Results
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£78.20Cloud(iu)s ... der Wolkenmann - Thiemo Kraas
4 Miniatures for Winds: 1. Wind 2. Storm 3. Rain 4. Sun and Snow There was a little child who enthusiastically told a story ... and a composer who was equally inspired by the child and its story to write these miniatures. At the premier performance of my composition "Arcus" in March 2011, when I explained how a piece about the rainbow came into being, a little girl came up to me and asked: "Thiemo, what about the man in the clouds?" I obviously had forgotten to include him, though he is as the little girl informed me of extreme importance in the sky: "He sits in the clouds and is responsible for the weather. He shakes rain, wind, storm or snow out of the clouds, he pushes them aside to let the sunshine through or he models them into funny figures, making people on earth smile." Fascinated by the girl's ingenuous ideas I created this small composition, sitting in my study and letting my mind wander into the sky. As the man in the clouds naturally has to have a name, I decided to call him "Cloud(iu)s ... man in the clouds". I dedicate this piece to the children of my beginner's band, who show me again and again how wonderful and precious it is to delight in the small things in life ...
Estimated dispatch 7-14 working days
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£149.40Sommernatt ved fjorden - Ketil Bjørnstad
"By the Fjord" is written by the Norwegian composer Kjetil Bjrnstad and is the most famous song from the musical work "Leve Patagonia" which was published in 1978. The work is written as a modern suite about the Oslo Bohemians Hans Jaeger and OdaLasson sitting in a pram on the fjord a summer night. Odas sister sees the couple on the sea from her window and tells us the story.Kjetil Bjrnstad wrote "By the Fjord" in his house outside Tvedestrand early spring 1978. He was initially notfully satisfied and considered disposing it. The beautiful music has luckily made the song a classic in Norwegian music.To the conductorThis arrangement can be used with both vocal andinstrumental soloist. Its always a challenge toarrange songs with many verses that tells a story if it is to be played by an instrumental soloist instead of a singer. Because of that, please cut the repeats if it's performed without lyrics.Solo-parts included in the set: Vocal Flute Altosax Flugelhorn Euphonium - Trombone
Estimated dispatch 7-14 working days
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£55.50Creepy Crawlies - Michael Story
Well, you've probably heard of tributes to almost everything, but how about a tribute to bugs? Yes, with tongue very much in cheek, Michael Story has penned this original novelty to bring more than just a snicker from your audiences. Hear the insect as it approaches (your trumpet section playing on mouthpieces) and a resounding slap as the culprit is sent to greener pastures. Add some visuals from the band as the insect circles, and you have yourself a guaranteed successful concert moment. For you environmentalists: No harmful pesticides are included. (Oh my, that's OFF-ful!) (1:45)
Estimated dispatch 7-14 working days
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£53.95La Serpiente - Michael Story
Open your next concert with this energetic Spanish-flavored piece from composer Michael Story. Featuring bold melodies and colorful harmonies,La Serpiente(The Snake) will evoke images of Flamenco dancers and bullfights. With a variety of instrumental colors and dynamic contrasts, the piece will also serve as a worthy introduction to the Spanish Phrygian scale.
Estimated dispatch 7-14 working days
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£66.95High Velocity - Michael Story
High Velocity, by Michael Story, is both exciting and full of contrast. This A-B-A form piece will be a student favorite with its high-energy melodic lines and lyrical contrast. Solid scoring, appropriate ranges, and teachable moments make this an excellent choice for concerts or contests. (2:55)
Estimated dispatch 7-14 working days
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£52.95Lionheart - Michael Story
Lionheart is a dramatic piece that will highlight your first or second year band students' abilities. Your band room and auditorium will light up with bold melodic statements and unexpected harmonic twists in this fantastic work by Michael Story! (1:53) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£202.99Selections from Kiki's Delivery Service - Joe Hisaishi
Famous musicologist Yuji Numano identified an interesting relationship between classical and film music. Film music is like a second child of 19th century classical music (the first child being 20th century modern music). Although they have a parent-child relationship, there are still major differences."The basic `form' is different. In the history of classical music art forms, there is a continuing dispute on how to convey a story only through music. On the other hand, as a part of motion pictures, film music at times has difficulty being an autonomous art form separate from the visual media. Indeed, film scores alone can lack musical substance. In the sense of acoustical effectiveness, film scoring has absorbed the total aspect of modern and classical music. Yet, there is still a huge distinction from classical music regarding recognizing film music as a standard art form."This Selections from "KIKI'S Delivery Service" is my seventh arrangement of Joe Hisaishi's works. They are either in medley or suite styles. It might be an exaggeration, however, to cite back to Mr. Numano, I have attempted to compensate for the lack of substance in film music by creating an art form more like classical music. Medley should not be about cherry-picking the best bits. I prefer that performers consider the significance of the work's overall structure.It has been 20 years since the premier of the feature animation film "KIKI'S Delivery Service" based on Eiko Kadono's literature for children. Numerous romantic melodies by Joe Hisaishi are used for many occasions and are still very popular. In this arrangement, I have made a medley from the following scenes:1. A Town with an Ocean View2. Starting the Job3. Heartbroken Kiki4. A Gust5. DeparturePlease note that the 4th scene A Gust comes from the "image album" prior to the soundtrack production and is not used in the actual movie.(Kazuhiro Morita, 2008)
Estimated dispatch 7-14 working days
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£154.60Den store dagen - Benny Borg
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements the musicians came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on.Regarding instrumentation, Flugelhorn, Alto Saxophone and Euphonium have important roles, in addition to the rest of the first parts in the Band. The arrangement is written so you are not depending on "special" instruments. Important details are also often duplicated so you can use the arrangement for a smaller Wind Band.It is also possible to use a vocal soloist, but then you must soften the instruments that holds the melody.
Estimated dispatch 7-14 working days
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