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£78.95
Generosity - Matthew N. Putnam
Generosity is an original march in standard form, but written with developing players in mind. It is reminiscent of the wonderful marches of Bennett or King, with tuneful melodies, interesting harmonies, and a few chromatic twists thrown in to make it more exciting. Mathew Putnam has written a perfect vehicle to teach the march style and form to developing players.
Estimated dispatch 7-14 working days
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£79.50Industria - N. Alan Clark
Get your percussionists excited with this high energy feature for concert band. Primal wooden and industrial metallic sounds highlight this high energy work. Available as a section feature or for a soloist with band accompaniment, "Industria" will bring out the best in any percussion section.
Estimated dispatch 7-14 working days
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£78.95
Side by Side - John N. Klohr
John Klohr is best known for his famous Billboard March, but there is a lesser-known treasure that he specifically wrote for younger bands. Side by Side is a delightful march in standard form and has been expertly adapted for today's young bands by Laurie LAfterty.
Estimated dispatch 7-14 working days
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£459.10
A Wine Symphony (Symphony N 4) - Derek Bourgeois
Estimated dispatch 7-14 working days
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£234.60
A Night On Culbin Sands Op. 38 N 1 - Alexander Comitas
Estimated dispatch 7-14 working days
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£64.60
Mambo N.5 (A little Bit of) - Damaso Perez Prado
Estimated dispatch 7-14 working days
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£80.00Palustrus (Percussion Ensemble with Concert Band - Score and Parts) - Clark, N. Alan
Palustrus, for percussion ensemble and band, is based on two musical ideas. The first, a figure of two 16th notes, is introduced alluding to tiny seedlings as they sprout from the fertile earth. This figure quickly grows in frequency and density, then spreads into the second idea using a series of diatonic patterns. "Palustrus" is a medium-difficult, but attainable technical challenge in a diatonic setting. Splashes of dissonance in the winds support the active and exciting percussion ensemble statements throughout. Highly recommended for programs with a larger percussion section! Duration: 2.45
Estimated dispatch 7-14 working days
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£70.99
Non, Non, Rien N'a Chang
Estimated dispatch 10-14 working days
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£202.99
The Wind Rises - Joe Hisaishi
This beautiful, lyrical melody is so colorful in the film, without having an imposing image. "The Wind Rises" (2013) does not dominate the visual, and perhaps is an ideal form of film music considering this is director Miyazaki's final production. Chamber ensembles with solos and strings are frequently used in the soundtrack, so the sound is mellow and soft. As you listen more and more, you still recognize the tradition of Ghibli music.When I arrange, I try not to visualize the image of a film. I may think of characters and story line but is it important to write music that alone is appealing and fascinating. Trying not to "overstate" the film is not needed here. If you can bring out the most appealing parts of the soundtrack, excess can be forgiven. Of course, I have not changed the musical elements of the original.I asked Mr. Tomoki Ubata (band director at Ina Gakuen Sr. High School) whom I have worked with numerous times to assist with layout. He came up with a heartwarming medley with two main parts; leading boy Jiro's gift for aeronautical design and his romance with the heroine, Natsuko.The following themes are contained in the arrangement:1. Nahoko (A Rainbow) Beginning2. Caproni (An Aeronautical Designer's Dream) C3. A Journey (An Encounter at Karuizawa) H4. The Falcon I5. Prototype 8 N6. A Journey (A Parting) & A Journey (A Dream of Flight) PIt is quite remarkable, looking back on 30 years of Studio Ghibli's achievements.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£154.99Symphonic Variations - Jacob de Haan
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to amusical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.
Estimated dispatch 7-14 working days
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