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£72.99Aladdin, Music from (Flexible Ensemble - Score and Parts) - Vinson, Johnnie
One of Disney's most popular and enduring animated films, Aladdin was released in 1992 and followed by the live action version in 2019. This fast-paced melody of familiar songs includes Arabian Nights, Friend Like Me, Prince Ali and A Whole New World.Duration: 4.50
Estimated dispatch 7-14 working days
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£60.99Disney Blockbusters (Concert Band - Score and Parts) - Higgins, John
Includes: Beauty and the Beast; A Friend Like Me; Under the Sea; A Whole New World
Estimated dispatch 7-14 working days
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£60.99Aladdin, Highlights from (Concert Band - Score and Parts) - Menken, Alan - Sweeney, Michael
Includes: Arabian Nights; Friend Like Me; A Whole New World.
Estimated dispatch 7-14 working days
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£74.95An Aladdin Fantasy (Concert Band - Score and Parts) - Forgie, Barry
Your band will sound terrific with all the hits from Walt Disneys Aladdin. Includes Arabian Nights, One Jump Ahead, Friends Like Me and of course A Whole New World.
Estimated dispatch 7-14 working days
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£14.95
An Aladdin Fantasy (Concert Band - Score Only) - Forgie, Barry
Your band will sound terrific with all the hits from Walt Disneys Aladdin. Includes Arabian Nights, One Jump Ahead, Friends Like Me and of course A Whole New World.
Estimated dispatch 7-14 working days
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£94.99Peace for the World - Rob Goorhuis
The title and scope is not new but the message and the desire of the composer is clear. It is mainly that music can solve problems and can plead for peace in the whole world. Musically, Peace for the World, is a brief opening work with a fanfare-like opening followed by a melodious middle part and a end that refers to the opening.
Estimated dispatch 7-14 working days
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£94.99Peace for the World Wind Band Set (Score & Parts)
The title and scope is not new but the message and the desire of the composer is clear. It is mainly that music can solve problems and can plead for peace in the whole world. Musically, Peace for the World, is a brief opening work with a fanfare-like opening followed by a melodious middle part and a end that refers to the opening. 02:30
Estimated dispatch 7-14 working days
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£79.99Aladdin, Selections from (Concert Band - Score and Parts) - Menken, Alan - Moss, John
Includes:Arabian NightsFriend Like MeHappy EndingJafar's HourOn a Dark NightOne Jump AheadPrince AliWedding AnnouncementA Whole New World
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£202.99Gloriosa - Symphonic Poem for Band Movement 1 - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
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