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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£66.95Intenso - Victor Lopez
Intenso, by Victor Lpez, is an exciting composition full of contrasts. Following a soft and solemn opening, thundering interruptions set the tone for the melody and intertwined percussive patterns. An aggressive display of emotions sparks the juxtaposition of bold and lyrical themes, leading to a powerful ending. A great addition to the concert band repertoire.
Estimated dispatch 7-14 working days
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£50.50Creep It Real - Chris M. Bernotas
Creep it Real, by Chris M. Bernotas, is the perfect selection for your fall or Halloween concert! This creeptastic piece uses only the first few notes taught in most method books and will set a haunted mood by using minor-key modality and optional glissando effects for the trombones. (2:05) (Correlates to Sound Innovations, Book 1, Level 4).
Estimated dispatch 7-14 working days
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£50.50Tirade - Robert Sheldon
Set in the Dorian mode, Tirade, by Robert Sheldon, offers young musicians the opportunity to perform with passion and emotion to make a bold musical statement. Since there are no dotted rhythms, articulations, or 8th notes (other than in the percussion section), and using only the first five notes the students have learned, this is a perfect piece for a beginning band's first concert! Tirade (1:55) (Correlates to Sound Innovations, Book 1, Level 2).
Estimated dispatch 7-14 working days
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£64.99I Vow To Thee, My Country - Gustav Holst
This populat British patriotic hymn features a poem by Sir Cecil Spring Rice set to the familiar chorale melody from Jupiter by Gustav Holst. It is associated with Remembrance Day services throughout the United Kingdom, and has long been a favorite of the British royal family. This stately setting for band includes an optional part for unison voices.
Estimated dispatch 7-14 working days
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£164.99Songs and Dances - Philip Sparke
Songs and Dances is a festive and energetic work with an emphasis on music with a rhythmic, dance-like quality. Its three continuous movements are set in a fast-slow-fast form. Highly syncopated themes, flowing chorales and attractive melodies: what more could one wish for? This piece offers enjoyment for musicians and listeners alike.
Estimated dispatch 7-14 working days
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£53.50Lift Ev'ry Voice and Sing - J. Rosamond Johnson
James Weldon Johnson's 1900 poem was set to music by his brother in 1905, and has since become known as the Black National Anthem. With a theme of thanksgiving and affirmation, this is a stirring anthem for our times.
Estimated dispatch 7-14 working days
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£87.50Ambush - Dakota Pederson
Ambush by Dakota Pederson is a work that describes the fight of war and recounts a flanking ambush set out by soldiers as they close in on a victory. A fiery chord opens the work and is followed by a relentless melody, which is expressed through precise articulation. The work challenges performers to focus on articulation and expression, while giving the percussion section a driving rhythm to maintain the energy. Strong harmonies in the brass and bold melodies throughout make this piece a fierce statement of war and victory. (4:12)
Estimated dispatch 7-14 working days
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£183.99Keystone - Thierry Deleruyelle
Keystone tells the story of the Odeon of Vriezenveen, a town in the Netherlands. "Odeon" is the name of ancient Greek and Roman buildings used for activities such as singing, music and poetry. This was the name chosen in 1998 by several members of the 'Vriezenveense Harmonie' for the cultural centre they decided to have built. The piece starts slowly with the bass instruments, then speeds up in a counterpoint passage where the main motif moves from one set of instruments to another. After a slower section, the music speeds up again to reach a majestic chorale symbolising the splendid Odeon.
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.
Estimated dispatch 7-14 working days
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