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  • £76.80

    Summa Cum Laude - Werner van Cleemput

    This concert march was written for concert band, though the composer later also wrote a version for fanfare band. The work is dominated throughout by the main theme A-G-D-F-G and requires a full band. The form is that of a classic British concert march in the ABA(B) form; the energetical and virtuoso A part contrasts with the solemn and melodic B part. The coda develops the theme of the trio. The work is dedicated to Dr.Vondis Miller and the Calgary University Symphonic Band. The latter premiered the work on 23 January 1985 in Calgary, Canada.

    Estimated dispatch 7-14 working days

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  • £186.20

    Ricercare Harmonie

    The original 16th century Ricercare was actually a vocal work without words.Instrumental music is in search of its independence: the content was so to say a musical invocation.The Ricercare in this case is an invocation of the various themes - seemingly contradictory - yet forming a symphonic unity, which is attained by their contrast and their dialogue in counterpoint.One of these themes is formed by the tones B - A - C - H (B = German for B-flat; H = German for B-natural).This Ricercare has nothing to do with the old Motet character.

    Estimated dispatch 7-14 working days

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  • £140.80

    BeeCeeBeeGee - Terry Kenny

    No, the music Bee Cee Bee Gee is not based on these four notes, though they all occur frequently in each movement. B.C.B.G. stands for Bon Chic Bon Genre, a term applied to the wealthy and fashionable young. The music describes the main events in a day in the life of one of these gilded youths. In the morning she bustles round the boutiques, the afternoon is spent lazing on the beach, and in the evening she lets off steam at an exclusive night club.

    Estimated dispatch 7-14 working days

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  • £72.99

    The Carnival of Venice (Fantasie and Variations) - Julius Benedict

    Solo Feature for Flute, Trumpet, Trombone, Baritone B.C., Tuba B.C., or Xylophone One of the best-known solo vehicles ever written is now available for younger players in this skillfully crafted setting by Johnnie Vinson. Withseveral options for the featured instrument, this is a great way to showcase standout players year after year. (solo grade 4, band grade 3)

    Estimated dispatch 7-14 working days
  • £118.99

    The Universal Band Collection - Jacob de Haan

    A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl : A girl from the west of the USA rides her horse across the prairie, dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad : A balladin pop style with a rough A-B-A form. First there is the introduction of the main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody, performed tutti with a different rhythm in the drums (A').Play the Game : An English saying meaning: play fairly. Playful music in up-tempo with a wink to China, where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego : A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation, in which the muted trumpets represent the Mexican feeling.Final Dance : Eventually there is a dance with an introduction in renaissance style, followed by a fast dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus, shortened verse, bridge, chorus, chorus.

    Estimated dispatch 7-14 working days
  • £168.50

    60 Warm-up Chorales for Concert Band

    During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages.After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective.While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure.He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself!Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging.Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications.Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted.The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations.The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major.With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic.Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!

    Estimated dispatch 7-14 working days
  • £127.00

    Ray of Light - Kevin Houben

    Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn't only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn't without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.

    Estimated dispatch 7-14 working days

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  • £84.50

    Envisage - Larry Clark

    Envisage brings across the contemplative feeling of a journey, drawing the performer and listener toward an inevitable outcome. The piece is written in a standard overture form with a strident A section contrasted by a gorgeous B section which shifts to a major key. To finish it up, the A section returns and ends with a dramatic coda.

    Estimated dispatch 7-14 working days
  • £68.80

    Big Bass - Scott Rogers

    Every beginning low brass player deserves a big bassline. With a rhythmic focus on quarter- and eighth notes and a range of a fourth, this piece is easily accessible for all beginning low brass players - and mastery breeds motivation, and that's something young musicians on trombone, baritone and tuba need.There is also a short chromatic motive that appears at B. This is written to lie well on the slide and valves and can be a good way to teach the important difference between concert E and Eb.

    Estimated dispatch 7-14 working days

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  • £149.40

    S ta mitt hjerte - Moldestad

    This is a tune by Sigrid Moldestad (b. 1972), a Norwegian folk artist. She has based it on a warm and beautiful poem by Danish author Tove Ditlefsen. A text for and about love. Sigrid Moldestad won the "Spellemannsprisen" (the Norwegian equivalent to Grammy) in 2005 as a part of the group Gamaltnymalt. She won the price two years later, this time as solo artist for the record album Taus. Both times in the Folk Music category. So Take My Heart was released in 2012 as a part of the album Himlen har sove bort mrkret.

    Estimated dispatch 7-14 working days

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