Results
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£165.50
Variations for Wind Band - Ralph Vaughan Williams
Scored for large wind ensemble by Donald Hunsberger. Originally composed for Brass Band (1957).
Estimated dispatch 7-14 working days
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£84.95
Partita (Concert Band - Score and Parts) - Gregson, Edward
Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
Estimated dispatch 7-14 working days
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£16.95
Partita (Concert Band - Score Only) - Gregson, Edward
Partita' was originally composed for brass band in 1973. The work is in three movements, and uses material based on the 13th century plainsong 'Dies Irae". the opening Intrada is sombre. the second movement is a 'chorale and variations. the chorale melody follows the main outline of the plainsong. the five variations are varied in mood and intensity. the final March is much happier in mood and has a lyrical tune in the middle first heard on horns. However, references to the 'Dies Irae' are still apparent and the final bars of the work contain a quote from the opening movement.
Estimated dispatch 7-14 working days
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£60.99
Variations on Jerusalem the Golden - Charles E. Ives
For Brass Band of Old Instruments (or modern brass quintet or sextet) and Concert Band. Arranged by Keith Brion. Grades 4-5.
Estimated dispatch 7-14 working days
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£124.95
SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£89.95
Variations on 'Laudate Dominum'
Composer: Edward GregsonDuration: 15:30Series: Gold TradeWinds Concert Band SeriesGrade/Difficulty: 57Transcriber: Rob WiffinThe theme is a noble hymn tune by Sir Hubert H. Parry, associated with the words O praise ye the Lord. There are seven contrasting variations that will provide much interest to the player as well as the listener, the seventh of which is a fugato which leads into a triumphant finale where the theme is heard for the first time in its completion. This, we feel, will be a significant work for Wind Band as it has been for the brass band movement.
Estimated dispatch 7-14 working days
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£73.33
Variations on Was Lebet - Wind Band (Andrew Wainwright)
A magnificent major work based on the German chorale 'Was Lebet' (O worship the Lord in the beauty of holiness). The piece is made up of five contrasting variations. A majestic, fanfare-like section opens the work, leading into a giocoso classical-style variation. The beautiful Variation 2 is reflective and plaintive, while the next variation is somewhat quirky and volatile in nature. There is a French romantic feel to Variation 4, with a playful waltz providing scope for various soloists around the band to display their musicianship. Variation 5 is fugal in nature, with each section of the band being handed the theme at various points. The sense of motion builds gradually to a grandiose presentation of the theme, the first time that it is heard in its full form, bringing the work to a thrilling, majestic conclusion. *Please note audio and video are of the brass band version. To view The International Staff Band performing the brass band version of the work, please visit https://www.youtube.com/watch?v=LCxs7SpulHY PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Flute/Piccolo Flute 1-2 Oboe 1 Oboe 2/English Horn Bassoon 1-2 Contrabassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-4
In stock: Estimated dispatch 1-3 days
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£150.00
Diversions on a Theme of Paganini (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
This work is made up of eight short movements and was originally scored for brass quintet, being commissioned for performance by the London Gabrieli Ensemble. The full orchestra version was made in 2000 for a commercial recording by the Royal Ballet Sinfonia conducted by Gavin Sutherland, and the band arrangement was completed in 2009. The title is important in that the pieces are more musings than variations on the famous theme. The introduction stands somewhat apart, rather in the way the opening of Dohnanyi's Variations on a Nursery Tune does, and the subsequent diversions play with the theme, or parts of it, in movements lyrical, bombastic, or plain frivolous. The individual titles of the movements are self-explanatory, except to add that the last one always reminds the composer, for some reason, of final credits going up at the end of a film or television programme. Titles of the eight movements: 1. Introduction and Theme; 2. In Pieces; 3. Toccata; 4. Chaconne; 5. Cortege; 6. Popular Song; 7. Five-A-Side; 8. Epilogue. This piece will be a great workout for your band, with lots of opportunities for soloists, some rhythmic challenges, and great emotional stretches.
Estimated dispatch 7-14 working days
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£189.95
Paganini Variations (Concert Band - Score and Parts) - Wilby, Philip - McBride, M. Scott
This Wind Band orchestration of Wilby's Paganini Variations attempts to capture the range of colour and expression of the original. There are opportunities abound for every member of the wind orchestra to play a convincing role in the drama. The intention of the Brass Band work was to use more of Paganini than his time honoured melody (from his twenty-fourth Caprice with a set of fourteen variations), but would also attempt to recreate in modern terms something of the wild and romantic spirit of the times.
Estimated dispatch 7-14 working days
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£37.95
Paganini Variations (Concert Band - Score only) - Wilby, Philip - McBride, M. Scott
This Wind Band orchestration of Wilby's Paganini Variations attempts to capture the range of colour and expression of the original. There are opportunities abound for every member of the wind orchestra to play a convincing role in the drama. The intention of the Brass Band work was to use more of Paganini than his time honoured melody (from his twenty-fourth Caprice with a set of fourteen variations), but would also attempt to recreate in modern terms something of the wild and romantic spirit of the times.
Estimated dispatch 7-14 working days