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  • £34.95

    SURPRISE SYMPHONY, The (Simply Classics Concert Band) - Burton, Denis

    Franz Joseph Haydn, a prolific composer, wrote over 100 symphonies. Many of these symphonies had nicknames, including 'The Drum Roll', The Military', and this, No.94, 'The Surprise'. History tells us that Haydn, wearied of audiences losing attention at his concerts, wrote in a 'surpirse', in the second, tranquil, movement with a sudden loud chord. No doubt Haydn held the audience's attention through the rest of the performance! American Grade 1 Duration 0:44

    Estimated dispatch 7-14 working days

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  • £45.00

    Knights Of Chivalry - Randy Navarre

    One can easily imagine in the days of Castes and Kings, how this composition may spark the feeling of what it may have been like for Knights of the Kingdoms to not only protect the Lords of the Castle, but also be chivalrous to the Ladies of the Court. Dancing at the feasts and festivals, escorting the royalty to various events. Knights had much more to do than fight. They were allowed to have fun. Sometimes. Like all of our Grade compositions, its main purpose besides giving good and interesting music for young musicians to play, is that it is an opportunity for the band director to teach some aspect of music. This is a great composition for introducing eighth notes and following dynamics. No clarinet crosses the break, and the 1st trumpet's highest note is A (in the staff). Everyone plays rhythmically together. Only the drum part may vary. All chords of the diatonic scale are used to make the harmony more interesting with no accidentals.

    Estimated dispatch 12-14 working days
  • £45.00

    March of the Penguins (Concert Band - Score and Parts) - Phillips, Todd

    There's no better way to start a concert than with a march, and there's no better way to get first-year band students engaged and excited about music than with something fun! "March of the Penguins" is just what you have been looking for! This fun, light-hearted march will amuse and excite your young learners and audiences of all ages. Great fun! Duration: 1.50

    Estimated dispatch 7-14 working days

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  • £104.99

    Tchaikovsky Highlights (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Van der Beek, Wil

    Tchaikovsky is famous for his fantastic moving melodies. Different to many of his other romantic Russian contemporaries, Tchaikovsky had a particular feel for the European music taste of music, which made him immensely popular. In this accessible compilation, arranger Wil van der Beek uses a selection of Tchaikovsky's most beautiful melodies from works including Capriccio Italien, String Quartet No. 1 and his famous Piano Concerto No.1.Duration: 7.30

    Estimated dispatch 7-14 working days

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  • £73.50

    Three Miniatures for Winds and Percussion (Concert Band - Score and Parts) - Sheldon, Robert

    Dance like no one is watching, sing like no one is listening and live each day as if it were your last. This famous poem has many versions and is attributed to several authors, yet its simple, eloquent message speaks volumes to millions of people worldwide. The composition therefore has a first movement entitled Joyful Dance, the second movement is Simple Song, and the final movement is a Celebration. Each movement is quite brief but distinctly different, each expressing the feelings inherent in the poem from which the work was drawn. Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £64.35

    Menuetto - Mozart, Wolfgang Amadeus

    A forceful brass introduction followed by a playfully lyric woodwind statement opens this arrangement for concert band of the third movement to Mozart's famous "Symphony No. 35." While remaining true to the original orchestral version, this arrangement maintains modest range and technical demands on the student musician. The "Menuetto from Symphony No. 35" is an appropriate choice for developing bands as well as more mature ensembles and would make an excellent concert or contest selection. Don't miss this opportunity for your students to perform music composed during the classical style period by one of the masters.

    Estimated dispatch 7-14 working days

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  • £89.00

    March

    Arranger Joseph Compello works his magic with this familiar Grieg piece from the famous Peer Gynt Suite No. 2. A faithful transcription for band that keep the flavor of the original intact, there is no better way to introduce students to the wonderful music of Grieg!

    Estimated dispatch 12-14 working days
  • £50.50

    Fanfare and Festival (Concert Band - Score and Parts) - Sheldon, Robert

    This bright and tuneful opener makes a bold statement, yet is playable by the youngest of bands. Uses only the first six notes taught, no dotted rhythms and no rolls in the percussion! Duration: 2:00

    Estimated dispatch 7-14 working days

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  • £72.99

    Deutschmeister Jubilumsmarsch (Concert Band - Score and Parts)

    This march, opus 470 in Johann Strauss the Younger's oeuvre, was dedicated to the k.u.k. (Royal) Infanterie-Regiment 'Hoch und Deutschmeister No. 4' on the occasion of its 200th anniversary. In 1896 this joyful event was celebrated with a grand concert featuring no less than seven military bands, with more than 350 musicians performing. 0:03:30

    Estimated dispatch 7-14 working days
  • £123.20

    3 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00

    Estimated dispatch 7-14 working days

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