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£149.40Song for Frances - Øystein Olsen Vadsten
"Song for Frances" is a classic love ballad, written for concert band and brass band, with a soloist on euphonium.The piece always has the soloist in focus and gives him plenty of room to show off, both a warm sound and technical skills. In the first part of "Song for Frances", the basic melody is clearly presented, while the rest of the piece is more of a written "as if improvisation" with various melodic and technical "whims". The piece will be perfect for any euphoniumist looking for a challenge.
Estimated dispatch 7-14 working days
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£144.99Serenata - Jan Van der Roost
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.
Estimated dispatch 7-14 working days
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£224.99Lux Futura - Kevin Houben
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.
Estimated dispatch 7-14 working days
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£106.95
Polar Vortex - Gene Milford
The Polar Vortex is the mass of extremely cold air situated over each of the earth's poles. Occasionally the vortex slips away from the polar region bringing unusually cold air to areas away from the pole. Polar Vortex is a depiction of a winter storm inspired by the poem by Ralph Waldo Emerson, "The Snow-Storm." It is a rhapsodic piece with many contrasting moments, styles, tempos, and colors of sound. A sophisticated new work from composer Gene Milford.
Estimated dispatch 7-14 working days
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£144.99Devil's Tower - Thomas Doss
This piece tells the story of the tower as the only remain of the once legendary castle in Waldneukirchen. The Devil took possession of the tower and of course this leads to nothing good. A fantastic piece featuring Renaissance sequences hidden within a filmic compositional style, plus other sound effects integrated into this spectacular and challenging piece full of beautiful melodies and themes!
Estimated dispatch 7-14 working days
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£69.99A Winter's Dawn - John Fannin
An enchanting winter's day comes to life in this exciting new work for concert band by rising star composer John Fannin. Skillful use of bells, chimes, and assorted other percussion instruments help give this piece a character of its own. The icy sound of water glasses is particularly expressive, and the thrilling accented rhythmic momentum of the faster parts of the piece will show off your band in stunning array.
Estimated dispatch 7-14 working days
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£84.99Folksong Suite - Antal Farkas
This reworked edition of the Folksong Suite by Antal Farkas will help to widen the repertoire of youth ensembles and adult amateur orchestras. The composer's son, Tams Farkas has supplemented the score of the work, adding symphonic wind ensemble parts, and has in a number of places reworked it slightly in accordance with present-day requirements. 'I recommend this work to any orchestra active anywhere in the world. The piece provides an enjoyable experience, helps in correcting faulty intonation, in interpreting various musical styles, in fostering a homogeneous sound, in developing technique and ensemble playing, and it is certain of a favourable response from audiences. I hope every musician will find pleasure in it!' (Jzsef Csikota, president of the East European section of the World Association for Symphonic Bands and Ensembles.)
Estimated dispatch 7-14 working days
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£87.99
All Cried Out
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don't Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.
Estimated dispatch 7-14 working days
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£65.99
New Orleans Jazz - Gerald Sebesky
Simply one of the best pieces you can find to teach the youngest of players the combination of a good New Orleans sound mixed with a nice little dose of jazz. Gerald Sebesky gets the best out of your band with this very useful piece.
Estimated dispatch 7-14 working days
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