Results
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£118.99Hail the Champions - James Curnow
Commissioned for the University of Akron Symphonic Band, this dynamic work celebrates 100 years of music composed for the Olympic Games. Based on three primary themes, the first is a brilliant fanfare that serves as anintroduction as well as a unifying link throughout. Second is the 1896 Olympic Hymn (music by Spyros Samaras) set in a beautiful lyric style which builds to a magnificent climax juxtaposed with the opening fanfare. The finalsection presents a new version of Mr. Curnow's own Olympic Fanfare and Theme for the Olympic Flag which was commissioned for the 1996 Olympic Games in Atlanta and performed again in 2000. The dramatic closing is again combinedwith elements of the opening fanfare. Dur: c. 6:40 (Recorded by the University of Akron Symphony Band - Dr. Galen S. Karriker, Director of Bands. Premiere performance conducted by James Curnow)
Estimated dispatch 7-14 working days
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£47.50Merry Christmas, Darling - Richard Carpenter
Recorded by the Carpenters in 1970, this tender and familiar tune has remained a consistent holiday favorite through the years, and has been covered by a wide range of artists. This great sounding version for younger players issure to be instantly recognized and appreciated by all.
Estimated dispatch 7-14 working days
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£57.50Can't Stop the Feeling
In addition to being a hit single on the pop charts, this catchy and upbeat Justin Timberlake tune is featured in the animated film Trolls. The opening melody is play by alto sax solo, followed by trombones and baritones, and finally the entire ensemble. With interesting parts for all sections of the band, this is sure to be enjoyed by your players and audience alike.
Estimated dispatch 7-14 working days
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£60.99Sea Glass - Rick Kirby
Worn by the waves and recycled by the ocean, sea glass is a product of both nature and man. Bottles and jars carelessly discarded are tumbled by sea and sand, magically creating colorful and smoothly polished gems. This lovely descriptive work uses shimmering effects in piano and percussion combined with beautiful melodies and lush harmonies. With effective emotional peaks and a nice variety in textures, this is a rewarding work for band.Dur: 3:45
Estimated dispatch 7-14 working days
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£42.50Soul Man - David Porter
Originally recorded by Sam and Dave back in the '60s, this R&B classic was revived in a big way by the Blues Brothers. Paul's outstanding easy version is playable even by very young players. The trademark riffs are still there, but in a solid setting that's easy to learn.
Estimated dispatch 7-14 working days
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£60.99Firework
This hit recorded by Katy Perry is arranged here in a very effective setting for young bands by Michael Brown. Saxes state the melody in the beginning, then other sections are added in as the piece builds intensity throughout to the familiar anthem-like chorus played by the entire ensemble. Sure to be an audience pleaser.
Estimated dispatch 7-14 working days
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£82.80I've Got the Music in Me - Bias Boshell
"I've Got the Music in Me" is a pop song by The Kiki Dee Band, released in 1974. It was written in 1973 by Bias Boshell, Kiki Dee Band's keyboardist. It is also the title of a Kiki Dee Band album released in 1974 and re-mastered and re-released in 2008 with bonus tracks. Expertly and very effectively arranged by master arranger Lorenzo Bocci.
Estimated dispatch 7-14 working days
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£122.50Symphonic Rock
Gilbert Tinner combined a number of hits by the well-known British rock group Queen - and a song by Genesis, also a rock formation from England - to form an exciting arrangement with the telling title Symphonic Rock. The instrumentation can indeed be called symphonic, but important instruments from pop music are also present. For instance, an important role is played by the electric guitar, and a synthesizer is used as well. The medley respectively features: Innuendo, A Kind of Magic, Another One Bites the Dust, Radio Gaga, That's All and We Are the Champions.
Estimated dispatch 7-14 working days
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£144.99Ross Roy - Jacob de Haan
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.
Estimated dispatch 7-14 working days
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£134.99Gulliver's Travels - Bert Appermont
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."
Estimated dispatch 7-14 working days
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