Duration: 2:45
Estimated dispatch 7-14 working days
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£66.95Folk Song Celebration (Concert Band - Score and Parts) - Bernotas, Chris M.
Folk Song Celebration features an original British style march, "Celebration March," and two revered folk songs, "The Skye Boat Song" and "Tarantella Napoletana." This masterfully scored piece will transport your audience on an exciting musical journey. Many teaching opportunities are presented including meter changes, divisi, and shifting styles. Celebration March has the traditional sound of a British march, "The Skye Boat Song," is beautifully scored and emotional, and the rousing "Tarantella Napoletana" will have your audience smiling and clapping along! Duration: 3.30
Estimated dispatch 7-14 working days
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£99.99March of the Robot Army (Concert Band - Score and Parts) - Sparke, Philip
March of the Robot Army was commissioned by Linda Anzolin and Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by Just Italia. Campobanda is an Italian summer music camp for 8 to 18 year olds which has a different theme every year. The theme for 2019 was science fiction, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromatic figures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change of key introduces a legato trio melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting the first two themes in new guises before finishing the march with a flourish.Duration: 5.00
Estimated dispatch 7-14 working days
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£110.00Macbeth (Fanfare and March) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
The following program notes are taken from those by Christopher Palmer, the arranger for orchestra from William Walton's incidental music for John Gielgud's production of Macbeth in 1941-42. The music was recorded and taken on tour with the production. Up to now it has remained in manuscript and unknown. Although this piece is called Fanfare and March, the principal march is in fact the banquet music (with its clever suggestion of bagpipes on the woodwind, hence my ad lib parts for extra flutes and oboes). Walton made several different versions of this for dramatic purposes, and here some of them have been pieced together. The central section of Trio is the March (Show) of the Eight Kings (Act 4, Scene 1) which reveals to Macbeth that Banquo's issue, not his, will rule in Scotland.
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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