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£20.16
Nonet - Arthur Bird
Estimated dispatch 7-14 working days
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£75.60
Suite In D - Arthur Bird
Estimated dispatch 7-14 working days
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£67.50
Simian Planet - Stephen Bulla
One can only imagine what it might be like if the animals ran the zoo! This and other questions will be considered in this programmatic original work for band, incorporating all manner of animal and jungle noises.Young bands students will love the opportunity to use some of those carefully rehearsed vocal monkey and bird sounds they've been diligently working on for years. You can almost see an imaginary sci-fi movie as the music progresses. Your band will have an elephant good time playing this one! Don't miss out!
Estimated dispatch 7-14 working days
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£91.99
Thunderbird - Robert Buckley
The Thunderbird is the spirit of thunder and lightning, believed by Native Americans to take the shape of a great bird. It is also the symbol of the North Vancouver Youth Band who commissioned this march to commemorate their fi ftieth anniversary. It is a march rich in rhythms and melodies, and everyone in the band has something exciting to play. A great way to open your concert.
Estimated dispatch 7-14 working days
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£45.95
The Happy Hungarian - David Shaffer
Popular cartoons have made Franz Liszt's Hungarian Rhapsody #2 and Johannes Brahms's Hungarian Rhapsody #5 instantly recognizable. This arrangement cleverly combines several themes from both compositions into one fun-filled frolic through classical cartoon capers. Whistles, bird whistles, and ratchets all add to the charm of this novel tune. This is one "Happy Hungarian" that will keep you smiling for a long time!
Estimated dispatch 7-14 working days
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£172.50
American civil war fantasy - Jerry H. Bilik
A mainstay of the concert repertoire and a popular choice for contests and festivals. Featured in the medley are: Listen to the Mocking Bird - Dixieland - Camptown Races - John Brown's Body - Dixie - Battle Cry of Freedom -Maryland, My Maryland - When Johnny Comes Marching Home - Just Before the Battle, Mother - Marching Through Georgia - The Yellow Rose of Texas and Battle Hymn of the Republic.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£121.00Always With Grace - Gary P. Gilroy
Always With Grace, commissioned by the Lloyd C. Bird High School band, includes references to Amazing Grace. Not meant to be an arrangement of this wonderful melody, it is instead a tribute to this favorite hymn. From the opening bars of driving eighth-note rhythms through the solemn and lyric middle section, the concept of "time moving forward" is represented by numerous musical devices. As the composition concludes, the full hymn is heard while an off-stage saxophone quartet and metallic percussion sounds "tick away" to an intriguing, unique conclusion.
Estimated dispatch 7-14 working days
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£59.95Cuckoo for Quarter Notes - Joseph Compello
A pun on the familiar phrase, "Cuckoo for Cocoa Puffs," this light piece written for first-year band students is obviously full of quarter notes and features the familiar call of a cuckoo bird as the melody. Percussion interludes are included to give young wind players an opportunity to rest while also giving percussionists some time in the spotlight. Teach quarter notes with this fun concert selection for beginning bands.
Estimated dispatch 7-14 working days
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£59.95Amadeus in the Percussion Box - Joseph Compello
Amadeus in the Percussion Box is a Grade 1 composition featuring the percussion section of a band in its first year of instruction. The theme is a simplification of Papageno's famous "Bird Catcher's" aria from Mozart's opera The Magic Flute, and provides an opportunity for beginning players to learn about crescendos as well as first and second endings. An exciting introduction to one of classical music's most memorable melodies!
Estimated dispatch 7-14 working days
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