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£139.99
Spirit of Independence - Jan van der Roost
'Spirit of Independence' was commissioned by the Koninklijke Fanfare 'Onafhankelijkheid' ('Independence') from Wiekevorst (Belgium) on the occasion of its 25th anniversary. The piece depicts an enthusiastic amateur music club, practicing and making music together in an attentive and companionable atmosphere. The conductor has the good habit of trying to improve the sound of the fanfare by means of practicing chorales and hymns. Jan Van der Roost has used these facts in the dynamic concert piece 'Spirit of Independence': a chorale-like middle section is surrounded by music bubbling full of energy.
Estimated dispatch 7-14 working days
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£109.99
Metalla - Jan van der Roost
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures inthe brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece.
Estimated dispatch 7-14 working days
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£66.95Come Down Rain - Jack Wilds
Inspired by an Arabic folk song of the same name, the music describes a rainstorm followed by a harvest celebration. Opening with atmospheric sounds, the music slowly increases in intensity, accompanied by the compelling sounds of a thunder sheet. A powerful percussion section joins with brass to signal the storm's arrival before the music erupts in dance and celebration.
Estimated dispatch 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£109.99
Simi Jadech - Willy Fransen
Simi Jadech is Hebrew for "give me your hand". This work was commissioned by the royal wind band "De Heidegalm Heusden- Berkenbos", Belgium. The composer based his composition on a Jewish folk song of the same name which is characterised by the typical Klezmer style. This is an excellent work, suitable for competitions or concerts. It has sufficient instrumentation throughout and can therefore be performed by most orchestras.
Estimated dispatch 7-14 working days
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£118.99Ceremonial Entry - Jan Bosveld
Ceremonial Entry is a non-programmatic introductory work in which the timpani's set a slow movement supported by a long pedal in the basses. Interrupted by signal like motifs the dynamics gradually increase resulting in a heroic trumpet-call. The motion becomes rounder and is followed by a section which brings to mind the rhythmical cadence of galley slaves rowing. As the opening slow movement returns a climax follows similar to the "Pini di Roma" from the Italian composer Ottorino Respighi. Ceremonial Entry was composed to celebrate the 25th Frysk Fanfare Festival.
Estimated dispatch 7-14 working days
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£89.99Aviation march - Wilco Moerman
Mankind has always had the desire to fly. Initially we tried to imitate birds to fly, which eventually resulted in the invention of balloons, airships, gliders and powered aircrafts. The first airship in the world that could fly in a controlled way, was invented by Henri Giffard. This airship flew on September 25, 1852 from Paris to Trappes. The ship was 43 meters long and flew 8 km per hour over a distance of 27 km. Other key names for the many changes and developments of the aviation industry, are the Wright brothers on December 17, 1903 with their first motorized flight, of 12 seconds over a distance of 37 meters with a homemade motorized aircraft called the Flyer. Later the same day this record was improved by a flight of 60 seconds over a distance of 260 meters. The first flight across the Channel between England and France was made by Louis Blriot on July 25, 1909. The distance of about 45 km was covered in a time of 37 minutes. In 1910, the first woman, a French pilot (Raymonde de LaRouche), made her first solo flight. She was also the first woman who got a license to fly.This march is a tribute to the many years of development within the aviation industry and gives voice of the pride, the romance, the heroism and the status of this way of transportation.
Estimated dispatch 7-14 working days
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£204.99Star Wars (Main Theme) - John Williams
Voted "Top Soundtrack of All Time" by the American Film Institute, few musical themes are as instantly recognizable as this timeless classic by film score master John Williams. Here is an authentic transcription for band as performed by the United States Marine Band under the baton of John Williams himself.
Estimated dispatch 7-14 working days
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£149.95Stargazer
Conceived in the late-1990's, Jonathan Dove's Concerto for Trombone "Stargazer" is now available to buy as an arrangement for trombone and wind ensemble by James Kazik. Written for Ian Bousfield, this new arrangement received its world premiere at the Kodak Theatre, Rochester, NY as part of the International Trombone Festival on Saturday, 7th June 2014. Bousfield was accompanied by the Eastman Winds, conducted by Mark Scatterday.
Estimated dispatch 7-14 working days
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£309.99Symphony No. 9, Op. 160 - James Barnes
Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band. The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that I have always wanted to write a waltz, and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an otherworldly mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.
Estimated dispatch 7-14 working days
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