Results
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£64.99Disney Around the Bandroom (Concert Band - Score and Parts) - Vinson, Johnnie
Cleverly arranged to showcase each instrument on a well-known Disney tune, here's the perfect recruiting tool for your next concert tour of the elementary schools! It's also an entertaining medley for any concert. Includes: A Whole New World (full band), Let It Go (Clarinets), Arabian Nights (Oboe), Beauty and the Beast (Flutes), We Don't Talk About Bruno (Saxes), Remember Me (Trumpets), Can You Feel the Love Tonight (F Horns), You've Got a Friend in Me (Trombones/Baritones), Under the Sea (Percussion), and You're Welcome (bass instruments).Duration: 6.00
Estimated dispatch 7-14 working days
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£179.90Saint Nicholas Fantasy (Concert Band - Score and Parts) - Sadeler, Georges
Saint Nicholas Fantasy is a medley of traditional Luxembourgish songs about St. Nicholas of Myra, whose story is celebrated on the 6th of December in various European countries. Playfully adapted into different styles such as bossa nova, samba, swing, dixieland or jazz waltz, these songs describe the children's uncontrolled excitement for the presents this holy man brings. The medley includes the songs:Kanner, loosst mer lschteg sinn (Let's be Merry and Bright)Am Uewe potert d'Feier (The Fire Crackles in the Oven)Nach eemol gi mer schlofen (Once More We'll Go to Sleep)Am Dezember, vru Niklosdag (In December, Before St. Nicholas' Day)Ei, ei, ei! Lo ass de Kleeschen hei (Now Father Christmas is Here)Liwe Kleeschen, gudde Kleeschen (Dear Saint Nicholas, Good Saint Nicholas)Duration: 5.15
Estimated dispatch 7-14 working days
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£60.00A New Orleans Promenade (Flexible Ensemble - Score and Parts) - Neeck, Larry
A New Orleans Promenade is fun-filled from start to finish! This unique medley, arranged in traditional New Orleans Jazz style, consists of three classic songs, "What A Friend We Have In Jesus," "St. Louis Blues," and "When The Saints Go Marching In." To spice things up even more, an optional jazz combo can be featured as part of the ensemble. This cheerful, engaging arrangement will provide a treat for your students and audience alike. Great fun, and excellent for small groups and distance learning! Duration: 4.50
Estimated dispatch 7-14 working days
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£74.00The Best Christmas Ever (Concert Band - Score and Parts) - Clark, Paul
You will definitely have "The Best Christmas Ever" with this great medley of Christmas favorites from the pen of Paul Clark. This creative and fresh medley includes "We Wish You A Merry Christmas" (which includes short quotes from six other carols), "Silent Night." and "Go Tell It On The Mountain" The musical construction, sophisticated harmonies, and colorful orchestration are outstanding. Not to be missed! Duration: 4.30
Estimated dispatch 7-14 working days
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£75.00How Far is it to Bethlehem? (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Written by Frances Alice Chesterton, wife of G. K. Chesterton, How far is it to Bethlehem? this carol expresses the profound longing we feel to experience firsthand the miracle of the Christmas story, not just as thinking adults, but with the wonder of children. The childlike question How far is it to Bethlehem? and the simple response Not very far begin this gentle carol. The lyrics go on to reveal the little smiles and tears that children bring as their gifts, as well as their inherent trust, as they fall asleep. This arrangement by David Willcocks is for SSA, and the instrumental accompaniment is the same voicing in groups of woodwinds and trumpets. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£118.99Queen Will Rock You (Concert Band - Score and Parts) - Stanford, Tom
Few bands in the history of pop music have maintained the level of popularity seen by Queen. We Will Rock You, The Show Must Go On, Fat Bottomed Girls and I Want It All are amongst the heavier songs in their extensive repertoire. Tom Stanford has used these rock songs to create a medley which will rock your audience!Duration: 7.00
Estimated dispatch 7-14 working days
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£69.99Christmas Wonderland (Flexible Ensemble - Score and Parts) - De Haan, Jan
This collection features six internationally well-known Christmas songs: 'Joy to the World', 'Fum, Fum, Fum', 'Go Tell It on the Mountain', 'God Rest Ye Merry, Gentlemen', 'We Wish You a Merry Christmas' and 'Jingle Bells'.
Estimated dispatch 7-14 working days
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£76.99Moana, Selections from (Concert Band - Score and Parts) - Miranda, Lin-Manuel - Bocook, Jay
Disney's blockbuster animated film features catchy songs from the composer of Broadway's Hamilton, Lin-Manuel Miranda. Here's an entertaining medley for the concert stage that includes: How Far I'll Go, We Know the Way, Where You Are and You're Welcome.
Estimated dispatch 7-14 working days
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