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  • £84.95

    A Fugal Concerto (Flute, Oboe And Small Wind Band) (Concert Band - Score and Parts) - Holst, Gustav - Brand, Geoffrey

    This work was originally written for flute, oboe (or two violins) and String Orchestra in 1923. This arrangement was premiered by the Stockholm Symphonic Winds in September 1993, conducted by the arranger. The style of A Fugal Concerto is very much neo-classical - all the rage at the time, although whether Holst had heard Stravinsky's examples is not known. In so far as the work is fugal, the adjective applies more to the texture than the form, although the second movement is canonic. The contrapuntal texture is not straightforward as phrases are displaced across barlines and cross rhythms are a feature. Nothing is allowed to settle until the folk tune is introduced toward the end. Yet, within this musical web, fascinating patterns and cross references reveal themselves.

    Estimated dispatch 7-14 working days
  • £16.95

    A Fugal Concerto (Flute, Oboe And Small Wind Band) (Concert Band - Score Only) - Holst, Gustav - Brand, Geoffrey

    This work was originally written for flute, oboe (or two violins) and String Orchestra in 1923. This arrangement was premiered by the Stockholm Symphonic Winds in September 1993, conducted by the arranger. The style of A Fugal Concerto is very much neo-classical - all the rage at the time, although whether Holst had heard Stravinsky's examples is not known. In so far as the work is fugal, the adjective applies more to the texture than the form, although the second movement is canonic. The contrapuntal texture is not straightforward as phrases are displaced across barlines and cross rhythms are a feature. Nothing is allowed to settle until the folk tune is introduced toward the end. Yet, within this musical web, fascinating patterns and cross references reveal themselves.

    Estimated dispatch 7-14 working days
  • £84.99

    IT'S NOT UNUSUAL (Concert Band) - Schwalgin, Stefan

    It's Not Unusual has been a world-wide hit for Tom Jones. Stefan Schwalgin's arrangement has a big band sound with the soullike singing of the original reflected perfectly in the instrumentation

    Estimated dispatch 7-14 working days

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  • £72.00

    Conducting the Music, Not the Musicians

    Conducting the Music, Not the Musicians is the first conductor training text to put the primary emphasis on musical expression as it introduces basic technique through the concept of phrase conducting. Among many unique features it examines cueing within the beat pattern in greater detail than is usual in beginning conducting texts. The examples and exercises (drawn from both the vocal/choral and instrumental repertoires), progress to guided practice chorales and etudes and finally to full score rehearsal and guided performance. Jerry and Henry Nowak have produced a groundbreaking book that will help novice conductors solve technical problems, with musical solutions.

    Estimated dispatch 12-14 working days

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  • £150.00

    A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul

    A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.

    Estimated dispatch 7-14 working days
  • £125.00

    English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated dispatch 7-14 working days

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  • £40.00

    Not So Silent Night - Anonymous

    Using the basic melodic shape of Silent Night, Sean O'Loughlin has written a lively piece that goes in a quite different, more up-to-date direction than the familiar, refl ective Carol. The noise makers of the percussion section are given a lively role to play, and the introduction, by the low brass, of God Rest Ye Merry, Gentlemen, in the middle of the piece, creates a somewhat ironic twist in this amusing re-imagining of a classic carol.

    Estimated dispatch 12-14 working days
  • £73.50

    A Life Worth Living - Brian Balmages

    A powerfully lyrical work, A Life Worth Living facilitates meaningful discussions about self-worth, caring for others, and much more. Using harmonies, colors, and textures not often found in pieces at this level, Brian Balmages has created a work playable by younger musicians yet musically appropriate for any level ensemble. Absolutely stunning.

    Estimated dispatch 7-14 working days
  • £115.00

    Chambers of a Heart - Ralf Uhl

    Faith, love, courage and hope are the greatest powers that are inherent in every human being. These powers originate from the human heart.Years ago, the composer stumbled across the story of a man who takes care of abandoned, terminally ill children: Mohamed Bzeek. His selfless actions not only touched me deeply, but also showed me how big the heart of every human being can be and how valuable the four powers of faith, love, courage and hope are. With Chambers of a Heart, a suite in four movements, I want to inspire everyone to rediscover and strengthen these powers in their own hearts. Mohamed Bzeeks words: You have to do it from your heart, really.

    Estimated dispatch 7-14 working days

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  • £164.99

    A Sevenoaks Suite - Philip Sparke

    A Sevenoaks Suite was commissioned by the Sevenoaks and Tonbridge Concert Band from Kent in the south-east of England. The suite describes 3 famous landmarks in the Sevenoaks and Tonbridge area: 'Knole Park', situated to the south-east of Sevenoaks. 'The Chapel - Tonbridge School': This movement centres around a hymn-like chorale, depicting the years of worship that have taken place within the chapel, and 'The Vine Bandstand' suggesting the type of music often played in bandstands. It is in march form, but is not actually a march throughout, veering off into other styles before ending emphatically.

    Estimated dispatch 7-14 working days

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