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£183.99Five States of Change - Philip Sparke
Five States of Change was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing band repertoire.The composer writes: "The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing*, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine andastrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life.An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues.I was particularly interested in the cycle of emotions:- Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Five States of Change has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle. *in full Wu zhong liu xing zhi chi or the five types of chi dominating at different times
Estimated dispatch 7-14 working days
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£87.99
Intrada: Adoration and Praise - Claude T. Smith
This work is an impressive set of variations on the hymn tune "Praise to the Lord, The Almighty." The opening majestic statement is followed by challenging variations. Extra flair can be added with an optional antiphonal brass ensemble amid the dramatic conclusion. An impressive finale for concerts and ceremonies. A supplemental string set (CTS-7829-99) may be purchased separately for performances by combined band and orchestra.
Estimated dispatch 7-14 working days
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£161.00
Parade - Erik Satie
Parade is a ballet with music by Erik Satie and a one-act scenario by the French artist Jean Cocteau composed in 1916-1917 for Sergei Diaghilev's Ballets Russes and premiered in 1917 in Paris, with costumes and sets designed by Pablo Picasso. Cocteau started writing a scenario - the theme being a publicity parade in which three groups of circus artists try to attract an audience to an indoor performance - to which Satie composed the music. The score contained several 'noise-making' instruments (typewriter, foghorn, an assortment of milk bottles, pistol,...), which had been added by Jean Cocteau. Dutch arranger Guus Dohmen transcribed Satie's Parade for Symphonic Band including all of Jean Cocteau's extraordinary additions.
Estimated dispatch 7-14 working days
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£102.99Cast Away (End Credits) - Alan Silvestri
In 2000, the movie Cast Away stormed into cinemas and received two Oscar nominations in the process. It follows the story of a man (played by Tom Hanks) who gets stranded on an island after the plane he is traveling on crashes. As the sole survivor, he does his best to keep himself alive while facing a rather bleak situation. An interesting feature about this film is that after hearing an Elvis song and a Russian choir, no music is heard again until the end of the movie, over 100 minutes later! Aidan Thomas creates a moving arrangement of the end credits music.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£102.99
Valse Sacre - Frédéric Devreese
For Frdric Devreese, a dance, and especially the waltz, is increasingly linked to the person as a dancer, so that a dance becomes an experience, an adventure; and as a result, they in fact waltz to human emotions. Those who follow Devreese's music a little know that, for him, the different facets are not separate from each other. The film scores and the concert pieces strengthen and influence one another. His most famous film score themes, such as the Valse Sacre", belong to the collective memory of Flemish music. This waltz was composed for the Hugo Claus film "The Sacrament". The assignment was to compose a whirling waltz for a dance scene set during an emotional familycelebration."
Estimated dispatch 7-14 working days
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£349.99Symphonic Dances - Yosuke Fukuda
Symphonic Dances for Wind Ensemble was commission by the Central Band of the Japan Air Self Defense Force. The suite's five movements present "dances of the world". While the energetic quality and spirituality of each dance should be captured, the collection is still intended to entertain. Each movement is complete and can be performed accordingly.I. Renaissance DancesAn homage to European flavor and style from the time of Gervaise, Susato and Praetorius, after the introduction, the steps of courante, pavane, galliard, and branle appear. Please perform with vigor and contrast!II. TangoThis section is more an earthy and piquant Argentine romance than an elegant continental tango. Perform the alto saxophone theme and solis for each section very passionately!III. HoedownHere is the scene of the rodeo and a free-spirited western swing feel. The introductory clarinet solo can be done ad libitum. Maintain the mood by swinging slightly throughout. Present this movement playfully!IV. Spirituals (Bon-Odori-Uta)This is a requiem on the Bon-Okuri ceremony guiding ancestors back to the spiritual world. The initial piccolo motif repeats a chant in the rhythm of bon odori (a bon dance) and develops as a variation on Owara-bushi, a beautiful folk song from Toyama prefecture. The traditional bon odori have evolved into summer festival entertainment.V. Belly DanceThe belly dance is typically Arabic, its music performed by strings and drums.All should play with passion and flamboyance and a sense of bacchanalia and abandon. Employ a heavy sense of rhythm, also with a "Darbuka" (traditional Turkish goblet drum) if possible. Additionally, a "big-bang" coda is not only allowed, but encouraged!(Yosuke Fukuda)
Estimated dispatch 7-14 working days
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£149.99Suite Provenale - Jan Van der Roost
This 4-movement suite is based on authentic folktunes from the beautiful southern province in France: the "Provence". The composer used an harmonic language respecting the popular characteristics, but on the other hand also contains some "spicy" notes (... just like the wellknown "Provenal sauce"! ...). The instrumentation is very colourful, paying a lot of attention to the different timbres of both brass and wood winds as well as to the percussion section.Every movement has its own character: "Un Ange a fa la crido" (= An angel brought the creed / credo) is like a bourre, "Adam e sa Coumpagnou" (= Adam and his companion) is an old love song, "Lou Fusti" (= the carpenter)a fast dance and finally "Lis Escoubo" (= a whistle tune / popular ballad) is a farandole. In the latter, the old tradition of folk musicians who play a whistle with one hand and a drum with the other hand, is clearly represented during the first presentations of the one and only theme)Although this piece is not too demanding, a well balanced band is necessary to perform it successfully. Thanks to the contrasts and the varying colours, it keeps on holding the attention.
Estimated dispatch 7-14 working days
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£159.99Slavia - Jan Van der Roost
Jan Van der Roost originally composed each and every note of 'Slavia' (as in case in 'Puszta', 'Rikudim' and 'A Highland Rhapsody'). Consequently, 'Slavia' does not contain any arrangement of existing tunes, but is an original composition 'in the style of...'. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second movement in a fast and fiery tempo. The tempi increase, gradually culminating in an exciting final climax, making this 'Slavonic Rhapsody' a spell-binding experience to the very last note.
Estimated dispatch 7-14 working days
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£189.99Manhattan Pictures - Jan Van der Roost
In this colourful composition, Jan van der Roost recreates the energetic and multi-racial city life in Manhattan, using four contrasting movements. The opening movement is rather short and rhytmical. In the second "Picture", a variety of musical entities accumulate into a coloured "sound curtain", on top of which the brass section presents a broad theme. In contrast to the two previous movements, the third movement is exremely quiet, featuring the first flute, clarinet an oboe in broad melodies. Again, the orchestration plays an essential role. Following on a majestic "tutti" (almost "movie-like....) the serenity of the very beginning reappears. Finally, the nervousness anddynamic style of the two first movements come back in an exciting apotheosis with rich and sometimes surprising instrumentation which explores the multiple possibilities of the large symphonic wind band to the full.
Estimated dispatch 7-14 working days
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