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  • £110.00

    Down by the Riverside (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul

    Down by the riverside is a spiritual that was sung by slaves in the South as a work song. It dates back to before the American Civil War. John Rutter's lively arrangement of this barnstorming American folk-song builds up from a quiet opening to a triumphant conclusion. This arrangement is a faithful adaptation of the original orchestration for chorus and orchestra, but it is arranged so that it may be performed by band alone. The style is an authentic toe-tapping early jazz creation that relates to the 'jitterbug' era, and the band arrangement is complete with an optional jazz clarinet solo as well as a rousing chorus by the sax section. The piano part is cued if needed. This is a perfect opportunity to get the entire band 'swinging', and could even entice a 'One mo' time!' finale.

    Estimated dispatch 7-14 working days

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  • £250.00

    The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul

    This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.

    Estimated dispatch 7-14 working days

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  • £100.00

    Battles (Concert Band - Score and Parts) - Dobson, Simon

    Battles was written for the restoration of the epic 1927 silent film The Battles of Coronel and Falkland Islands, and was commissioned by the British Film Institute (BFI) in 2013. The work presents eight contrasting scenes as a continuous sequence: War, Introduction of Admiral von Spee, German Banquet, Building Steam/Preparing, Islanders, Call to Arms, Great Battle at Sea and Victory. The original score was written for a small chamber orchestra, symphonic brass and a substantial batterie of tuned and untuned percussion. Battles has been edited for symphonic wind orchestra with percussion and harp. Composer Simon Dobson says of his colourful score, "I wanted to keep things simple and clear, so there is a British theme, a fanfare march idea, often heard on trumpet, and a German naval theme, which is a more angular motif." Duration: 13.00

    Estimated dispatch 7-14 working days

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  • £52.95

    Lost in the Crystal Cave (Concert Band - Score and Parts) - Turner, Jeffrey E.

    Imagine finding yourself stumbling alone in a darkened cave. It's so quiet, the only thing you can hear is your own heartbeat. Lost, you pray for guidance, and suddenly, sound paints a picture of what your eyes can't see. Met with a shimmering mirror of sparkling percussion, you follow a pinpoint of light shining off a solo trumpet. The darkness filling with heaven's light, you are no longer "Lost in the Crystal Cave." You've found a way out by following footprints left for you in the music.Duration: 3:50

    Estimated dispatch 7-14 working days

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  • £91.99

    The Sun Will Rise Again (Concert Band - Score & Parts) - Sparke, Philip

    The composer writes:On March 11th 2011 a massive 9.0- magnitude earthquake occurred off the coast of north-eastern Japan. I'm writing these programme notes barely a week later and the death toll caused by the quake and resulting tsunami already exceeds 6000, with thousands of people still unaccounted for. I have many friends associated with many bands throughout Japan and one of these, Yutaka Nishida, suggested I write a piece to raise money to help those affected by the disaster. I was immediately attracted by the idea and have arranged Cantilena (a brass band piece recently commissioned by the Grenland International Brass Festival, Norway) for wind band, giving it a new title to honour my friends in the Land of the Rising Sun. I will be donating royalties from this piece to the Japanese Red Cross Society Emergency Relief Fund and am delighted to say that my distributors, De Haske, who will generously also donate all net profits from sales of this piece, have pledged a substantial advance payment to the Red Cross so that what little help this project generates can be immediate. It is my sincere wish that this 'Band Aid' project will allow wind bands around the world support the people of Japan, where bands are a way of life for many, in this difficult time.- Philip SparkeDuration: 4:30

    Estimated dispatch 7-14 working days

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  • £94.99

    O Christmas Tree (Concert Band - Score and Parts) - Well, David

    The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church in the course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschutz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.Duration: 3:15

    Estimated dispatch 7-14 working days

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  • £2.95

    Merry Christmas to All (2-Part Choral Octavo) - Althouse, Jay

    No holiday program is complete without a festive medley of familiar carols, and this one provides a fresh take on some old favorites. Includes: Deck the Hall; Good King Wenceslas; Infant Holy, Infant Lowly; God Rest You Merry Gentlemen; It Came Upon the Midnight Clear; What Child Is This?; Here We Come A-Caroling; The Holly and the Ivy; We Wish You a Merry Christmas. It's so flexible with optional solo spots, varied tempos, changing keys, and unexpected harmonies, you'll never find another that's more entertaining. Even the accompaniment offers flexibility with a full piano part, a hip studio combo SoundTrax CD, SoundPax, or a traditional concert band arrangement.

    Estimated dispatch 7-14 working days

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  • £2.95

    Merry Christmas to All (SAB Choral Octavo) - Althouse, Jay

    No holiday program is complete without a festive medley of familiar carols, and this one provides a fresh take on some old favorites. Includes: Deck the Hall; Good King Wenceslas; Infant Holy, Infant Lowly; God Rest You Merry Gentlemen; It Came Upon the Midnight Clear; What Child Is This?; Here We Come A-Caroling; The Holly and the Ivy; We Wish You a Merry Christmas. It's so flexible with optional solo spots, varied tempos, changing keys, and unexpected harmonies, you'll never find another that's more entertaining. Even the accompaniment offers flexibility with a full piano part, a hip studio combo SoundTrax CD, SoundPax, or a traditional concert band arrangement.

    Estimated dispatch 7-14 working days

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  • £2.95

    Merry Christmas to All (SATB Choral Octavo) - Althouse, Jay

    No holiday program is complete without a festive medley of familiar carols, and this one provides a fresh take on some old favorites. Includes: Deck the Hall; Good King Wenceslas; Infant Holy, Infant Lowly; God Rest You Merry Gentlemen; It Came Upon the Midnight Clear; What Child Is This?; Here We Come A-Caroling; The Holly and the Ivy; We Wish You a Merry Christmas. It's so flexible with optional solo spots, varied tempos, changing keys, and unexpected harmonies, you'll never find another that's more entertaining. Even the accompaniment offers flexibility with a full piano part, a hip studio combo SoundTrax CD, SoundPax, or a traditional concert band arrangement.

    Estimated dispatch 7-14 working days

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  • £267.99

    Between the Two Rivers (Concert Band - Score and Parts) - Sparke, Philip

    Between the Two Rivers was commissioned by Fanfare Prins Hendrik, from Aalst in the Netherlands. The title derives from the fact that the town of Aalst lies between two tributaries of the River Dommel. The community is a highly religious one, so the famous Luther chorale, Ein' Feste Burg, was an obvious choice for Philip Sparke to use as the theme for this new work. It takes the form of a theme with four contrasting variations. Variation 1 is a moto perpetuo, variation 2 has a slower march like feel, variation 3 is a sinister slow movement and the final variation is in the form of a lyrical fugue. Between The Two Rivers is sure to become a major work in modern concert band repertoire.Duration: 14:15

    Estimated dispatch 7-14 working days

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