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£87.70Introduction and Rondo Capriccioso - Camille Saint-Saëns
A brilliant transcription of this very famous violin solo, utilizing a more chamber-like wind ensemble scoring in order to maintain the delicate balance between the soloist and ensemble. Instrumentation: Solo Flute, C Flute 1, C Flute 2, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Bass Clarinet, Bassoon, Horn 1, Horn 2, Trumpet 1, Trumpet 2, Euphonium (T.C. and B.C.), Tuba, Timpani
Estimated dispatch 7-14 working days
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£65.99Symphony No. 1 Theme - Sandy Feldstein
The Johannes Brahms "Symphony No. 1" theme is designed to give your best players an opportunity to play a solo with Band accompaniment. The solo is the same one that appears on page 36, Book 1 of "The Yamaha Advantage" for Oboe, Bassoon, Alto Clarinet, Tenor Saxophone, and Horn. This arrangement also includes solo parts for Flute, Clarinet, and Alto Saxophone. This piece can also be performed by Band alone.
Estimated dispatch 7-14 working days
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£110.40Epic Variants - Alexandre Carlin
Also available for Solo and Piano (060934050)Epic Variants was commissioned for the 1st clarinet day in Anet (France), not far from La Couture-Boussey where the clarinet was first created.The work was premiered in 2022 on may 7th by Didier Pernoit, bass clarinet soloist of the Orchestre Philharmonique de Radio-France, accompanied by the concert Band of B, conducted by the composer.The work is based on a theme harmonized with strong epic chord progressions, exploiting the whole register of the bass clarinet, from dark low sounds to soft higher notes.The piece is in one part, but divided in three different moods, each thematic material being a variation from the first one.
Estimated dispatch 7-14 working days
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£80.99Love's Old Sweet Song - Molloy
This beautiful song from the turn-of-the-century is Andrew Glover's latest addition to the Barnhouse "Spotlight" series for solo instrument or voice with band accompaniment. Most effective as a solo for euphonium, trombone, or cornet/trumpet, it includes solo parts and is also playable by solo flute, violin, oboe, clarinet, alto saxophone, or horn. It may also be performed as a vocal solo (medium range from low D up to top-line F.) A masterful arrangement of a wonderful classic song!
Estimated dispatch 7-14 working days
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£89.99Czardas - Vittorio Monti
This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse "Spotlight" series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!
Estimated dispatch 7-14 working days
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£84.99Claribelle - Wim Laseroms
Claribelle is fairly unique as a solo piece as rather than using one soloist it uses the whole clarinet section to play the solo part. . The composition is characterised by a fast tempo and by a theme which primarily consists of scale patterns that create a virtuoso character. Wim Laseroms wrote the piece in ABA-form with the accompaniment in the middle section having a somewhat more lyric character than that of the first and last sections. In the coda, the solo and the accompaniment join forces and conclude this short work in style with a brilliant fortissimo.
Estimated dispatch 7-14 working days
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£87.99Tokyo Nocturne - Philip Sparke
Tokyo Nocturne was commissioned by the Tokyo Wind Symphony Orchestra to celebrate its 60th anniversary in 2023. They gave the world premiere under maestro Keita Matsui on November 5th that year. The work opens quietly on a solo clarinet with a modal phrase, which builds as more instruments enter until, over a static, muted brass chord, the textures thin to introduce a chorale-like passage for the woodwinds. This intensifies until the brass enter with a chorale of their own, again building to a celebratory full-band climax. The optimistic mood changes abruptly to one of uncertainty but only to reintroduce the brass chorale, this time on the woodwinds, in a quieter, calmer iteration. The music again builds to a climax, where the brass majestically repeat the opening clarinet melody, before the mood relaxes to bring the work to a peaceful close.
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£79.99Variations on a Theme by Glinka - Nicolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov's VARIATIONS ON A THEME BY GLINKA was written for solo oboe accompanied by wind band. The theme of the Variations is in a fact a folksong melody which is still occasionally heard in Russia. This edition of VARIATIONS ON A THEME BY GLINKA is based on the full score published by the Russian state publishers and a number of editions of the same piece for solo oboe and piano. Adapted for the present day wind band, the corno basso accompaniment has been rescored for bass clarinet reinforced by optional string bass. Saxophones have been added to the instrumentation in tutti sections, along with rehearsal numbers throughout the meticulously edited full score.
Estimated dispatch 7-14 working days
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£64.99Let It Go - Kristen Anderson-Lopez
Designed as a flexible solo feature with band (use a vocalist or instrumental soloist) this marvelous arrangement of the signature hit song from Disney's Frozen is a great way to add variety to any concert. Great for alto sax, flute, clarinet or trumpet solo!
Estimated dispatch 7-14 working days
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