Results
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£76.99Die Himmel ruhmen des Ewigen Ehre (Concert Band - Score and Parts) - Beethoven, Ludwig van - Doss, Thomas
Concert Band with optional SATB ChoirMaster-composer Ludwig van Beethoven was born in Bonn, in 1770, but he lived in Vienna from 1792, until his death in 1827. With his innovative style, he has had a great influence on Western classical music. Die Himmel ruhmen des Ewigen Ehre (The Heavens Extol the Glory of God) is the first line of the poem Die Ehre Gottes in der Natur, which was written by Christian Furchtegott Gellert (1715-1769). The music that Beethoven composed to the text, was published in 1803, as the fourth Lied (song) in a cycle of six (6 Lieder nach Gedichten von Gellert, opus 48). Thomas Doss has arranged the song - in which nature, as created by God, is mirrored majestically - into a wonderful work for concert band.Choir parts available separately.Duration: 3.00
Estimated dispatch 7-14 working days
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£72.99Irving Berlin's America (Concert Band - Score and Parts) - Berlin, Irving - Murtha, Paul
With a musical career spanning a century, the 20th century was Irving Berlin's own and his music was America's music. This spectacular choir, band and optional string medley of some of Irving Berlin's classic songs offers a variety of entertaining performance options. Includes: Alexander's Ragtime Band, There's No Business Like Show Business, Puttin' on the Ritz, Always, Blue Skies, God Bless America. Available: SATB, SAB, 2-Part, Concert Band (Gr. 3), String Pak, ShowTrax CD. Performance Time: Approx. 7:00.
Estimated dispatch 7-14 working days
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£237.99Second Symphony (Concert Band - Score and Parts) - Barnes, James
Premiered by the University of Kansas Symphonic Band with Robert E. Foster conducting, this work was presented the 1982 Neil A. Kjos Memorial Award for the most significant contribution to wind band music. It consists of three movements: an "Elegia" in sonata form, "Variazioni Interrotte" (Interrupted Variations), and a "Finale" in classic sonata form concluding in a coda which ends the symphony in a final, dramatic, colorful outburst, the sort of pure musical energy that only a modern symphonic band can produce. Movements: I. Elegia, II. Variazioni Interrotte, III. Finale. Duration: 22.00
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£22.77Wyndham Variations (Concert Band - Score and Parts)
A slow, majestic developing band composition written in the style of stately English band music. As the title indicates, the trumpets are featured. Utilizing this composer's rather unique method of writing. "Trumpets Triumphant'' is scored to obtain a full sound from any band, and is playable by groups with unbalanced instrumentation. Equally suitable for festivals, ceremonies, concerts and contest.
Estimated dispatch 7-14 working days
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£60.00Lament (for a Fallen Friend) (Concert Band - Score and Parts) - Spittal, Robert
Lament is a musically inspiring and dramatic period piece for band that is influenced by 19th century American hymnody and band music. Inspired by the tragic loss of a friend of the composer, Lament is an elegy to all young people who pass from this world unjustly, before their rightful time.Duration: 4:00
Estimated dispatch 7-14 working days
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£75.00Rondo in E flat (Concert Band - Score and Parts) - Bull, John - Noble, Paul
This arrangement for Concert Band is based on the organ adaptation (Rondo in D) of the string orchestration (Rondo in G). Regardless of the key, it is a delightful piece representing music of the late Renaissance that recalls the English folk dances of an earlier century. An excellent teaching piece for 6/8 meter and rondo form, this presentation in E-flat falls comfortably under the fingers of band instrumentalists. The music is attributed to John Bull, but may have been written much later by noted organist, Richard Ellsasser.
Estimated dispatch 7-14 working days
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£450.00Henry V, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
The Suite from Henry V is an arrangement for Concert Band and optional narrator, adapted from the 1963 orchestral arrangement of William Walton's musical score from the 1944 film Henry V. The suite, originally arranged for orchestra by Muir Mathieson, is in five movements, and occupies a very significant role in the history of music and of Shakespearean studies. Performances exist in a variety of formats because the adaptation of the narration to a film suite is subject to choice. To be chronologically correct, the order of movements from the original suite has been altered to adhere to the narration of the play. And the choice of speeches has required considerable research by classicists who are familiar with the writings of Shakespeare. It has been the endeavour of this arranger to research and present this suite in as authentic a manner as possible, understanding that it might well become the standard by which Concert Bands of the future will adapt and present this music. The arranger is indebted to Anna Warren, a resident of Twickenham and a graduate in Modern Languages (French and Italian) and History from the University of Bristol and a postgraduate from The Institute of Education, the University of London, for her knowledge and insight into the formation of the narration.
Estimated dispatch 7-14 working days
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£135.00A Shakespeare Suite (from Richard III) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
This music was composed in 1955 for the film Richard III and has been adapted for orchestral concert use by Muir Mathieson, and this Concert Band arrangement by Paul Noble. The orchestra version has been recorded on Columbia Records by the Philharmonia Orchestra conducted by the composer, under the title Shakespeare Film Music. Concert Bands will find this music to be quite accessible, with abundant doubling, as was in the original scoring. The quality of William Walton's compositions should make this adaptation a must for festival performance, and a delight for audiences with an interesting touch of Renaissance.
Estimated dispatch 7-14 working days
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