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£64.99Above and Beyond - Robert Buckley
Written as a celebratory piece, Above and Beyond is a stirring overture that explodes with energy and enthusiasm - a tribute to the quest for the extraordinary and the desire to do more than is required. Built around threedistinct themes which are organically developed, the work contains powerful and triumphant melodies, driving percussion, dynamic contrasts and a marvelous cantabile. This exhilarating concert opener exemplifies joy and spirit.
Estimated dispatch 7-14 working days
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£118.99Goodnight Moon - Eric Whitacre
Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time those fragments began toblossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed - thefirst time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, originally setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. I laterarranged Goodnight Moon for SATB choir and piano. More recently, my dear friend Verena Msenbichler-Bryant arranged the piece for wind ensemble and soloist. The melody of Goodnight Moon will forever make me think of those quietnights, reading my son to sleep. -Eric Whitacre
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£118.99Liquid - Jay Bocook
Commissioned by the North Carolina South Central District Bandmasters Association, Liquid portrays the many different ways that water moves around us. From the opening raindrops and first few notes upon which the piece is built,this fast-paced and engaging work takes us through a series of variations that depict cascading waterfalls, flowing rivers, crashing waves, trickling creeks, and ripples over the surface of a calm lake. The piece culminates with athunderous setting of the 13th-century Latin hymn Dies Irae, or Day of Wrath. Dur: 5:30
Estimated dispatch 7-14 working days
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£57.50Captain Marvel (Main Theme) - Pinar Toprak
From the blockbuster movie, here is the powerful main theme for our favorite heroine, Captain Marvel! Built using a strong rhythmic base, then with the distinctive theme passed around to various sections of the band, this makes animpressive statement for the concert stage.
Estimated dispatch 7-14 working days
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£53.95Shadows Unseen - Todd Stalter
Composed using modified student-submitted melodic examples and ideas, this is a uniquely collaborative work evoking the darkness of the "shadows" we sometimes keep to ourselves. The piece ends optimistically, reminding us that shadows are small compared to the light around them. (3:45)
Estimated dispatch 7-14 working days
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£159.99The Wall - Otto M. Schwarz
The walls of Babylon, the Great Wall of China, the limes of the Roman Empire and the Berlin Wall are just a few examples of the walls mankind has built over past centuries. Today, building walls remains an issue, often under the pretext of 'protection' against intruders.This idea inspired Otto M. Schwarz to write a piece about the Roman limes between Germania and Rhaetia. From around 150 to 260 AD the wall faced numerous attacks. This programmatic work describes the events as they happened a long time ago, and addresses hope that these events belong to the past forever. The Wall is a work full of action in all-instrumental groups.This is an impressive piece with strong musical images, perfect for a contest or as an apotheosis in your concert.
Estimated dispatch 7-14 working days
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£115.60Vise ved vintersolkverv - Tore Bruvoll
The beautiful song "Song at Winter Solstice" has within short time been highly loved by listeners all around Norway. It's performed by folk-rock band "Hekla Stlstrenga" who released their first album "Hekla Stlstrenga" in 2008. This album was nominated for "Spellemansprisen" (the Norwegian equivalent to Grammy) in the folk music / traditional music category. "Song at Winter Solstice" was released as single record in 2013. To the conductor: In this band arrangement you can choose whether to perform with or without repetition of the melody. If you want to use a song soloist, play the piece as is with all the verses that belong. As instrumental you can choose to go straight in the2nd house to make the song shorter.
Estimated dispatch 7-14 working days
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£68.80Watermelon Man - Herbie Hancock
"Watermelon Man" is a standard jazz tune composed by pianist Herbie Hancock. The tune follows a regular 16-bar blues form that draws on elements from gospel and R&B. Hancock claimed that the song was built his childhood memories from Chicago. "I still remember the song of the watermelon man when he drove his wagon around our neighborhood. The wheels of the wagon played the rhythm on the cobblestones."
Estimated dispatch 7-14 working days
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£61.95
Land Of Pharaohs - Gene Milford
The mystery and romance surrounding Egypt's Nile river, expansive deserts, mighty pyramids, Valley of the Kings, and legacy of art and culture has inspired generations of men and women around the globe. In ancient Egypt, the word "Pharaoh" meant "Great House," referring first to the royal palace itself and later to the ruler in power as an official title of leadership. Land of the Pharaohs is a short, musical depiction of the power that the ancient Pharaohs once held and the drama that has captivated mankind since the end of their long reign.
Estimated dispatch 7-14 working days
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