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£29.95
Southdown - Score and Parts - Ray Steadman-Allen
Program NotesRay Steadman-Allen is one of the most foremost composers of the Salvation Army. He has over 400 pieces published and has been a most inventive and creative composer since his first composition was published in 1945. Having officer parents meant Ray grew up in the Salvation Army. He himself became an officer in 1950 and subsequently held many positions within the SA culminating in 1967 when he was appointed as the Head of Music Editorial where he was responsible for selecting and editing all music to be published by the SA. His versatility means he can compose music for all occasions and for all instrumental combinations; from Championship section test pieces to a straight forward setting of a children's song.The march Southdown represents music of a simpler nature from this great composer and was composed originally for a music school in Bolney Court. Bolney Court, near Brighton, is close to the downs in the southern county of Sussex, hence the title. It follows the traditional form of a march and will be an attractive addition to the repertoire of most types of wind-band.
Estimated dispatch 7-14 working days
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£5.95
Southdown - Score only - Ray Steadman-Allen
Program NotesRay Steadman-Allen is one of the most foremost composers of the Salvation Army. He has over 400 pieces published and has been a most inventive and creative composer since his first composition was published in 1945. Having officer parents meant Ray grew up in the Salvation Army. He himself became an officer in 1950 and subsequently held many positions within the SA culminating in 1967 when he was appointed as the Head of Music Editorial where he was responsible for selecting and editing all music to be published by the SA. His versatility means he can compose music for all occasions and for all instrumental combinations; from Championship section test pieces to a straight forward setting of a children's song.The march Southdown represents music of a simpler nature from this great composer and was composed originally for a music school in Bolney Court. Bolney Court, near Brighton, is close to the downs in the southern county of Sussex, hence the title. It follows the traditional form of a march and will be an attractive addition to the repertoire of most types of wind-band.
Estimated dispatch 7-14 working days
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£13.95
Wind Borne
1Heroic MarchPercy Fletcher arr. Philip SparkeRoyal Northern College of Music Wind Orchestra5.402-7The Cries of LondonMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Dawn Watch 1.48 II. Westminster Chimes 2.29 III. A Dream or Two (A Song for London) 3.46 IV. Catch that Catch Can Kenneth Boyd (Tenor)2.24 V. Evening Watch 1.39 VI. Hymn 4.268Diversions (Epitaph for a Dreamer)Darrol BarryRoyal Northern College of Music Wind Orchestra10.489-11Leading EdgeRob WiffinRoyal Northern College of Music Wind Orchestra I. Prelude 3.43 II. Sicilana 3.34 III. Finale 4.3412Wind BorneAvner HananiRoyal Northern College of Music Wind Orchestra7.1013Dragon DanceDuncan StubbsRoyal Northern College of Music Wind Orchestra5.0314-16Fanfares and CelebrationsNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Intrada 5.54 II. Processional 5.40 III. Jubilate 4.41
Estimated dispatch 7-14 working days
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£50.00Antiphonal Overture - Arthur J Michaels
Arthur J Michaels has composed this great number for Wind/Concert Band, and has thoughtfully scored it to support varying instrumentation which may be experienced in school settings.Throughout Antiphonal Overture, different groups of similarly pitched woodwinds and brasses, instrument families, and other instrument combinations 'answer' one another in mainly two-bar phrases. This antiphonal style creates varying timbres and textures throughout the piece.Cues in critical places ensure that smaller groups and those with uneven instrumentation can perform this piece successfully.The ever-changing timbres and textures in Antiphonal Overture are sure to make this piece a popular, challenging work for players and a delight for audiences.Level: Grade 3
In stock: Estimated delivery 1-3 days
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£95.00
The Gilded Theatre - Kenneth Hesketh
The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre.The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The music narative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.
In stock: Estimated delivery 1-3 days
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£36.59Courte Ouverture (Wind Band) Tom Juzwiak
'Courte Ouverture' as translated from the French means 'Short Overture'. Written for a medium level ensemble, it commences with a high trill in the piccolo followed by a flourish in the flutes before the main theme is introduced. This primary melody can be heard throughout the selection. It then transitions into an almost hymn-like middle section before an accelerando takes us back to the flute flourish and main theme. This piece uses the music ensemble to its fullest. Memorable melodies and traditional harmonies are spread throughout the instrumentation. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=Qh3e4-XDDxM Sheet music available from www.wind-band-music.co.uk Difficulty Level: Medium Instrumentation: Piccolo Flute Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Trumpet in Bb 1-3 Horn in F 1-2 Trombone 1-3 Euphonium Baritone Horn Tuba Timpani Snare Drum Bass Drum Cymbals Chimes Glockenspiel Xylophone
In stock: Estimated dispatch 1-3 days
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£40.24A Coventry Rhapsody (Symphonic Wind Band) Karl Whelan
VIEW SCORE PDF A Coventry Rhapsody is based on The Coventry Carol, which dates back to the 16th century and is one of three songs from a nativity play entitled Pageant of the Shearman and Tailors which was traditionally performed in Coventry. The carol itself depicts the Massacre of the Innocents in the nativity narrative from the Gospel of Matthew, in which King Herod, orders the execution of all baby boys under the age of two in the vicinity of Bethlehem. Snippets of the carol can be heard throughout the work in different guises. It is not until the final section that we hear the carol in all its glory. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Piccolo (optional) Flute1-2 Oboe Bassoon Clarinet in Eb Clarinet 1-3 in Bb Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet 1 in Bb/Eb Trumpet 2-3 in Bb Horn 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Percussion (4-5 players) Optional parts include: Tenor Horns 1-4 in Eb Trombone 1-2 in Bb Euphonium in Bb Tuba in Eb Tuba in Bb
In stock: Estimated dispatch 1-3 days
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£62.20Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£36.59Fantasa Espaola - Wind Band (Andrew E. Lawson)
VIEW SCORE PDF This celebratory Latin-flavored item by award-winning American composer Andrew E. Lawson will be an exciting addition to your band's concert programme. The composer writes: 'The Phrygian mode is one of my favorite modes in music. In Fantasa Espaola you will hear a slightly altered form of the traditional mode, using a lowered second and raised third. It is the fifth mode of the harmonic minor scale and can be heard in music from all over the world. Fantasa Espaola, translated as Spanish Fantasy, is inspired by traditional Spanish music and culture, but with a twist of my own.' PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe Bassoon 1 Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-3 Bass Trombone Euphonium Tuba Timpani Percussion 1-5
In stock: Estimated dispatch 1-3 days
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£90.00Euphonium Music - Brian Bowen
Something of a classic in its brass band and piano versions! We are delighted, at last, to make this work available ith wind band accompaniment by the composer. Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer - 'The Eyes of God' - and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break - a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Duration: 15 minutes USA Grade 5 An orchestral version is available on hire.
Estimated dispatch 7-14 working days
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