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  • £118.99

    Princess Mononoke, Medley - Joe Hisaishi

    Series: New Sounds in Brass (NSB); Duration: approx.8'50"; Composed by Joe Hisaishi; Arranged by Takashi Hoshide. Arranger Takashi Hoshide says, "I have selected beautiful melodies from the soundtrack of 'Princess Mononoke' (1997, directed by Hayao Miyazaki) and arranged them into a medley. What can be said about these songs as a whole is that they combine a grand continental scale with the delicacy that reflects Japanese emotions. Since there are no upbeat songs in this selection, I had to work hard on the arrangement, but this allowed for creating contrasts and transitions between each scene in the performance. 'Ashitaka Sekki (English title: The Legend of Ashitaka)' - 'Sekki' means a story that is not recorded but passed down orally. In this anime, this can be considered a sub-main theme. The song starts with a feeling that the story is about to begin and, once the theme kicks in, aim for a grand performance to convey its scale. 'Encounter' - This is the music that plays during the scene where the protagonist Ashitaka meets San. Interestingly, the motif of the main theme 'Princess Mononoke' is used in this melody. Here, let's pursue the shifts in the timbre of individual phrases, creating a beautiful and aesthetic soundscape. 'Princess Mononoke' - This is the main title of the anime. The melody line is carried by horns and trumpets."

    Estimated dispatch 7-14 working days
  • £7.99

    Malkauns - Lindsay Boyd

    While teaching in India, composer Lindsay Boyd became acquainted with the fundamentals of Northern Hindustani music. The result is this intriguingly unique work for wind band that incorporates distinctive sounds of India. The "drone" sound of the tambura is available as a free download online, or may be substituted with a marimba. The vocal chanting in the piece is a representation of the syllables used by a tabla player when learning to play this exotic drum.This is a wonderful piece for expanding the musical horizons of your players and audience!

    Estimated dispatch 7-14 working days
  • £296.50

    Celtic Scents - Kazimierz Machala

    Celtic Scents is an amazing suite of wonderful musical scents (wildflowers, herbs, and trees) unified by the brilliant imagination of world-renowned teacher, performer and composer Kazimierz Machala, and the familiar sounds of Celtic folk music. This completely original work of seven movements is reminiscent of Grainger'sLincolnshire Posy, including a very creative and enjoyable harmonic palette. The composition requires a full wind band and takes advantage of colorful orchestration to link each movement more closely to the scent it represents. While Machala composed Celtic Scents originally for orchestra, he has carefully and artistically re-orchestrated the work for the modern wind band. Celtic Scents will best suit performances by collegiate and professional wind bands around the world due to the advanced technical and musical requirements. There is absolutely no doubt that audiences and performers will enjoy their time spent with this joyful and engaging composition.

    Estimated dispatch 7-14 working days
  • £95.95

    Rondo Festivo - Joseph Compello

    An effortless dance-like composition written in 5/4 time that remains graceful despite its uneven meter. It sounds carefree and joyous, but demands careful attention to rhythmic detail, improving the skills of your advancing band. It will work wonderfully as a selection for a contest or festival.

    Estimated dispatch 7-14 working days
  • £89.99

    Centennial Prelude - Jan Van der Roost

    This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991, this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan), this was the most 'near' commission he ever received indeed!It is a short but varied piece, featuring all sections of the band. After a short introduction, played by the brass instruments, a crisp rhythm starts and boxes the main theme. After a second theme, played by brass and percussion, a short melodical passage brings some 'rest'. At the end, the fanfare of the introductionreoccurs.Although this "Centennial Prelude" isn't a really demanding piece, it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.

    Estimated dispatch 7-14 working days

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  • £420.99

    Tre Sentimenti - Jan Van der Roost

    At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..

    Estimated dispatch 7-14 working days

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  • £45.95

    Whispering Winds - Brian Balmages

    This well-developed lyrical selection hardly sounds like a grade 1.5 and is very appropriate for upper-level ensembles as well. Brian uses some innovative effects as he portrays the sound of a gentle breeze that almost seems to be whispering. Limited range and technical demands move all focus to musicality. Strongly consider this captivating work.

    Estimated dispatch 7-14 working days
  • £69.99

    Swedish Folk Rhapsody

    Here's a marvelous arrangement featuring the engaging sounds of folk music from Sweden. It opens with a brief fanfare followed by In The Summer The Sun Shines So Clearly. After the lovely 3/4 melody Flowers Of Joy, Eric alternateswoodwind and brass choirs on the dignified O Varmland. The lively song My Love Like A Dainty Shepherdess is written in 3/4 for ease of reading, and the medley concludes with a majestic setting of The King. Well scored with plentyof variety.

    Estimated dispatch 7-14 working days
  • £113.30

    Moderate Dances - Angelo Sormani

    This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.

    Estimated dispatch 7-14 working days
  • £82.50

    Time Circles - John Prescott

    The concept of transporting oneself back in time through memory has long been the subject of debate and curiosity. A popular song or striking melody can be a key to unlocking distant memories, and for a brief instant create a circle in time. The evocative music of this work appears at times in melodic swirls that seem to float in from the distance as memories sometimes occur. Light but persistent percussion creates a subtle yet unyielding background for wind lines that seem to travel through passageways of sounds as though traveling through time itself.

    Estimated dispatch 7-14 working days