Results
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£75.00Masters inTthis Hall (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Masters in This Hall (alternative title: Nowell, Sing We Clear) is a Christmas carol with words written around 1860 by the English poet and artist William Morris to an old French dance tune. It is said to have a sixteenth-century feel, harking back to a simpler society, in line with Morris's own romanticism. It also has elements of Morris's socialist beliefs, with the poor bringing news of Christ's birth to the Masters in this Hall and a warning to the proud. The carol describes a poor man, emphasized by his rural dialect, drawing his master's attention to the birth of Christ by describing how he had met shepherds travelling to Bethlehem in solemn mood where, joining them, he had seen the Christ child in his mother's arms. The chorus repeats how the birth of Christ has raised up the poor and cast down the proud. This represents one of the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£69.99Infinity and Beyond... (Concert Band - Score and Parts) - Sparke, Philip
The last decades of the 20th century saw man's first steps in space exploration. Since the first moon landing by Neil Armstrong in 1969, these adventures in outer space have captured the public's imagination and have given birth to scores of science fiction movies, books and TV series that have tackled the subject. Infinity and Beyond... takes as its inspiration the wonderful film scores of composers such as John Williams and Jerry Goldsmith, who have almost invented a style which could be called 'space music'.Opening with a rhythmic bass figure, Infinity and Beyond... begins with a robust introduction in 3/4, which leads to the main theme in 4/4, played by the full band. A short bridge passage, utilising the interval of a fourth, leads to a modal central section, featuring first the trumpets and then played by the whole band; this in turn leads back to a repeat of the introduction until the main theme returns to bring the piece to a close.Duration: 3:00
Estimated dispatch 7-14 working days
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£137.95Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£27.95
Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£233.50Mosaici Bizantini (Concert Band - Score and Parts) - Cesarini, Franco
Three Byzantine mosaics, to be seen in churches in Venice and Palermo inspired Franco Cesarini to compose this work. He took the musical motives from Gregorian chants. The mosaics concerned depict the following extracts from "The Gospel According to St. Matthew".I. The Nativity: The Magi from the East: "Where is the new-born King of the Jews? For we have seen his star in far-off eastern lands and we have come to worship Him."II. The Temple of Jerusalem: And look! The curtain secluding the Holiest Place in the Temple was split apart from top to bottom: and the earth shook and rocks broke, and tombs opened and many godly men and women who had died, come back to life again.III. Angel of the Resurrection: An angel of the Lord come down from heaven drew near, rolled away the stone and sat upon it. His countenance was lightning and his attire white as snow.Duration: 19:45
Estimated dispatch 7-14 working days
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£84.99Animal Kingdom Wind Band Set (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£149.99
Columbus Wind Band Set (Score & Parts)
Christopher Columbus was born in Genoa in 1451. His father was a wool merchant. Originally he seemed destined to follow in his father's footsteps, and thus sailed the oceans to countries as far apart as Iceland and Guinea. In 1476 his ship was sunk during a battle off the coast of Portugal. Columbus saved his own life by swimming to shore. In 1484 he conceived the idea of sailing to the Indies via a westward sea route, but it was only in 1492 that he was able to realize this plan. On this first voyage he was in command of three ships: the flag-ship, called the Santa Maria, the Pinta, and the Ni?a. From Spain Columbus sailed via the Canary Islands to the Bahamas, which he sighted on October 12th 1492. Without being aware of it Columbus discovered the 'New World' - he thought he had landed in the eastern part of Asia. The motif from Dvo??k's 9th Symphony 'Aus der neuen Welt' forms a little counterfeit history at this point in the composition. After this first voyage Columbus was to undertake another three long voyages to America. These voyages were certainly not entirely devoid of misfortune. More than once he was faced with shipwreck, mutiny and the destruction of settlements he had founded. After Columbus had left for Spain from Rio Belen in 1503, he beached his ships on the coast of Jamaica. The crew were marooned there and it was only after a year that Columbus succeeded in saving his men and sailing back to Spain with them. In the music the misunderstanding about which continent Columbus discovered in his lifetime resounds, for does this part in the composition not contain Asiatic motifs? Poor Columbus! In 1506 the famous explorer died in Valladolid. 09:00
Estimated dispatch 7-14 working days
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£139.99
Le Cortge du Roi Renaud (Concert Band - Score and Parts)
Le cort?ge du roi Renaud is a suite in five parts. It is based on tales that originated in southern European folk songs, dating back as far as the 16th century. A large portion of these songs are of the genre "Complaintes" songs in which the text gives a detailed description of events having a generally criminal or macabre character. The most familiar song to feature the tales of Roi Renaud is "Fualdes", consisting of 48 verses.The first part of the suite is based on the song "La Porcheronne" (The Swineherd). It telis the story of a young woman forced by her mother-in-law to tend pigs while her husband is away fighting in the war. She is freed only when her husband returns seven years later.The next part tells the story of "La mrquise Empoisonn?e" (The Poisoned Marquise). A marquise is coerced by her king to become his mistress. The jealous queen poisons her by means of a bouquet of deadly scented fiowers.Despite having the character of a merry dance, the third part, "La maumari?e vengee" (The Avenged Wedding), expresses the touching story of Queen Clotilde, persecuted for her refusal to live according to the Aryan beliefs."La belle engloutie" (The Swallowed Beauty) relates the tale of the young wife of King Renaud. She cannot imagine a life without her husband, who was mortally wounded in the war, and begs the earth to open and swallow her up so thst she may rejoin her love.The gruesome content of the final part,"Le tueur de femmes" (The Wife Killer), bears a strong resembiance to the tale of Bluebeard. The story is about a young wife in danger of being drowned in a pond by her husband, which is what happened to her 13 predecessors. Thanks to her cunning, she manages to turn the tables and contrive her husband's demise. 09:20
Estimated dispatch 7-14 working days
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£35.50Triglav - Julius Fucik
Julius Fuc k (1872-1916) appreciated life in Sarajevo. First compositions were written, which soon made him become one of the leading representatives of his profession in Austria-Hungary. Among those works also figured his elaborate piece "Austria's Glory and Honor", which unfortunately remains kind of ill-fated up to now. Yet another area of activities, where Fu k was able to demonstrate his talents was to stage the symphony concerts introduced by him in Sarajevo. Late in fall of the year 1900 Fuc k's time had come, when the regiment deployed from Sarajevo to Budapest. He lived in that metropolis on the Danube for the next some ten years, and during that period most of hisworks were composed. At that time his popularity also grew from day to day. The first performances of his works met with general interest, and not only numerous officers most of them were friends of Fuc k attended these events, they rather were attractions for all ranks of the society. It should also not be overlooked that music publishers were anxious to secure almost each one of his works for their publishing company, and most of them were printed immediately after their premieres. In 1899 the "Laban March" was written as his Opus 44. It was dedicated to Major General Rudolf Laban of Vralje, commander of the 3d Mountain Brigade which was stationed in Nevesinje. The title of the march then changed to "Eiserne Brigade" ("Iron Brigade") until it finally became known as "Danubia". It was first printed as late as 1933 by Bohuslav Leopold (Edition Continental). Leopold was a musician in Fuc k's regimental band, and later a successful publisher. He succeeded in securing the best of Fuc k's works for his company. Sketches of "Triglav" date back to 1903. The title alludes to the highest mountain of the province of Slovenia, and this was probably an apt means in the eyes of the composer to demonstrate his "Slavonic patriotism".
Estimated dispatch 7-14 working days
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£139.99Le Cortge du Roi Renaud - Franco Cesarini
Le cortge du roi Renaud is a suite in five parts. It is based on tales that originated in southern European folk songs, dating back as far as the 16th century. A large portion of these songs are of the genre "Complaintes" songs in which the text gives a detailed description of events having a generally criminal or macabre character. The most familiar song to feature the tales of Roi Renaud is "Fualdes", consisting of 48 verses.The first part of the suite is based on the song "La Porcheronne" (The Swineherd). It telis the story of a young woman forced by her mother-in-law to tend pigs while her husband is away fighting in the war. She is freed only when her husband returns sevenyears later.The next part tells the story of "La mrquise Empoisonne" (The Poisoned Marquise). A marquise is coerced by her king to become his mistress. The jealous queen poisons her by means of a bouquet of deadly scented fiowers.Despite having the character of a merry dance, the third part, "La maumarie vengee" (The Avenged Wedding), expresses the touching story of Queen Clotilde, persecuted for her refusal to live according to the Aryan beliefs."La belle engloutie" (The Swallowed Beauty) relates the tale of the young wife of King Renaud. She cannot imagine a life without her husband, who was mortally wounded in the war, and begs the earth to open and swallow her up so thst she may rejoin her love.The gruesome content of the final part,"Le tueur de femmes" (The Wife Killer), bears a strong resembiance to the tale of Bluebeard. The story is about a young wife in danger of being drowned in a pond by her husband, which is what happened to her 13 predecessors. Thanks to her cunning, she manages to turn the tables and contrive her husband's demise.
Estimated dispatch 7-14 working days
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