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  • £159.99

    Fantasia Per La Vita E La Morte - Bert Appermont

    The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...

    Estimated dispatch 7-14 working days
  • £97.60

    Queen in Concert

    Contents: The Show Must Go On, A Kind Of Magic, Too Much Love Will Kill You, Crazy Little Thing Called Love & We Will Rock You

    Estimated dispatch 7-14 working days
  • £78.95

    Zombie Tango - James Meredith

    Imagine if you will, two zombies dancing a zombie tango and you get the gist of this clever piece for young players. It would make a great Halloween concert piece, or anytime zombie fever is taking over your school. This is the first piece in our catalog by composer James Meredith.

    Estimated dispatch 7-14 working days
  • £104.99

    L'Amico Fritz - Pietro Mascagni

    When you say Mascagni you immediately think of Cavalleria rusticana. This work brought Mascagni overnight fame after his wife - without him knowing - entered the score in a composition contest and it won first prize. Cavalleria rusticana became an incredible success, overshadowing the premiere of his next opera, L'Amico Fritz. L'Amico Fritz can still be considered a successful opera, with its highlights being the 'Cherry Duet' and this intermezzo, arranged by the Japanese Kimura.

    Estimated dispatch 7-14 working days
  • £104.99

    Stayin' Alive - Barry Gibb

    The hit of the seventies! When you say disco, you immediately think of the Bee Gees. Their hit song Stayin' Alive has become an evergreen partly due to the fabulous dancing of John Travolta in the film Saturday Night Fever. This arrangement for concert band will make a great encore at your next concert!

    Estimated dispatch 7-14 working days

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  • £248.99

    Missa Brevis - Jacob de Haan

    Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.

    Estimated dispatch 7-14 working days

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  • £239.99

    The Three Musketeers, Op. 8 - Maxime Aulio

    Les Trois Mousquetaires (The Three Musketeers) was commissioned by the Miraphone company for the Miraphone Tuba Quartett and the Musique des Gardiens de la Paix (Paris, France). It was premired in Guebwiller (France), on 28 June 2003 by its dedicatees.Even if you have never read a line of the mythical novel The Three Musketeers (1844) by Alexandre Dumas, father, you will at least have heard of the "four invincibles"; four extraordinary names - D'Artagnan, Athos, Porthos, and Aramis - and one unique motto "All for one, and one for all." The musical texture of Les Trois Mousquetaires is focused on specific elements of a character's personality rather thanon its influence on the book's plot. Maxime Aulio has largely turned his attention on D'Artagnan, the sensitive, romantic and perfect gentleman who is easily charmed by women such as the gentle Constance Bonacieux and the perfidious Milady de Winter whose beguiling beauty seduced him. The first movement - D'Artagnan - is true to the character of the young provincial noble of the Gascony region: heroic and enthusiastic in all circumstances. The second movement entitled Constance Bonacieux, is romantic, delicate and passionate. The third and last movement is as duplicitous as the bewitching femme fatale its reveals: Milady de Winter.

    Estimated dispatch 7-14 working days
  • £76.99

    A Mariah Carey Christmas

    Mariah Carey made a huge addition to our holiday listening experience with her Merry Christmas album. This arrangement includes three of those tunes woven into a medley by Joe Murphy: All I Want for Christmas Is You Miss You Most (At Christmas Time) Christmas (Baby Please Come Home).

    Estimated dispatch 7-14 working days
  • £72.99

    Llorando Se Fue (La Lambada)

    Watch your students light up when they recognize this melody, originally a Bolivian folk song, now used as the favorite 2nd tune of many current dance hits. If you can play a B-flat scale, you can play this!

    Estimated dispatch 7-14 working days
  • £72.99

    Christmas Troika - James Curnow

    Here is a little musical sleigh ride you won't forget! Sleigh bells, a whip crack, and the momentum of a joyous ride across the snow make this a sure winner for your holiday concert. Christmas Troika serves as a delightfulconcert opener or will slide gracefully into any spot on your program. There are great opportunities to study staccato and legato articulations side by side, and you'll find a load of other great teaching opportunities includedas you prepare this captivating musical experience for your listeners.

    Estimated dispatch 7-14 working days

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