Results
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£5.95Symphony Performance Folio (Oboe) - Monday, Deborah Baker
Here's a highly requested collection of folk tunes and classical works flexibly arranged. All arrangements can be played as a full orchestra, or string orchestra, or concert band, or woodwind ensemble, or brass ensemble, or miscellaneous combination that works for you! A percussion book is also included but not required. The pieces in the book progress from grade 2 to grade 4. Arranger Deborah Baker Monday has creatively arranged each piece for concerts or classroom training. Not to be missed! Includes: Chorale (Drese); Lo, How a Rose E'er Blooming (Praetorius); Old French Hymn; Jana Gana Mana (Tagore); Minuet from Water Music (Handel); My Bonny Lass (Morley); Beach Spring (White); Hatikvah; Rondeau from Abdelazer Suite (Purcell); Menuet from Le Tombeau de Couperin (Ravel); Turkish March from The Ruins of Athens (Beethoven); In the Hall of the Mountain King from Peer Gynt Suite (Grieg); Alborada from Capriccio Espagnol (Rimsky-Korsakov); When Johnny Comes Marching Home.
Estimated dispatch 7-14 working days
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£5.95Symphony Performance Folio (Flute) - Monday, Deborah Baker
Here's a highly requested collection of folk tunes and classical works flexibly arranged. All arrangements can be played as a full orchestra, or string orchestra, or concert band, or woodwind ensemble, or brass ensemble, or miscellaneous combination that works for you! A percussion book is also included but not required. The pieces in the book progress from grade 2 to grade 4. Arranger Deborah Baker Monday has creatively arranged each piece for concerts or classroom training. Not to be missed! Includes: Chorale (Drese); Lo, How a Rose E'er Blooming (Praetorius); Old French Hymn; Jana Gana Mana (Tagore); Minuet from Water Music (Handel); My Bonny Lass (Morley); Beach Spring (White); Hatikvah; Rondeau from Abdelazer Suite (Purcell); Menuet from Le Tombeau de Couperin (Ravel); Turkish March from The Ruins of Athens (Beethoven); In the Hall of the Mountain King from Peer Gynt Suite (Grieg); Alborada from Capriccio Espagnol (Rimsky-Korsakov); When Johnny Comes Marching Home.
Estimated dispatch 7-14 working days
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£21.95Symphony Performance Folio (Full Conductor Score) - Monday, Deborah Baker
Here's a highly requested collection of folk tunes and classical works flexibly arranged. All arrangements can be played as a full orchestra, or string orchestra, or concert band, or woodwind ensemble, or brass ensemble, or miscellaneous combination that works for you! A percussion book is also included but not required. The pieces in the book progress from grade 2 to grade 4. Arranger Deborah Baker Monday has creatively arranged each piece for concerts or classroom training. Not to be missed! Includes: Chorale (Drese); Lo, How a Rose E'er Blooming (Praetorius); Old French Hymn; Jana Gana Mana (Tagore); Minuet from Water Music (Handel); My Bonny Lass (Morley); Beach Spring (White); Hatikvah; Rondeau from Abdelazer Suite (Purcell); Menuet from Le Tombeau de Couperin (Ravel); Turkish March from The Ruins of Athens (Beethoven); In the Hall of the Mountain King from Peer Gynt Suite (Grieg); Alborada from Capriccio Espagnol (Rimsky-Korsakov); When Johnny Comes Marching Home.
Estimated dispatch 7-14 working days
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£75.00As With Gladness Men of Old (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
As with Gladness Men of Old is an Epiphany hymn, written by William Chatterton Dix on 6 January 1859 (Epiphany) while he was ill in bed. Though considered by many as a Christmas carol, it is found in the Epiphany section of many hymnals and still used by many churches. The music was adapted by William Henry Monk in 1861 from a tune written by Conrad Kocher in 1838. The hymn is based on the visit of the Biblical magi in the Nativity of Jesus. The hymn used Matthew 2:1-12 as a theme to compare the journey of the Biblical magi to visit the baby Jesus to each Christian's personal pilgrimage and as a reminder that it is not the value of the gifts, it is the value of giving and adoration to Jesus that is what Christians should seek. It is the only well-known Epiphany hymn or carol about the Biblical magi that avoids referring to them as either magi or kings and does not state how many there were. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£34.95Happy Birthday! (Concert Band - Score and Parts) - Wheeler, Alastair
Every band has had a request to play Happy Birthday, and either turned it down as "not in our pad" or busked a tuneless dirge.? Now you can not only play the tune cleanly but also treat your audience to some jazz - big band swing, blues, a trad bass solo and a final touch of razzamatazz!
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£32.95Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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£164.95
Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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£60.50The Light Shines in the Darkness (Concert Band - Score and Parts) - Milner, Barry
A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbour. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, "The light shines in the darkness, but the darkness has not understood it" (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope.Duration: 6.00
Estimated dispatch 7-14 working days
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£79.99The Painted Desert (Concert Band - Score and Parts) - Sparke, Philip
The south-western US state of Arizona has more than its fair share of stunning landscapes, natural phenomena and National Monuments. Best known is the Grand Canyon, but there are also numerous deserts, a petrified forest, extinct volcanoes and the huge Sunset Crater. Not surprisingly, it has featured as the backdrop to many Western movies. The Painted Desert is a narrow, crescent-shaped arc about 160 miles long which begins near the Grand Canyon and varies in width from 10 to 35 miles. It is largely void of vegetation and years of erosion by wind and rain have exposed sedimentary layers of rock up to 250 million years old. Chemical differences in the various layers result in an effect not unlike a multicoloured layer cake with contrasting hues of red, orange and pink, blue, grey and lavender creating a silent and barren landscape which looks like it has been hand-painted. As with much of the planet's stunning landscapes all the observer can do is stand and stare.Duration: 3:45
Estimated dispatch 7-14 working days
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