Results
-
£13.95
Dancing & Drumming
1Dancing and DrummingSusato/BertoffThe Central Band of the Royal Air Force2.262OvationMartin EllerbyThe Central Band of the Royal Air Force2.523Night and DayCole PorterThe Central Band of the Royal Air Force2.364Pineapple PollSullivan/MackarrasThe Central Band of the Royal Air Force5.555St. Louis BluesW.C. HandyThe Central Band of the Royal Air Force3.396Minstrel Boy/Toss the Feathersarr. WiffinThe Central Band of the Royal Air Force5.427Merry Wives of WindsorNicolai arr. GodfreyThe Central Band of the Royal Air Force5.428Woodchoppers' BallBishop & HermanThe Central Band of the Royal Air Force2.569MarschMarcel WenglerThe Central Band of the Royal Air Force3.1910Tiptoe TuneIrwin BertoffThe Central Band of the Royal Air Force3.4611Duel of the FatesJohn WilliamsThe Central Band of the Royal Air Force4.1412Royal Hunt of the SunMartin EllerbyThe Central Band of the Royal Air Force4.3413Music of the NightLlord Webber, Hart & StilgoeThe Central Band of the Royal Air Force4.2314Semper FidelisSousaThe Central Band of the Royal Air Force2.4415BoleroRavelThe Central Band of the Royal Air Force8.49
Estimated dispatch 7-14 working days
-
£29.95
God So Loved the World - Score and Parts - Sir John Stainer
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
-
£5.95
God So Loved the World - Score only - Sir John Stainer
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
-
£70.99
Hey Baby Feat. Deb's Daughter - Dimitri Thivaios, Michael Thivaios, T.W. Pentz, P.A. Hanna, F.M. Richard - Frank Bernaerts
Estimated dispatch 10-14 working days
-
Fragile Oasis - Peter Meechan
Fragile Oasis is the name of a collective who describe themselves as "...a grass-roots participatory initiative that connects the shared perspective of astronauts from different countries and cultures with people on Earth, encouraging all to work together so that our planet is not only visibly beautiful, but beautiful for all".Many involved in the project are astronauts on the International Space Station (I.S.S.), who post, on their website (http://www.fragileoasis.org) many different details of their experiments, photos from space, and some incredible video footage of our Earth.One such time lapse video (a video made up many still images) was posted on their website by astronaut Ron Garan (http://www.fragileoasis.org/blog/2011/11/coming-back-down-to-our-fragile-oasis-2/) in 2011. It is made up of images taken from the I.S.S. of what Garan described as "...a couple of laps around our Fragile Oasis before coming back down [to Earth]" and features all kinds of amazing views from space.Each of the five sections of this work relate to an aspect of the video - either something literal or something more metaphorical. The opening section, i: The lights from Above, is a musical description of the view of the Aurora Australis from above the lights. The second section, ii: The Storm from Above (part i), is also a musical portrayal of portions of the video clip - in this case the many lightning storms we see from above. The storms that are so powerful on Earth appear as small bolts of electricity dancing through the clouds.The third section, iii: Freya, has its roots in personal family tragedy. The name Freya derives from a Norse goddess who was associated with both beauty and love, and in this central section I wanted to write music that not only acknowledged how fragile life itself is, but that every day of it counts and should be celebrated.iv: The Storm from Above (part ii) is a again a reference to the lightning storms, but also to the huge hurricanes we see in the video. It leads us to the final section, v: The Oasis from Above - a description of the size and grandeur of Earth, our Fragile Oasis.Fragile Oasis is dedicated to Natalie Youson, in friendship.The original wind orchestra scoring was completed in 2014, and was revised in 2017 with the editorial advice of Robert Ambrose whose support of this work I am eternally grateful for.This wind orchestra scoring was completed in 2014 and was commissioned by a consortium of the following bands:Agrupacin Msico-Cultural "Las Musas" de Guadalupe (Murcia) - Dr. Jos Ibez Barrachina - SpainBand of the Coldstream Guards - Major Darren Wolfendale - UKBorge Musikkorps - Sverre Stakston Olsrud - NorwayThe Brooklyn Wind Symphony - Jeff W. Ball, Artistic Director - USADunshan Symphonic Wind Orchestra - Adrian Schneider - ChinaKoninklijke harmonie Ste. Cecilia Zele - Bart Picqueur - BelgiumMusikgesellschaft Emmen - Manuel Imhof - SwitzerlandUniversity of Saskatchewan Wind Orchestra - Dr. Darrin Oehlerking - Canada
Estimated dispatch 5-14 working days
-
Taking the Fifth - Peter Meechan
Written during the Covid-19 pandemic, originally as an adaptable chart, Taking the Fifth takes its title from both the primary interval of the work as well as from a general British expression that when something is outrageous, remarkable, or the worse of its kind that it "takes the biscuit".Given that the piece was written during the Covid-19, and that even more unpredictable news that followed every day during the pandemic, it seemed an apt title!Upbeat, occasionally dark, but always with drive and a sense of fun, Taking the Fifth was the piece that got my creative juices flowing again, having initially found myself pretty lost for inspiration during the early stages of pandemic.Taking the Fifth is dedicated to my dear friend, Robert Ambrose.Peter Meechan 2021Anthony Reimer, Calgary, CanadaBenedictine College - Tom Davoren, Director of BandsBrandon University - Wendy Zander McCallum, Conductor, Symphonic BandBrooklyn Wind Symphony - Jeff W. Ball, Artistic Director & ConductorDordt University - Onsby C. Rose, Director of Instrumental StudiesGeorgia State University - Robert Ambrose, Director of BandsGlobal Bandroom Podcast - Keith Kelly, HostKansas State University - Frank Tracz, Director of BandsUniversity of Kansas - Matthew Smith, Associate Director of BandsUniversity of Regina - Brent Ghiglione, Director of BandsWinona State University - Melanie Brooks, Director of Bands
Estimated dispatch 5-14 working days
-
£93.10Crazy Rhythm - Joseph Meyer, Roger W. Kahn, Irving Caesar - Ray Woodfield
Estimated dispatch 7-10 working days
-
£93.10
I Will Follow Him - J.W. Stole, Del Roma, Jacques Plante - Goff Richards
Estimated dispatch 7-10 working days
-
£93.10
-
£142.00
Curse Of The Jade Scorpion - Albert W. Ketelbey - Norman Tailor
In A Persian Market
Estimated dispatch 10-14 working days
View Music