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£126.50Beating Beats (Concert Band - Score and Parts) - Van der Roost, Jan
Beating Beats rhythmically is a rather special piece: more conventional metres are manipulated in such a way that the listener (without score) may be confused and even misled at various points! The 'regular four beat accents in a 4/4 measure for example are often not adhered to, giving the impression of a different metre altogether. However, at the same time it may be that some instruments do follow this "normal" 4/4 metre, thus confusing everyone - performers and listeners alike! On one hand, it is a "simple" piece with very playable and melodic themes, but their mysterious rhythmic makes it not only sound more complicated, but also makes for a greater challenge for both players and the conductor! As is mostly the case with Jan Van der Roost's works, the orchestration is both colourful and contrasting, with every section of the modern wind orchestra used equally. All in all, it's a work full of surprises with some unexpected harmonies and special melodic lines but above all, with metrical and rhythmical sure to catch you unawares! Duration: 7.00
Estimated delivery 7-14 working days
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£149.00Legend of a Giant (Also Saxophone Solo with Concert Band - Score and Parts)
Legend of a Giant is a composition for solo alto saxophone and Wind Band composed by the Belgian composer Kevin Houben. The composer dedicated this challenging saxophone concerto to the Spanish saxophone virtuoso Mariano Garcia. The work had its premiere in May 2021 in the Lemmensinstitute with the Wind Band of the LUCA School of Arts in Leuven (Belgium) conducted by Ivan Meylemans. Mariano Garcia is a full time professor saxophone at the LUCA School ofArts, the Conservatorio Superior de Musica de Aragon in Zaragoza (Spain) and the Wiener Akademie Musik (Austria). As in any classical concerto the saxophone soloist 'competes' with the ensemble: first alternately, in dialogue with each other, afterwards fraternally together. Moreover the ensemble is regarded as an equal partner, therefore also for the musicians of the group, this cinematic score presents a tough challenge. Legend of a giant immerses the listener in the world of the saxophone and challenges the soloist in the field of lyricism and timbre, but also on a technical level. In this way various aspects and modern playing styles such as bisbigliandos, double staccato, frullatos, glissandos, harmonics of overtones, pass in review. In a word: a tough 'challenge' for any saxophone virtuoso! A simplified version of the saxophone solo part also exists.
Estimated delivery 7-14 working days
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£72.99Sing Gently (Flexible Ensemble - Score and Parts)
An adaptable arrangement of Whitacre's Sing Gently arranged by Verena Mosenbichler-Bryant during the COVID-19 pandemic. An audio track that can be used to replace the piano part in performance is included as part of the purchase of the score. Duration: 6.45
Estimated delivery 7-14 working days
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£156.00A Midsummer Night's Dream (Concert Band - Score and Parts) - Mendelssohn, Felix - De Meij, Johan
Suite from the Incidental Music. Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.Duration: 14.45
Estimated delivery 7-14 working days
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£57.50Shakespeare Meets Godzilla (The Good Bard and the Ugly) (Concert Band - Score and Parts) - Buckley, Robert
This inventive and entertaining piece is a mash-up of two entirely different music styles - Renaissance music and classic horror music. Danger is afoot! Shakespeare, armed with only his quill, must stop an enormous creature from destroying his Globe Theatre. As in an epic film score, the music underpins and adds drama to the heroic tale. The effective orchestration and artful interplay between the two music styles gives this piece the colorful sound and intensity of a much more advanced piece.
Estimated delivery 7-14 working days
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£85.00Stone Mountain Overture (Flexible Ensemble - Score and Parts)
Stone Mountain Overture was beautifully written to ensure success with younger ensembles. The composition is wonderfully developed with captivating rhythmic themes and dynamics. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated delivery 7-14 working days
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£85.00Sonus Ventorum (Sound of the Winds) (Flexible Ensemble - Score and Parts)
Translated as Sound of The Winds, Sonus Ventorum begins with a dramatic opening for full band segueing into an energetic allegro section. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated delivery 7-14 working days
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£85.00Emperata Overture (Flexible Ensemble - Score and Parts)
Emperata Overture is a wind band classic for concert and festival alike. The original publication of this work established Claude T. Smith's use of the 7/8-time meter as his signature rhythmic device for instrumental ensembles. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated delivery 7-14 working days
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£85.00Dramatic Prelude (Flexible Ensemble - Score and Parts)
Dramatic Prelude begins with a dramatic fanfare, which is followed by an easily accessible melody; a del segno takes you back to the dramatic fanfare and an ending as exciting as the beginning. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated delivery 7-14 working days
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£85.00Castlebrooke Overture (Flexible Ensemble - Score and Parts)
Dedicated to William (Bill) Maupin, a friend and fellow music educator of Claude T. Smith, Castlebrooke Overture is a perfect piece to introduce younger ensembles to meter changes and a couple measures in 3/8 time. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated delivery 7-14 working days
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