Results
-
£171.00Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.
Estimated dispatch 7-14 working days
-
£224.99Lux Futura - Kevin Houben
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.
Estimated dispatch 7-14 working days
-
£144.99Devil's Tower - Thomas Doss
This piece tells the story of the tower as the only remain of the once legendary castle in Waldneukirchen. The Devil took possession of the tower and of course this leads to nothing good. A fantastic piece featuring Renaissance sequences hidden within a filmic compositional style, plus other sound effects integrated into this spectacular and challenging piece full of beautiful melodies and themes!
Estimated dispatch 7-14 working days
-
£68.99
Celtic Fantasy - Keiichi Kurokawa
"Celtic" is a widely used term. Its history and culture expands to modern day Spain, Portugal, and North America.However, in this piece, I have based my music on the typical "Celtic" areas of Ireland and Scotland.The Bagpipe drone at the beginning reappears several times.After the introduction, the music transitions to an Irish Reel, The Wind That Shakes The Barley. Reel is a fast tempo dance, often in 4/4 or 2/2 time.Next is the Scottish folksong Auld Lang Syne, known as "Hotaru no Hikari" in Japan.The third movement is called Scotland the Brave. It is often performed by military bagpipe ensembles. Once air is blown into the bag, there is a constant reservoir of sound for Great Highland Bagpipes.A Part (advanced) is a grade 2.5-3 in American grading system. B Part (beginner) is 1-1.5.B Part is accessible for elementary school and junior high school beginning band students in Japan. However, the drone-sounding sections require a certain technique to hold the sound steady.It is my sincere desire that beginning musicians understand the importance of fundamentals through performing good music.Keiichi Kurokawa
Estimated dispatch 7-14 working days
-
£78.95
Castlebay - Gene Milford
This fresh new setting of two traditional Scottish folk songs, Will Ye No Come Back Again and Keel Row, was written in honor of its namesake, the Scottish village Castlebay. Composer Gene Milford has crafted a well-scored offering for contest/festival performance that is reminiscent of English-style band pieces. After the striking opening, the piece moves to the more fiddle-like Keel Row in a lilting 6/8. All of the sections of the ensemble get to shine and the band will sound formidable with this piece.
Estimated dispatch 7-14 working days
-
£84.50
Interplay - Bill Calhoun
As the title implies, this dynamic new piece from Bill Calhoun is full of interplay between sections of the band, colors of sound, harmonic progressions and even contrasting styles. This piece has a little bit of everything: a fanfare opening, a bold brass melody, lush woodwinds and so much more. You will love the slow, beautiful middle section that will stretch the musicianship of your young band. This piece will be the highlight of your next concert or festival performance.
Estimated dispatch 7-14 working days
-
£84.99Folksong Suite - Antal Farkas
This reworked edition of the Folksong Suite by Antal Farkas will help to widen the repertoire of youth ensembles and adult amateur orchestras. The composer's son, Tams Farkas has supplemented the score of the work, adding symphonic wind ensemble parts, and has in a number of places reworked it slightly in accordance with present-day requirements. 'I recommend this work to any orchestra active anywhere in the world. The piece provides an enjoyable experience, helps in correcting faulty intonation, in interpreting various musical styles, in fostering a homogeneous sound, in developing technique and ensemble playing, and it is certain of a favourable response from audiences. I hope every musician will find pleasure in it!' (Jzsef Csikota, president of the East European section of the World Association for Symphonic Bands and Ensembles.)
Estimated dispatch 7-14 working days
-
£92.50
New Dawn - Roland Barrett
This powerful new work by Roland Barrett chronicles the story of the Enola Gay, the aircraft whose name will forever be etched in history as the deliverer of the world's first atomic bomb. Using a massive battery of percussion, New Dawn features easy but effective special sound effects and inventive percussion writing. There are plenty of moments of tension and impact that alternate with passages of serenity and contemplation. An emotional and energetic work that will keep audiences on the edge of their seats. (8:30)
Estimated dispatch 7-14 working days
-
£98.20Space Lab - Giuseppe Ratti
A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.
Estimated dispatch 7-14 working days
-
£82.50Surf's Up! - Joseph Eidson
Inspired by surf rock bands of the 1960s, the musical characteristics of the style are all showcased here: a fast-paced driving rhythm combined with an agile melody and frequent use of blues scale elements. Steady rhythms in the winds and percussion imitate the chugging of a Fender Stratocaster guitar, while dynamics ebb and flow until an energetic coda delivers a tsunami of sound that fills the concert hall.
Estimated dispatch 7-14 working days
View Music