Results
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£77.00Today is the Gift (Concert Band - Score and Parts) - Hazo, Samuel R.
This exciting work demonstrates the composer's continued fresh approach and unique vision for wind bands. Scored for brass and percussion with woodwind players contributing East African chant/singing along with egg shakers, this composition is a tribute to the memory of Rosa Parks and her struggles on behalf of civil rights more than 50 years ago. Dramatic and powerful music for the stage!Duration: 4:00
Estimated dispatch 7-14 working days
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£89.99Pioneers of the Lowlands (Concert Band - Score and Parts) - De Haan, Jacob
This concert march is a tribute to the pioneers in the world of brass music in the Lowlands of Netherlands, the original founders of the bands and the people who take the lead in organising the societies and associations in the band movement. Celebrate the joy and friendship of the brass band movement with this truly uplifting march.Duration: 3:00
Estimated dispatch 7-14 working days
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£104.99Epitaph (Concert Band - Score and Parts) - Swerts, Piet
A Tribute to Gustav MahlerDuration: 5:30
Estimated dispatch 7-14 working days
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£75.24The Pirates of Penzance (Concert Band - Score and Parts) - Sousa, John Philip
Sousa's unique and never-before published concert "grand march" was composed as a tribute to two other popular American composers, Stephen Foster and Ethelbert Nevin. Along with an original Sousa march theme it includes Foster's "Come Where My Love Lies Dreaming" and Nevin's still widely familiar tune "Narcissus." All three of the melodies: Sousa, Foster and Nevin, combine in multi-layered splendor for the riotous finale.
Estimated dispatch 7-14 working days
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£59.99Maximus Fanfare - Thierry Deleruyelle
Maximus Fanfare is a dazzling, energetic work for wind band, conceived as a short, percussive overture in which brass and percussion impose their power from the outset. From the very first bars, an explosion of sound captures attention before giving way to vibrant orchestral development, leading to a triumphal conclusion.This fanfare was inspired by the majestic golden lion that sits atop the belfry in the Place des Hros in Arras, a town with a rich architectural heritage listed by UNESCO. A symbol of strength and grandeur, the lion finds a musical echo in this brilliant work full of panache.Commissioned by the Orchestre d'Harmonie d'Arras, the piece owes its name to Maxime Lavoine, its conductor since 2011, in tribute to his commitment to and passion for wind band music.With Maximus Fanfare, Thierry Deleruyelle has created an intense and luminous work, a musical tribute to the significance of Arras' heritage and the enthusiasm of the musicians who keep it alive.
Estimated dispatch 7-14 working days
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£56.99Milton, the Melting Snowman - Len Orcino
Who doesn't like a sunny day in the midst of winter? Who is that statuesque figure all decked out in his winter finery? Who stands proud, guarding the family home? Why it's "Milton the Melting Snowman!" But alas, as the day progresses and temps rise a transformation begins. Listen, as the music evokes Milton's dismay, "I'm melting!" The musical adventure pays tribute to this gallant guardian, soon to be a fond memory until next year. Set your mind free wander with this whimsical winter musical offering as the band pays tribute to this pillar of packed snow.
Estimated dispatch 7-14 working days
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£80.99Purple Heart - David Shaffer
Purple Heart is a powerful and dramatic musical setting written in tribute to composer David Shaffer's former student LCpl Michael Cifuentes who, along with 14 other Marines from the Columbus, Ohio based Lima Company of the 3rd Battalion, 25th Marines, were killed on August 3, 2005 in a roadside attack in Iraq. The subdued sonorities of the horns are blended with the subtleties of the mallet percussion, creating a compassionate and stirring setting appropriate for any concert setting.An emotional tribute to Michael Cifuentes and members of Lima Company of the 3rd Battalion, 25th Marines who were killed on August 3, 2005 in Iraq is now available.
Estimated dispatch 7-14 working days
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£57.50Rhythm Stand - Jennifer Higdon
Rhythm Stand pays tribute to the constant presence of rhythm in our lives: from the pulse of a heartbeat to the rhythmic sounds of the world around us. Celebrating the regular order in our lives, composer Jennifer Higdon incorporates traditional and non-traditional sounds within a 4/4 swing style setting to heighten student awareness and enhance their creativity. Organized in unique compositional and rhythmic patterns, this work invites students to explore multiple ways of organizing sounds and making music. A free downloadable interdisciplinary curriculum for teaching Rhythm Stand is available at www.BandQuest.org. Learn more on YouTube! BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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