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  • £53.50

    Twist And Shout - Bert Russell

    The Beatles-classic arranged for brass section.

    Estimated dispatch 7-14 working days
  • £137.99

    Treasure Island - Bert Appermont

    This composition was inspired by the adventure novel Treasure Island by the Scottish author Robert Louis Stevenson. The music does not recount the tale verbatim, but rather sketches particular events and moods in scenes.

    Estimated dispatch 7-14 working days

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  • £134.99

    Gulliver's Travels - Bert Appermont

    The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."

    Estimated dispatch 7-14 working days

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  • £184.99

    Rubicon - Bert Appermont

    The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.

    Estimated dispatch 7-14 working days

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  • £124.99

    Legend of the Bell (Concert Band - Score and Parts) - Appermont, Bert

    This work was inspired by the legend of the Klokkeven, in which a church bell plays the leading part. It forms a connecting thread throughout the composition. The work consists of three continuous movements, each with its own atmosphere and character. In The Black Robber, we hear dark sounds in the brass and fast chromatic motifs. The Swamp contains mysterious low parallel fifths, imploring solos and chafing dissonant harmonies. Finally, in The Bell sweetly musing solos are hopefully accompanied by the church bell ringing from a distance. After a number of changes in tempo, the music ends in a grand tutti.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £102.99

    Evening Rise (Concert Band - Score and Parts) - Appermont, Bert

    Folk Songs from Around the WorldThis work is based on five folk songs from different cultures. Each song brings its own atmosphere and character, giving rise to a musical journey across the world in one continuous whole. Featuring Evening Rise (America), Lo Yisa Goy (Israel), Sakura (Japan), Finnegans Wake (Ireland) and Siyahamba (South Africa). The Native American song Evening Rise functions as a sort of chorus and thus creates a certain unity; each time the melody is arranged in a different way.Duration: 7.45

    Estimated dispatch 7-14 working days

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  • £124.99

    A Hero's Tale (Concert Band - Score and Parts) - Appermont, Bert

    This composition is based on the life of the German cavalry general Hans Michael Elias von Obentraut (1574-1625), who was known for his nerve, loyalty and courage. The figure Van Obentraut is closely connected to the town of Seelze, where he died a heroic death and where a monument was erected in his honour. The work consists of four movements in which various aspects of this historical figure are featured.Duration: 10.30

    Estimated dispatch 7-14 working days

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  • £87.99

    Majestic Entrance (Concert Band - Score and Parts) - Appermont, Bert

    Majestic Entrance is a festive opening work with cinematic influences. It was written for the Swiss Musikverein Muttenz; this music society celebrated its 125th anniversary in 2021, more than enough reason for a commissioned composition. The work consists of three movements: a heroic opening passage, a lyrical middle movement and a return to the opening. All in all a composition of majestic charm! Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £47.50

    Hymn for a Hero (Flexible Ensemble - Score and Parts) - Appermont, Bert

    This composition was inspired by the life of the German cavalry general Hans Michael Elias von Obentraut (1574-1625). The heroism of the illustrious general is expressed in a majestic hymn. Hymn for a Hero can serve as a separate work but, if desired, it can also be integrated in the four-movement composition A Hero's Tale. Concretely, this means that this flex version, following the opening fanfare, can be played along with the first movement (bars 9-52). Thus, a youth or beginner band can make music and perform together with a band of adults or advanced players.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £102.99

    Three Blind Mice (Concert Band - Score and Parts) - Appermont, Bert

    This composition is based on the children's song Three Blind Mice, of which the melody is featured in a range of variations: in a canon, in inversion, in minor, transformed, with changing harmonisations and orchestrations, and in different times and tempi. The work consists of three continuous, contrasting movements:Mouse March: The mice cheerfully set off while the original melody is presented as a marchHymn: In a tuneful hymn, the wonderful praises of the life of mice are sungCatch Me If You Can: In an animated chase, the farmer's wife is trying to catch the mice. Following a stirring acceleration, she cuts off their tails in accordance with the lyrics of the songThis work, with its humorous touch, will be a welcome contribution to the expansion of interesting repertoire for the lower divisions.Duration: 6.45

    Estimated dispatch 7-14 working days

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