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  • £83.50

    Illumination - Gene Milford

    In 1906, Ralph Vaughan Williams, editor of the English Hymnal, asked his friend and colleague, Gustav Holst, to write these hymns. This work combines the melodies in a richly-colored concert setting of fanfare, canon, chorale and processional. A noble Holst tribute!

    Estimated dispatch 7-14 working days
  • £134.30

    Wellingtons Sieg - Ludwig van Beethoven

    After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. The piece, 'Wellingtons Sieg' ('Wellington's Victory') was dedicated to the Prince Regent, later King George IV and first performed in Vienna on 8 December 1813 at a concert to benefit Austrian and Bavarian soldiers wounded at the 'Battle of Hanau', with Beethoven conducting. It was an immediate crowd-pleaser and met with much enthusiasm from early concertgoers and the piece proved to be a substantial money-maker for Beethoven. 'Wellingtons Sieg' is something of a musical novelty. Besides the orchestra, on stage there are two 'sides', British and French, both playing the same instruments: Trumpets, Snare Drums, 'Canon' and Ratchet. The work has two parts: the 'Battle' ('Schlacht') and the 'Victory Symphony' (Sieges Sinfonie). The first part is programme music describing two approaching opposing armies and contains extended passages depicting scenes of battle. It uses 'Rule Britannia' for the British side and 'Marlbrough s'en va-t-en guerre' for the French side. The 'Victory Symphony' exhibits some typical Beethoven composing techniques. It can be considered as a sonata form that, stripped of the development section, comes equipped with an extended coda. Dutch arranger Andreas van Zoelen transcribed 'Wellingtons Sieg' for Symphonic Band.

    Estimated dispatch 7-14 working days
  • £76.99

    Bagatelle - Ben Haemhouts

    Bagatelle means something like "triviality" or "small matter". Despite the constantly varying times this composition - based on a single theme - sounds particularly light. The theme is introduced in its natural form first, followed by some variations that lead to an uncomplicated canon. This charming interlude is fitting for every concert programme.

    Estimated dispatch 7-14 working days
  • £104.99

    Partita Piccola - Henk van Belcum

    As the title suggests, this work is a partita: it consists of a number of variations on a chorale melody. The partita has been popular for centuries, especially when it comes to organ music. Henk van Belcum, who is active in the choir world, chose for his Partita Piccola the German hymn Wunderbarer Knig as a starting point. Partita Piccola consists of four variations and a choral setting. After a majestic opening fanfare, the second variation follows, based on a canon by Pachelbel. Hndel's Sarabande is the basis of the third variation. Next comes the chorale setting, after which the work ends festively with a dance that has been written in the form of a courante. PartitaPiccola is an asset for church services and for concert platforms.

    Estimated dispatch 7-14 working days
  • £84.99

    A Copland Portrait - David Conte

    Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."

    Estimated dispatch 7-14 working days

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  • £121.00

    Flight - Claude T. Smith

    Flight is the official march of the Air and Space Museum in Washington, DC. It was commissioned by the Air Force Band in 1984 and was premiered by the organization in November of that year. Their recording can be still heard as visitors enter the museum. A highly descriptive work, it incorporates the Pachelbel Canon by request in the opening section before the brass introduces a soaring theme. Sweeping reeds, active percussion and melodic brass are featured in preparation for a most electrifying 6/8 section. Brass fanfares of particular brilliance bring the work to its exciting conclusion.

    Estimated dispatch 7-14 working days
  • £95.95

    Canonic Fantasy - Bill Calhoun

    As the title implies, Canonic Fantasy is based on a harmonic canon that forms the basis for this excellent new concert band work. It begins slowly and dramatically and then weaves into a bold and dynamic allegro. Alert your contest list committee about this piece - it has all the makings of standard fare for contest/festival performance!

    Estimated dispatch 7-14 working days
  • £72.95

    Sandhills Saga - William G. Harbinson

    Use the intertwining melodies of this composition to teach the important musical concept of the canon. Each instrument gets a moment to sing out during the development of an easy, yet musically challenging, melody. With a quiet introduction followed by brisk "alla marcia" section with a lively close, use this as a unique concert selection to educate your students and audience as well.

    Estimated dispatch 7-14 working days
  • £72.95

    Pacem Nol - Larry Clark

    This delightful new holiday arrangement is based on the popular canon Dona Nobis Pacem combined with the famous carol The First Noel. It is effective, yet simple, and it brings together two beautiful songs in a delicate and musical way. As the title implies, may we all have "Peace for Christmas."

    Estimated dispatch 7-14 working days
  • £137.99

    Beethoven's Greeting - Philip Sparke

    Fantasy on the canon Freu' dich des Lebens

    Estimated dispatch 7-14 working days

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