Results
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£61.95Duel of the Fates (from Star Wars: Episode 1, The Phantom Menace) (Concert Band - Score and Parts) - Williams, John - Story, Michael
The long awaited event has occured for the millions of Star Wars fans throughout the world. Star Wars: Episode 1 The Phantom Menace arrived to welcoming audiences who waited years for its release. Duel of the Fates is the first soundtrack recording release and is destined to become one of the major works from this exciting John Williams sound score. Duration: 2.15
Estimated dispatch 7-14 working days
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£76.99Titanic (Concert Band - Score and Parts) - Horner, James - Custer, Calvin
Without question, James Cameron's Titanic is the entertainment icon of the 90s, breaking virtually every box office record and capturing 11 Academy Awards. James Horner's score has touched millions and is showcased in this superb medley for band. Includes: Southampton, Take Her To Sea, Mr. Murdoch, Hard To Starboard, and My Heart Will Go On.
Estimated dispatch 7-14 working days
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£76.99Hymn to the Fallen (Concert Band - Score and Parts) - Williams, John - Lavender, Paul
Steven Spielberg's twenty year association with John Williams has produced yet another powerful cinematic achievement, this time a gripping, realistic view of the horrors of WW II. Williams' score includes this simple hymn, using chorus as an instrument of the orchestra, adding a special reverence and poignancy to the simple melody. Arranger Paul Lavender brings us this edition for the concert band stage. Includes 30 optional choral octavos
Estimated dispatch 7-14 working days
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£110.00Yiddish Dances (Concert Band - Score and Parts) - Gorb, Adam
Already a classic, Gorb's brilliant score combines his passion for wind orchestras and klezmer (the folk music of Yiddish-speaking people) with his theatrical flair in five traditionally based dances. Now thrilling, now touching, they are always affectionate, endlessly inventive, vividly scored, vibrant and life-affirming, to keep you on the edge of your seat but with a tear in your eye. Simply stunning. Le Chaim! (To Life!)Duration: 17:00
Estimated dispatch 7-14 working days
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£84.50Superman (Suite) (Concert Band - Score and Parts) - Williams, John - Lowden, Bob
When great movie music is the topic, one name comes to the minds of most of us: John Williams. This towering score, as arranged for your concert band by Bob Lowden, contains all of the famous John Williams musical trademarks -- drama, power, and massive sound blocks. The medley contains: "Theme from Superman" * "The Planet Krypton" * "The March of the Villians" and "Finale." Here is John Williams at his finest! Duration: 6.45
Estimated dispatch 7-14 working days
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£76.99Seven Years in Tibet (Concert Band - Score and Parts) - Williams, John - Moss, John
The sweeping, majestic score was a highlight from this impressive film, earning John Williams yet another Oscar nomination. Your symphonic band will truly enjoy this Moss adaptation for the concert stage.
Estimated dispatch 7-14 working days
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£53.50Guadalcanal March (Concert Band - Score and Parts) - Rodgers, Richard - Curnow, James
Here's a playable treatment of the march from Richard Rodgers' Emmy-winning score to 'Victory At Sea.' Its rousing and inspiring themes are audience favourites.
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£89.50The City in the Sea (Euphonium Solo with Concert Band - Score and Parts) - Clarke, Nigel
The composer's re-working of his legendary brass score, an atmospheric, dramatic and haunting depiction of the tragedy of Dunwich, the medieval city engulfed by the remorseless forces of nature.Duration 18:00
Estimated dispatch 7-14 working days
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