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  • £118.99

    Festival Scenes - André Waignein

    People gathering dates back to the dawn of mankind?s history. Nowadays, many festivals still attract hundreds or even thousands of people in an atmosphere of sharing and joy. Festival Scenes describes a typical day in a festival schedule. The opening (Entry) is solemn. Graceful figures and sparkling and shining colours bring out a particular touch of lightness and elegance. People greet each other with a warm smile (Salutation), fostering a friendly and fraternal atmosphere. Consequently, the festival is celebrated in the spirit of general rejoicing and exaltation (Celebration). Why not help create a festival atmosphere in your concerts with this fantastic work.

    Estimated dispatch 7-14 working days

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  • £68.99

    Requiem Aeternam - Giacomo Puccini

    Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premire in La Scala in Milan in 1889 - initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, charactersand instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar - as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti GuARda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar - the confusedyoung man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer.

    Estimated dispatch 7-14 working days

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  • £109.99

    Catedrales - Bert Appermont

    Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.

    Estimated dispatch 7-14 working days

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  • £99.99

    The Nutty Nutcracker - Pyotr Ilyich Tchaikovsky

    Imagine Tchaikovsky on a vacation trip that was arranged by a really, really bad travel agent. That, in a "nutshell", describesThe Nutty Nutcracker. This humorous style parody of what may arguably be some of the best-known melodies on the planetis a certain crowd pleaser. Everybody knows the tunes, but not like THIS! The Arabian Tango; The Chinese Hoedown; TheWaltz of the Mariachi Flowers; The Dance of the Klezmer Clarinets and MORE. You get the idea! Great fun for everyone.You'llwant to use Mike Hannickel's A Nutty Nutcracker again and again.Whoops! Where are we?

    Estimated dispatch 7-14 working days

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  • £159.99

    Slavia - Jan Van der Roost

    Jan Van der Roost originally composed each and every note of 'Slavia' (as in case in 'Puszta', 'Rikudim' and 'A Highland Rhapsody'). Consequently, 'Slavia' does not contain any arrangement of existing tunes, but is an original composition 'in the style of...'. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second movement in a fast and fiery tempo. The tempi increase, gradually culminating in an exciting final climax, making this 'Slavonic Rhapsody' a spell-binding experience to the very last note.

    Estimated dispatch 7-14 working days

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  • £154.99

    Castellum - Jan Van der Roost

    This work, in two movements, was written for the 50th anniversary of "Harmonie St. Cecilia" in Oudenburg, Belgium, and is dedicated to its conductor, Arne Wyntin.The first part is rather quiet and pastoral in character, and is written in a gently rocking 12/8 time. The tranquility of the area around the medieval town of Oudenburg, a rustic region not far from the North Sea, is expressed in a striking fashion. After a beautiful orchestral climax, the second part begins, which is inspired by the Roman past of Oudenburg. A somewhat oppressive and impending introduction leads to the musical reflection of an army parade: Oudenburg was a so-called "castellum," and the remains ofthe fortress are still visible in the current town plan. A more dynamic passage follows featuring the low brass. After that, the solemn rhythm of the parade is recaptured, culminating in a triumphant ending.

    Estimated dispatch 7-14 working days

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  • £104.99

    Celtic Gathering - André Waignein

    Roland Kernen has developed a true fascination for the traditional music scene and for Celtic folk music in particular. The Celts fed on a rich blend of legend and myth which is skillfully portrayed in Celtic Gathering. This lyrical piece embraces two musical atmospheres. The first melodic line, written in a minor key, expresses the cheerful character of a group dance, whilst the second line, written in a major key, portrays perfectly the joyful mood of a Celt village.Why not add a touch of Celtic magic to your band repertoire.

    Estimated dispatch 7-14 working days

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  • £76.99

    Introduction & Punk - Torstein Aagaard-Nilsen

    Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies.

    Estimated dispatch 7-14 working days

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  • £60.99

    Slavonic Rock March

    According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years. In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette). In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater. His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls. David Well arranged the theme and created a contemporary march in rock style. Tchaikovsky once said to an unsatisfied teacher: 'I will be a great composer within 10 years time.'

    Estimated dispatch 7-14 working days

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  • £39.99

    Barnyard Bagatelle - Mike Hannickel

    Kids can make weird sounds. Every conductor of young bands has discovered this maxim time and again. Why not put those skills to good use? Barnyard Bagatelle mixes well-known barnyard folk songs like Mary Had a Little Lamb, OldMacDonald, The Old Grey Mare, Shoo Fly and more with the animal sound effects your students have studiously perfected over the years. Audition your band for vocal imitations of a Pig, a Big Dog, a yappy Little Dog, a Cow, aclucking Chicken and many more: then have some real musical fun.

    Estimated dispatch 7-14 working days