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  • £65.99

    In Storm And Sunshine - Heed

    This great circus "screamer" has been a favorite of bands worldwide for over a century, and it will thrill your audience from downbeat to stinger!

    Estimated dispatch 7-14 working days

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  • £89.99

    Concerto for Percussion and Band - Robert Jager

    An exciting work for percussion soloist and band that features mature multiple percussion writing by world renowned composer Robert Jager. Optional duet version included.

    Estimated dispatch 7-14 working days
  • £57.50

    Pride and Prejudice - Dario Marianelli

    Featuring tuneful themes from the movie score, here is a marvelous piano feature with band that will be easy to put together. A nice opportunity for a budding solo pianist and an excellent change of pace for any program.

    Estimated dispatch 7-14 working days
  • £57.50

    Pop and Rock Legends - The Mamas & the Papas

    During the turbulent period of the late '60s, the Mamas & the Papas gave us tuneful hits that we could all identify with. Here is a medley of familiar songs that continue to speak to all generations. Includes: Monday, Monday:Dream a Little Dream of Me and California Dreamin'.

    Estimated dispatch 7-14 working days
  • £79.99

    Fanfare and Flourishes - James Curnow

    Based on Marc-Antoine Charpentier's (1634-1704) Te Deum, Fanfare and Flourishes for a Festive Occasion was originally commissioned for the 1991 European Brass Band Championships held in Rotterdam, Holland.

    Estimated dispatch 7-14 working days

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  • £139.99

    The Saint and the City - Jacob de Haan

    This tumultuous composition tells the legend of the town of Zwolle in the Netherlands. In the waters surrounding Zwolle lived a dragon. When it appeared it threatened to destroy the town with it fiery breath if a human sacrifice was not offered. St Michael confronted the dragon in a battle without equal. As a knight armed with a double edged sword the archangel battled against the dragon and decapitated it. Thus the city was saved. To represent the archangel the composer has chosen the hymn tune Laudate Dominum . The dragon is symbolised by a series of menacing chords.

    Estimated dispatch 7-14 working days

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  • £47.50

    Introduction, March and Shepherd's Dance - Gian Carlo Menotti

    Score and Parts. For Concert Band.

    Estimated dispatch 7-14 working days
  • £237.99

    The Jedi Steps and Finale - John Williams

    Performed by the United States Marine Band, and from the blockbuster 2015 film Star Wars: The Force Awakens, this authentic transcription features the dramatic music used at the climax of the film followed by the explosive Finale.

    Estimated dispatch 7-14 working days
  • £74.99

    Chorus and March - Georg Friedrich Händel

    Handel's oratorio Judas Maccabaeus was composed in a period of not much more than a month in 1746. As with the famous Messiah, use was made of previously composed material and indeed See, the Conquering Hero Comes! was grafted from another oratorio about Joshua. This arrangement of See the conquering Hero Comes will bring a great sense of ceremony to any concert.

    Estimated dispatch 7-14 working days

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  • £123.20

    3 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00

    Estimated dispatch 7-14 working days

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