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£5.95
God So Loved the World - Score only - Sir John Stainer
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
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£29.95
I Vow to Thee, My Country - Score and Parts - Gustav Holst
Program NotesGustav Holst's orchestral suite The Planets is perhaps his best known and most popular composition. The them in the central section of the movement Jupiter was adapted by the composer himself to fit the words of the song and has subsequently found its way into use as a hymn tune under the title Thaxted (named after the Essex town where the composer lived).Ray Steadman-Allen's arrangement of the tune for brass band was published by The Salvation Army in 1998. That arrangement has now been transcribed for wind band by Brian Bowen. It can be effectively used as a stand-alone concert item or as a song accompaniment for either choir or audience.
Estimated dispatch 7-14 working days
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£5.95
I Vow to Thee, My Country - Score only - Gustav Holst
Program NotesGustav Holst's orchestral suite The Planets is perhaps his best known and most popular composition. The them in the central section of the movement Jupiter was adapted by the composer himself to fit the words of the song and has subsequently found its way into use as a hymn tune under the title Thaxted (named after the Essex town where the composer lived).Ray Steadman-Allen's arrangement of the tune for brass band was published by The Salvation Army in 1998. That arrangement has now been transcribed for wind band by Brian Bowen. It can be effectively used as a stand-alone concert item or as a song accompaniment for either choir or audience.
Estimated dispatch 7-14 working days
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£29.95
Southdown - Score and Parts - Ray Steadman-Allen
Program NotesRay Steadman-Allen is one of the most foremost composers of the Salvation Army. He has over 400 pieces published and has been a most inventive and creative composer since his first composition was published in 1945. Having officer parents meant Ray grew up in the Salvation Army. He himself became an officer in 1950 and subsequently held many positions within the SA culminating in 1967 when he was appointed as the Head of Music Editorial where he was responsible for selecting and editing all music to be published by the SA. His versatility means he can compose music for all occasions and for all instrumental combinations; from Championship section test pieces to a straight forward setting of a children's song.The march Southdown represents music of a simpler nature from this great composer and was composed originally for a music school in Bolney Court. Bolney Court, near Brighton, is close to the downs in the southern county of Sussex, hence the title. It follows the traditional form of a march and will be an attractive addition to the repertoire of most types of wind-band.
Estimated dispatch 7-14 working days
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£5.95
Southdown - Score only - Ray Steadman-Allen
Program NotesRay Steadman-Allen is one of the most foremost composers of the Salvation Army. He has over 400 pieces published and has been a most inventive and creative composer since his first composition was published in 1945. Having officer parents meant Ray grew up in the Salvation Army. He himself became an officer in 1950 and subsequently held many positions within the SA culminating in 1967 when he was appointed as the Head of Music Editorial where he was responsible for selecting and editing all music to be published by the SA. His versatility means he can compose music for all occasions and for all instrumental combinations; from Championship section test pieces to a straight forward setting of a children's song.The march Southdown represents music of a simpler nature from this great composer and was composed originally for a music school in Bolney Court. Bolney Court, near Brighton, is close to the downs in the southern county of Sussex, hence the title. It follows the traditional form of a march and will be an attractive addition to the repertoire of most types of wind-band.
Estimated dispatch 7-14 working days
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£13.95
Wind Borne
1Heroic MarchPercy Fletcher arr. Philip SparkeRoyal Northern College of Music Wind Orchestra5.402-7The Cries of LondonMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Dawn Watch 1.48 II. Westminster Chimes 2.29 III. A Dream or Two (A Song for London) 3.46 IV. Catch that Catch Can Kenneth Boyd (Tenor)2.24 V. Evening Watch 1.39 VI. Hymn 4.268Diversions (Epitaph for a Dreamer)Darrol BarryRoyal Northern College of Music Wind Orchestra10.489-11Leading EdgeRob WiffinRoyal Northern College of Music Wind Orchestra I. Prelude 3.43 II. Sicilana 3.34 III. Finale 4.3412Wind BorneAvner HananiRoyal Northern College of Music Wind Orchestra7.1013Dragon DanceDuncan StubbsRoyal Northern College of Music Wind Orchestra5.0314-16Fanfares and CelebrationsNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Intrada 5.54 II. Processional 5.40 III. Jubilate 4.41
Estimated dispatch 7-14 working days
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£99.95Sinfonietta No.2 - A Sign of the Times (Concert Band - Score and Parts) - Wiffin, Rob
It was an interesting challenge to return to the form of a sinfonietta some twenty years after the last one. This work is not hugely problematic to play but was written without regard for technical demands, following a series of compositions that needed to take difficulty level into consideration. The work has five percussion parts but the tuned percussion, although desirable, can be omitted. As for the band parts, Oboe 2 is largely covered elsewhere but the colour of the cor anglais would be a definite enhancement to the overall sound. The work was written in 2025 when it seemed as if the world was a particularly volatile place.The first movement 'Foment' seeks to capture that menacing mood of unrest and the potential for violence that seemed to erupt without warning and without efforts to contain it from warmongers posing as peacemakers. The music is severe and focussed with just a short scherzo-like episode of levity to balance the quasi-military mood.'A Dream of Peace' takes a few moments to contemplate a different, more peaceful world and several ideas are considered before settling on the slow waltz-like melody. This uses a very tonal language but is given a particular hue by its use of sevenths and ninths and there are moments of stress which disrupt the tranquillity.In 'Call to Arms' the warlike mood returns with a sense of restless energy that drives the music to its conclusion.- Rob WiffinDuration: 14.00
Estimated dispatch 7-14 working days
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£64.99Disney Around the Bandroom (Concert Band - Score and Parts) - Vinson, Johnnie
Cleverly arranged to showcase each instrument on a well-known Disney tune, here's the perfect recruiting tool for your next concert tour of the elementary schools! It's also an entertaining medley for any concert. Includes: A Whole New World (full band), Let It Go (Clarinets), Arabian Nights (Oboe), Beauty and the Beast (Flutes), We Don't Talk About Bruno (Saxes), Remember Me (Trumpets), Can You Feel the Love Tonight (F Horns), You've Got a Friend in Me (Trombones/Baritones), Under the Sea (Percussion), and You're Welcome (bass instruments).Duration: 6.00
Estimated dispatch 7-14 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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£78.50Bleak Forest (Concert Band - Score and Parts) - Ziegelback, Andreas
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022.Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they?Andreas Ziegelback studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitat, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelback's interest in composing. In 2021, Andreas Ziegelback completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.Duration: 6.00
Estimated dispatch 7-14 working days
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